Electro Harmonix Satisfaction Plus Fuzz – New Electro Harmonix Fuzz EQ Bass Analogue Guitar Effect Pedal
£79.60
The EHX Satisfaction Plus Fuzz is a modern twist on the classic 60s tone that launched thousands of riffs. Delivering an extensive range of hairy sonics from creamy leads to thick earth-shaking sludges this pedal is perfect for guitarists looking for a vintage tone with contemporary features. Those include things like the FAT/NORM mode switch…
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The Electro Harmonix Satisfaction Plus Fuzz is in New condition and made by Electro Harmonix , it is a great Fuzz EQ Bass Analogue Guitar Effect Pedal- The EHX Satisfaction Plus Fuzz is a modern twist on the classic 60s tone that launched thousands of riffs. Delivering an extensive range of hairy sonics from creamy leads to thick earth-shaking sludges this pedal is perfect for guitarists looking for a vintage tone with contemporary features. Those include things like the FAT/NORM mode switch Bias control and Tone knob to place broad tonal shifting at your command. The FAT mode injects extra warmth for those massive mainline riffs while the Bias control affects the fuzz character from balanced and open to gated and snarly. The Tone control is the real magic behind the Satisfaction though as it hides a Tilt EQ that affects both the bass and treble of the fuzz letting you dial in the hazy sweet spot with ease! . Available from Just Pedals for only £ 79.6 Bigger and warmer tone The Satisfaction Plus Fuzz features a FAT/NORM mode switch that adds bigger and warmer tones compared to the classic fuzz tones. This feature is perfect for creating woolly leads and giant wall-of-thunder riffs that take your music to the next level. Broad tonal shifting The Tone control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. This feature allows you to tailor your sound to your playing style whether you prefer a bright and sharp tone or a rich and warm one. Unique control set The Bias control lets you adjust the fuzz character from balanced and open to gated and snarly. This feature gives you complete control over your sound from sweet spot smooth to voltage-sag snarl. Specifications Product Name: EHX Satisfaction Plus Fuzz Product Code: SATPLUS Effect Type: Fuzz pedal Bypass: True bypass Circuitry: Analogue Power Supply: 9VDC Centre-negative polarity Input Impedance: 50kΩ Output Impedance: 100Ω Current Draw: 5mA
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Designed for bass, R-29 is an octave and fuzz in one guitar pedal with independent knobs, delivering deep bass and smooth tones, facilitating guitar solos greatly. Octave channel can be turned on/off independently by footswitch and Knob to control the volume of sub octave signal. Fuzz channel can be switched 2 modes effect with high and low frequency control, bringing versatility to guitar performance. Bassist's dry/wet tone can be shift by toggle switch. Octave, fuzz and dry tone style can be adjused independently, non-interference. Metal alloy case and good precision components make it solid and durable, innovative JOYO R series ambient LED light brings more stylish and glamorous feeling.
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