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The JHS 3SRV is in new condition and made by JHS , it is a great Reverb EQ Delay Guitar Effect Pedal – JHS 3 Series Reverb Pedal Reverb Pedal with Verb, EQ, and Decay Controls and Pre-delay Switch From JHS s line of stripped-down, stellar-sounding gu… . Available from Just Pedals for only 78.29 (+delivery)
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JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.
JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.
In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.
With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb Three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike Made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail Runs on 9V DC Negative Center power and consumes 70mA
Cutting the signal of connect to any instrument pedal Complete geräuscharm This pedal is passive but requires a power supply for LED light It is not a Momentáneo, once activated the pedal the signal stays fit for
Made in Kansas City USA Our take on Brian Eno's classic "Shimmer" effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds Runs on 9V DC Negative Center power and consumes 65 mA
Gives you the ability to take two inputs and blend them into one output Perfect for putting effects in parallel so that they are not affected by one another When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays” Can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression
Dial in the perfect reverb with Depth and Length controls Set your primary reverb mix with the Tank 1 control Set your secondary reverb mix with the Tank 2 control and switch it on the fly with the Tank 2 switch Set the reverb tone with the highs control Boost your overall volume with the Boost control
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