The Laney Black Country Customs Blackheath Bass Distortion offers all the tonal distortion you would ever need in a pedal. It comes prepared with two different types of distortion and an overdrive providing plenty of options to craft your sonic landscape. A four-dial design allows you to adjust the gain colour volume and range for complete control over your sound. Built with a solid metal chassis you can be as heavy footed as you need when turning the pedal on and off. Silent switching means that your tone doesnt get muddied by changing tone or turning on the pedal guaranteeing that your performance is crystal-clean.
Laney Black Country Customs Blackheath Bass Distortion
£99.00
This is a New Laney Black Country Customs Blackheath Bass Distortion from Laney, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Laney
In the current JustPedals catalogue, Laney is represented by Preamp & DI Pedals, Boost Pedals and Pedal Amps & Headphone Amps. Current listings include Ironheart Loudpedal 60w, Lionheart Loudpedal 60w and Digbeth DB-PRE. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
Bass
Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.
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