Universal Audio UAFX Max Preamp & Dual Compressor – New Universal Audio Preamp Compressor Bass Guitar Effect Pedal
£285.00
The Universal Audio Max Preamp and Dual Compressor is a pedal which will transform your sound. Featuring a wealth of seriously sublime footswitch-selectable compressor types including the UA 1176 LA-2A Classic Dyna Comp and more itll give you all the tools you need to create the crispest clearest most sustained guitar tones ever. And with…
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The Universal Audio UAFX Max Preamp & Dual Compressor is in New condition and made by Universal Audio , it is a great Preamp Compressor Bass Guitar Effect Pedal- The Universal Audio Max Preamp and Dual Compressor is a pedal which will transform your sound. Featuring a wealth of seriously sublime footswitch-selectable compressor types including the UA 1176 LA-2A Classic Dyna Comp and more itll give you all the tools you need to create the crispest clearest most sustained guitar tones ever. And with a premium preamp at your disposal you can carve out your dream tone with pinpoint accuracy. Expect flowing harmonics and as much grit as you desire. This is no ordinary pedal. Theres a sidechain bass filter for accurately shaping your low end as well as a wealth of other controls including Ratio Output and Release all of which help you perfectly mould your tone. If youre serious about creating a head-turning sound which always cuts straight through the mix to be heard and blends perfectly with other instruments in a band setting then this is the way to go. And with the UAFX Control app you can further enhance your arsenal by further tweaking each effect. Take your sound to the max – literally! . Available from Just Pedals for only £ 285 Access compression that makes guitar sound huge! All the compression youll ever need. With three dedicated compressor types built into this machine youll be able to shape your sound with verve. Theres the UA 1176 which gives you the same FET compressor-style that has been used to craft countless legendary guitar tones over the years. The Teletronix LA-2A has a softer warmer dynamic and can be fine-tuned using the Ratio dial giving you a much smoother compression type. Then theres the Classic Dyna Comp which is based around the lo-fi style of a legendary red box compressor. But it only gets better. You can stack these legendary compressors together with two dedicated footswitches turning each type on and off. All you need to do is assign each compression to a footswitch using the selector switches on each side. Then you can get the benefits of two compressors blended together to bring you a whole new universe of possibilities! Superior preamp based on tube model Its the most important part of your tone creation. The preamp loaded into the Universal Audio Max is based on a legendary tube preamp. Itll give you that warm crunch and accurate tone-shaping which helps your sound blossom. With dedicated Preamp and Output dials you can mould your sound to suit your exacting taste. Itll help you achieve your dream tone both in the studio and when performing onstage. Fully personalise through dedicated app Theres nothing you cant do. Using the dedicated UAFX Control app you can change things like EQ settings get serial/parallel operation and add a bass sidechain filter. So dont hold back and achieve your dream tone with ease. This is all in addition to silent switching buffered bypass stereo compatibility and more! If you love supreme-quality compression and tone-crafting the Universal Audio Max stands well above its peers as a superior pedal. Specifications Code: GPM-MAX Controls: Preamp Comp Output Attack Ratio Release Comp 1 Switch Comp Select Switch. Comp 2 Switch Inputs/Outputs: 2 x 1/4″ In 2 x 1/4″ Out USB-C Power: 9V DC PSU (Not Included) Footswitches: Comp 1 Comp 2
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Universal Audio (UA) is a prominent manufacturer of professional audio hardware and software, widely respected for its analog modeling technology and high-quality audio interfaces. Founded in 1958 by Bill Putnam Sr., Universal Audio has a rich history in the recording industry, having played a significant role in the development of early recording equipment and studio consoles.
Today, Universal Audio is best known for its range of audio interfaces, including the popular Apollo series, which combine high-resolution audio conversion with onboard processing power to run UA’s acclaimed UAD-2 plug-in platform. The UAD-2 platform offers meticulously modeled analog emulations of classic studio gear, including preamps, compressors, equalizers, and reverbs, allowing musicians and producers to add the warmth and character of vintage analog equipment to their digital recordings.
In addition to audio interfaces and plug-ins, Universal Audio also manufactures standalone hardware processors, such as the UAD-2 Satellite and UAD-2 PCIe cards, providing additional DSP power for running UA’s plug-ins in professional studio environments. With a commitment to quality, innovation, and capturing the essence of classic analog gear, Universal Audio remains a trusted name among audio professionals worldwide.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Compressor
A compressor pedal is an essential tool used in guitar playing to control the dynamic range of the instrument’s signal. Compressors work by reducing the volume of loud sounds and boosting the volume of softer sounds, effectively narrowing the dynamic range of the guitar signal. This results in a more consistent and sustained sound, with smoother transitions between notes and chords.
