The Electro Harmonix Stereo Talking Machine Vocal Formant Filter promises a sound unlike anything youve heard before. And there are countless ways to make it your own. With nine voices ranging from AH-OO to OW-EE this pedal is equipped with an abundance of filters to suit you and your music. And you can sculpt them…
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The Electro Harmonix Stereo Talking Machine Vocal Formant Filter is in New condition and made by Electro Harmonix , it is a great Stereo EQ Guitar Effect Pedal – The Electro Harmonix Stereo Talking Machine Vocal Formant Filter promises a sound unlike anything youve heard before. And there are countless ways to make it your own. With nine voices ranging from AH-OO to OW-EE this pedal is equipped with an abundance of filters to suit you and your music. And you can sculpt them with precision using the attack and decay controls. The effects mimic human speech meaning the sounds are wonderfully organic. Achieve anything from distorted growls to super-clean synth-like sounds whilst your dynamics control the vowel shaping. The expression pedal input allows for even more scope and versatility but dont worry about recreating your favourite effect you worked long and hard for – the nine preset locations let you save and access your sounds in no time at all. . Available from Just Pedals for only £ 239 Where authenticity meets innovation The rich harmonics of the nine voices reflect vocal characteristics creating truly organic yet distinctive sounds. Find your balance between guitar and voice by selecting which voice to use and finetuning it with the attack and delay controls. The sensitivity knob then alters the envelope response. Featuring a true stereo output and an effects loop you can be sure the Stereo Talking Machine Vocal Formant Filter will project a wondrous dynamic sound. Sculpt and shape to perfection Create a rumbling growl with plenty of bass enhancement thanks to internal distortion. It brings the bite and aggression that is needed for those immersive distorted sounds. Or experience ultra-clean sounds that ring out with clarity by using the bassballs envelope filter. It provides such a crisp sound. Utilise the expression pedal input to further expand your sound whether its to increase the ambience attack or anything in between. You know the result will be exceptional. Specifications SKU Code: TALKINGMACHINE Effects Loop Included: Yes Expression Pedal Input Included: Yes Controls: Blend Voice Attack Decay Sensitivity Power Supply Provided: 9 Volts Dimensions: 4.75″(W) x 5.75″(L) x 2.5″(H)
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
12 minutes of recording time. 10 independent loops. Stop, Undo-Redo, Reverse and Half-speed effects at the touch of a button. Loop fadeout (trails) mode. Stereo in/out for enhanced usability… record two instruments at once. Silent footswitches. Foot controller input lets you use popular 3 button foot controllers (optional) to change a bank up or down and gives access to instant Undo-Redo. modern sound Comes with an EHX 9.6DC/200 AC Adapter, also runs on 9V battery and provides extra long battery life. PSU, also works with 9V battery (not included); Kindly find the signal flow diagram on Technical Specification
Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation. The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter. Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery. Adjustable Swell function creates bowed, fade in and reverse effects. True stereo operation, can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out.
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