Laney Ironheart Loudpedal Foundry Series 60W Guitar / Amp Pedal – New Laney Overdrive EQ Distortion Boost Guitar Effect Pedal
£189.00
The Laney Ironheart Loudpedal Foundry Series 60W guitar/amp pedal is going to change your life forever. With two channels it functions exactly as a normal amp would – but in a much much smaller format making it infinitely easier to transport and slot into your rig than a full size amp. And it can be…
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The Laney Ironheart Loudpedal Foundry Series 60W Guitar / Amp Pedal is in New condition and made by Laney , it is a great Overdrive EQ Distortion Boost Guitar Effect Pedal- The Laney Ironheart Loudpedal Foundry Series 60W guitar/amp pedal is going to change your life forever. With two channels it functions exactly as a normal amp would – but in a much much smaller format making it infinitely easier to transport and slot into your rig than a full size amp. And it can be used in multiple different ways. Stick it in front of your current amp and use it as a two-channel gain pedal plug it directly into a cab and turn it into your amp head or plug it directly into your PA/interface and use it as your amp and cab! Its unbelievably dynamic. This Ironheart amp in pedal form does not sacrifice any tone despite its size! The three-band EQ lets you sculpt your sound to suit any situation. Youll also be able to go from sparkling cleans to raging distortion by switching between the dedicated channels and you can tame or unleash the Overdrive channel with the Gain dial. Theres even a Boost function built into this machine so you can help those solos cut through the mix with ease. With a speaker emulated output youll get a genuine speaker cab tone when youre going direct into PA or DAW. . Available from Just Pedals for only £ 189 Play along to music Like to jam to your favourite tracks? The aux input allows you to plug in an external music player and do just that! Thisll help you practice silently especially seeing as you can plug your headphones directly into the Loudpedal Foundry! So this pedal amp covers all scenarios youll encounter as a musician. A tone engine It sacrifices nothing. Delivering waves of crunch through the Overdrive channel this pedal can deliver an earth-shakingly heavy tone if you crank it. Use the Gain dial on the Overdrive channel to go from a light rocking crunch to all-out saturated distortion. But if you want a crystal-clear clean tone or an ambient one with lots of delay and reverb you can switch to the Clean channel for outstanding results. Youll be able to seamlessly switch between each channel depending on what the song requires! The tone sculpting doesnt stop there though! With a dedicated three-band EQ section you can control each band. Whether you want a strong midrange with plenty of bite or a heavier low end with screaming highs you can mould the Ironheart Loudpedals voicing to your taste. In addition each channel has multiple modes including Clean/Rhythm/Lead on Clean and Bright/Dark on overdrive so you can expand your tonal arsenal even further. Practice record play live! This pedals more than equipped. With a speaker-emulated output you can go directly into a PA when playing live and still produce that renowned cab tone. However you can also plug directly into a real cab too and enjoy a more customised tone should you wish essentially treating this pedal as an amp head. And of course you could simply stick this in front of your current amp and use it as a boost/distortion/preamp. And when youre playing live the Boost dial and footswitch combination will let you add a surge in power and cut when you need it – this works especially well for solos! Specifications Model Name: Laney Ironheart Loudpedal Foundry Series 60W Guitar / Amp Pedal PC: IRF-LOUDPEDAL Controls: Volume x 2 Gain x 2 Bright/Dark Switch (Clean Channel) Rhythm/Clean/Lead Switch (Overdrive Channel) Bass Middle Treble Boost Power Button Speaker Emulator Switch Ground Lift Switch Inputs/Outputs: 1/4″ Input Send and Return (FX Loop) Loudspeaker Out Headphones Out DI Out Aux In Footswitches: Channel Switch Boost Wattage: 60W Power: 100-240V Universal Voltage Power Supply Included (24V) Compatible With: 8 Ohm+ Cabinets
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Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
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The British designed and engineered Laney IRONHEART IRT60H is a 60W all tube high gain IRONHEART pre amp with a full 3 channel pre-amp with Clean, rhythm and lead channels with a footswitchable pre-boost Tone shaping on the Rhythm and Lead channels is controlled by independent 3 band EQ's with each EQ having push/pull options The Laney Variwatt control lets you get the tone you are after at any wattage level (1-300W) without destroying your tone – great for practicing or studio work at lower overall volume levels The All tube amp has Tone, Dynamics and a studio quality Digital Reverb unit The head has multiple speaker connection options, an AUX input, variable level effects loop, switchable speaker emulated record out, giving you everything you need for rehearsal, live and recording use
Features a dual channel design with a choice of balanced XLR and unbalanced 1/4" jack inputs, allowing both instrument and microphone use 3-band EQ to shape your tone alongside a reverb and chorus effects section providing increased versatility A switchable Anti-Feedback control is a very useful feature to eliminate problems caused by hollow-body guitar resonance at louder volumes Two 6" dual-cone drivers mounted on a ported cabinet for extended bass response Professional DI allows you to send a direct-feed to the mixing desk for live gigs
Super compact stereo (2 x 3W) battery-powered guitar amp ideal for home, practice room, or for use as a backstage warm-up amp two channels giving clean and drive tones, while the AUX-in and headphone-out let you jam along to your own music and play silently LSI (Laney Smartphone Input) via iOS/Android smartphone using Ultimate Guitar's new "Tonebridge" app providing you with 1000s of extra guitar sounds Controls: Volume, Tone, Gain PLUS Delay Effect and a switch in Overdrive button Free 3-month subscription to ULTIMATE GUITAR
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