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The JHS Overdrive Preamp is in new condition and made by JHS , it is a great Boost Guitar Effect Pedal – This JHS pedal is a faithful recreation of the DOD 250 V1 preamp boost.Boosts the front end of any amp for more gain and improved tone. . Available from Just Pedals for only 140.9 (+delivery)
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JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.
JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.
In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.
With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals Three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble The rotary switch has three settings: Full EQ, No Mid, and No EQ Low Cut dip switch removes some of the lows if you feel your tone is too muddy and can help you cut through a mix In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp
Designed to be one of the most transparent overdrives out there Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has Gain Control sweeps from Completely clean to rock ‘n’ roll.Tame the high end on brighter rigs with the side mounted bright cut switch.Features increased headroom and output for use as a Full frequency boost
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/m… read more
One-Stop Gig Solution for Bass Players with Main Effects needed Analog Preamp with 3-Band EQ recreates the Legendary Ampeg Style Tone, from Dynamic Clean to Classic Rock Bass Sound Compressor, Boost, Fuzz Modules ready for Most Common Use in Bass Playing Scenes Octave Module Produces Notes One and Two Octaves Lower along with the Direct Signal for the Massive Thickness or Treble Tricky with some High Frets Tracking XLR Output for directly connecting to PA, Mixer or Audio Interface; FX Loop for Hooking up other Effects
Small Booster. Dynamic boost adds definition and clarity. After 50% it begins to break up the valve amp for an authentic overdrive, finally achieving a tremendous sustain with a warm fuzz. It can reach up to 27dB. Operates at 9V DC Negative power and consumes less than 100mA.
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