The TC Electronic DC30 is a preamp pedal that authentically recreates the tone of a classic British top boost amp from the 1960s. Offering two independent channels with their own gain volume and EQ controls to represent the experience of using a jumper cable on the amp to stack them this amp excels at classic…
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The TC Electronic DC30 Preamp is in New condition and made by TC Electronic , it is a great Preamp Volume Overdrive EQ Boost Guitar Effect Pedal- The TC Electronic DC30 is a preamp pedal that authentically recreates the tone of a classic British top boost amp from the 1960s. Offering two independent channels with their own gain volume and EQ controls to represent the experience of using a jumper cable on the amp to stack them this amp excels at classic blues rock indie and pop tones. Perfect for home recording practice and live performances this pedal gives you realistic amp tone and feel right on your pedalboard. The DC30 also offers a switchable pre or post-amp boost with adjustable gain adding more gain to your tone to drive the amp harder boosting mids like using an overdrive pedal would. Its DI output features an official Celestion cabinet simulation emulating a 2 x 12 cabinet loaded with their unique Alnico Blue speakers for authentically vintage sound great for gigging directly into a PA system or running into an audio interface for recording. The additional headphone output ensures that this preamp pedal can be used for noiseless practice sessions. . Available from Just Pedals for only £ 126.5 Authentic and detailed recreation The DC30 delivers a painstakingly built recreation of a classic top boost guitar amp with TC Electronics brand new AMPWORX technology. Individual volume EQ and gain controls across both channels allow you to stack amplification stages your way using the distinctive louder Brilliant channel. All of this delivers a realistic responsive amp right on your pedalboard. Custom top boost As with the original amp that inspired it the DC30 features a unique treble-focused grit that really shines on blues rock indie and pop. Being a staple amp of popular genres throughout the 60s the DC30 recreates this with its Brilliant channel and high cut controls. Combined with this you can get some extra drive and punch from the built-in boost circuitry recreating the experience of adding an overdrive into your chain – with adjustable gain and the ability to switch between positioning it before or after the amp simulation. Official cabinet simulation To add that final touch of polish this preamp pedal comes with an official Celestion cabinet simulator emulating the 2 x 12 cabinets the amp that inspired this pedal always came with. This recreates the tone of Celestions unique Alnico Blue speakers typically associated with the original amp for even more authenticity. Its individual DI output makes it easy to run directly into PA systems when playing live or audio interfaces when recording at home. Features Dual-channel preamp pedal inspired by a legendary British top boost amp from the 1960s Individual gain EQ and volume controls per channel for clean and drive tones or stacking both channels Built-in 5 dB boost with mid-forward voicing to replicate adding an overdrive pedal with the amp Boost switchable between pre or post-amp for extra flexible tone High cut EQ controls let you adjust top-end grit and sparkle for the perfect playing experience Dedicated DI output with official Celestion cabinet simulation for extra authenticity Cabinet simulation recreates the sound of a 2 x 12 cabinet loaded with Alnico Blue speakers DI output ideal for connecting directly to PA systems or audio interfaces Headphone output for silent practice sessions Adjustable boost drive control adds a variety of levels of grit Bypass or always on channel footswitch modes for extra flexibility TC AMPWORX modeling technology provides low latency for responsive feel while playing Works excellently with other pedals to create the exact sound you want Specifications Product Code: DC30 PREAMP Controls: Normal Channel Gain Brilliant Channel Gain Level Bass Treble Cut Boost Channel Switch Boost Pre/Post switch Input: 1 x 1/4″ TS Outputs: 2 x 1/4″ TRS (Main Out and DI) 1 x 3.5 mm jack (Phones) Dimensions (L x W x H): 185 x 186 x 103 mm ( 7.3 x 7.3 x 4.1″) Weight: 0.49 kg (1.1 lbs)
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TC Electronic is a prominent manufacturer of audio processing equipment, including guitar effects pedals, studio processors, audio interfaces, and digital signal processors. Founded in Denmark in 1976 by Kim and John Rishøj, TC Electronic has earned a reputation for its high-quality, innovative products that cater to musicians, producers, and audio engineers worldwide.
TC Electronic’s product lineup includes a wide range of guitar effects pedals known for their pristine sound quality, versatility, and cutting-edge features. From classic effects like delays, reverbs, and choruses to more experimental and unique pedals, TC Electronic offers a comprehensive selection to suit various playing styles and preferences.
In addition to effects pedals, TC Electronic produces studio-quality audio processors and interfaces designed for professional recording and production applications. Their products include rack-mounted processors, mastering tools, audio interfaces, and software plugins, known for their transparent sound quality and powerful feature sets.
With a legacy of innovation and a commitment to quality, TC Electronic continues to be a trusted name in the music and audio industry, providing musicians, producers, and engineers with cutting-edge tools and technology to unleash their creativity and achieve professional results.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
A whopping 26 db of boost Gain knob for added grit and dirt Active eq and toggle switch for precise tonal shaping 26 dB of boost Level knob – drive amps to peak performance Mid-boost – cut through any mix Active EQ – extended low and high end Place after existing distortion/overdrive to enhance drive sounds 26 dB of boost Level knob – drive amps to peak performance Mid-boost – cut through any mix Active EQ – extended low and high end Place after existing distortion/overdrive to enhance drive sounds
Shape your sound and eliminate feedback with 7 bands of equalization This Behringer product has been designed to compete head to head with leading products on the market Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
Voicing switch – for an awesome shift in bass response item package weight: 11.6 ounces International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions. True Bypass Gain, Level, Bass and Treble controls Voicing switch Easy battery access Small footprint
From the wildly popular hard tune effect to subtle pitch correction and gender manipulation, voice tone C1 opens up new vocal territory in an easy-to-use stomp box The package length is 8.407 centimeters The package height is 16.408 centimeters The package width is 14.808 centimeters
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