Here are the key features and functions of a compressor pedal:
1. **Threshold**: The threshold control determines the level at which the compressor begins to engage. Signals above this threshold are compressed, while signals below it remain unaffected.
2. **Ratio**: The ratio control determines the amount of compression applied to the signal once it exceeds the threshold. For example, a ratio of 4:1 means that for every 4 dB the input signal exceeds the threshold, the output signal will be limited to 1 dB increase. Higher ratios result in more aggressive compression.
3. **Attack**: The attack control sets how quickly the compressor responds to changes in signal level once it exceeds the threshold. A fast attack time will clamp down on peaks more quickly, while a slower attack time allows more transient peaks to pass through unaffected.
4. **Release**: The release control determines how quickly the compressor returns to its normal state after the signal falls below the threshold. A shorter release time will result in quicker recovery to normal signal levels, while a longer release time provides more sustain and a smoother overall sound.
5. **Level (or Output)**: This control adjusts the overall output level of the compressed signal, allowing you to match the compressed signal with the rest of your effects chain or amplifier.
Compressor pedals offer several benefits to guitarists:
– **Increased Sustain**: By levelling out the volume of notes and chords, compressors can extend the sustain of the guitar signal, making notes ring out longer and creating a smoother, more consistent sound.
– **Improved Note Clarity**: Compressors can help even out the volume levels of individual notes within chords, making them sound more balanced and defined. This is particularly useful for fingerstyle playing or intricate picking techniques where note clarity is crucial.
– **Enhanced Dynamics**: While compressors reduce the dynamic range of the signal, they can also enhance the perceived dynamics by bringing quieter passages up in volume, resulting in a more expressive and responsive playing experience.
Overall, compressor pedals are valuable tools for guitarists seeking to control their instrument’s dynamics, increase sustain, and achieve a more polished and professional sound. Whether used subtly to smooth out peaks or aggressively to add punch and presence, compressors can significantly enhance your guitar tone and playing experience.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
The most authentic emulations of classic UA 1176, Teletronix LA-2A, and classic Dyna Comp compressors, in a single pedal Full emulation of UA's legendary 610 tube preamp and EQ Stack and layer any combination of compressors Tweak preamp EQ settings, configure footswitches, add a sidechain bass filter, and more with the UAFX Control app Silent switching, buffered bypass, stereo operation
Authentic emulation of the 1176LN Limiting Amplifier in a compact stompbox Single, Dual, and Sustain modes for decades of classic guitar compression effects Input, Output, Attack, and Release settings true to original 1176 hardware Ratio knob includes “all buttons in” mode for squashed, gritty textures Parallel compression mode, true/buffered bypass
One-Stop Gig Solution for Bass Players with Main Effects needed Analog Preamp with 3-Band EQ recreates the Legendary Ampeg Style Tone, from Dynamic Clean to Classic Rock Bass Sound Compressor, Boost, Fuzz Modules ready for Most Common Use in Bass Playing Scenes Octave Module Produces Notes One and Two Octaves Lower along with the Direct Signal for the Massive Thickness or Treble Tricky with some High Frets Tracking XLR Output for directly connecting to PA, Mixer or Audio Interface; FX Loop for Hooking up other Effects
Analog Bass D.I. & Preamp with All in 1 Multi-Effects, extremely Compact and Easy to Carry, Great Partner of Gigging Musicians Analog Preamp with 3-Band EQ offers from Dynamic Clean to Classic Rock Dirty Bass Sound, give your Bass the Life it needs for every Musical Genre Analog Compressor/Boost, Envelope Filter (Auto Wah), Octave, Chorus, Everything you need on Bass Effects Dry Signal Thru Output for running through some Parallel Effects or do some Re-Amping; FX Loop for Hooking up other Effects Multi Effects Pedal Built-in TUNER for Turning your Instrument at any time; 9V Center Negative Regular Pedal Power Supply (Adapter included)
Analog Preamp, comp and Overdrive bass effect pedal Classic optical compressing sound, 3-band EQ with PRE/POST selection for enhancing and shaping your bass tone High impedance input and XLR balanced output Special Design Buffer Bypass Circuit Keeps the Sound Pristine Working with 9V Center Negative Regular Pedal Power Supply(not included)
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