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Electro Harmonix Satisfaction Plus Fuzz – New Electro Harmonix Noise Gate EQ Fuzz Guitar Effect Pedal

£77.01

The EHX Satisfaction Plus Fuzz is a modern twist on the classic 60s tone that launched thousands of riffs. Delivering an extensive range of hairy sonics from creamy leads to thick earth-shaking sludges this pedal is perfect for guitarists looking for a vintage tone with contemporary features. Those include things like the FAT/NORM mode switch…

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Description

The Electro Harmonix Satisfaction Plus Fuzz is in New condition and made by Electro Harmonix , it is a great Noise Gate EQ Fuzz Guitar Effect Pedal – The EHX Satisfaction Plus Fuzz is a modern twist on the classic 60s tone that launched thousands of riffs. Delivering an extensive range of hairy sonics from creamy leads to thick earth-shaking sludges this pedal is perfect for guitarists looking for a vintage tone with contemporary features. Those include things like the FAT/NORM mode switch Bias control and Tone knob to place broad tonal shifting at your command. The FAT mode injects extra warmth for those massive mainline riffs while the Bias control affects the fuzz character from balanced and open to gated and snarly. The Tone control is the real magic behind the Satisfaction though as it hides a Tilt EQ that affects both the bass and treble of the fuzz letting you dial in the hazy sweet spot with ease! . Available from Just Pedals for only £ 77.01 Bigger and warmer tone The Satisfaction Plus Fuzz features a FAT/NORM mode switch that adds bigger and warmer tones compared to the classic fuzz tones. This feature is perfect for creating woolly leads and giant wall-of-thunder riffs that take your music to the next level. Broad tonal shifting The Tone control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. This feature allows you to tailor your sound to your playing style whether you prefer a bright and sharp tone or a rich and warm one. Unique control set The Bias control lets you adjust the fuzz character from balanced and open to gated and snarly. This feature gives you complete control over your sound from sweet spot smooth to voltage-sag snarl. Specifications Product Name: EHX Satisfaction Plus Fuzz Product Code: SATPLUS Effect Type: Fuzz pedal Bypass: True bypass Circuitry: Analogue Power Supply: 9VDC Centre-negative polarity Input Impedance: 50kΩ Output Impedance: 100Ω Current Draw: 5mA

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About Electro Harmonix

We have one of the largest online selection of new and used Electro Harmonix music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.

EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.

EQ

While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

Fuzz

Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.

 

 

Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.

Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.

Guitar Effect Pedal

A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.

New

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Noise Gate

A noise gate is a type of guitar effects pedal used to reduce unwanted noise and hum in the guitar signal chain. It works by automatically muting or attenuating the signal when it falls below a certain threshold, effectively “gating” out background noise during silent passages or when the guitar is not being played.

Here are the key features and functions of a noise gate pedal:

1. **Threshold**: The threshold control sets the level at which the noise gate activates. Any signal below this threshold will be attenuated or muted. Adjusting the threshold allows users to customize the sensitivity of the noise gate to match the level of background noise in their signal chain.

2. **Decay (or Release)**: The decay control determines how quickly the noise gate closes after the signal falls below the threshold. A shorter decay time results in a faster response, while a longer decay time allows for a more gradual fade-out. This control helps to smooth out the transition between active and muted signal states.

3. **Attack (or Hold)**: Some noise gate pedals feature an attack control, which determines how quickly the gate opens when the signal exceeds the threshold. This control can be useful for preserving the initial transient of guitar notes and preventing them from being cut off abruptly.

4. **Range (or Depth)**: The range control adjusts the amount of attenuation applied to the signal when the noise gate is active. Increasing the range increases the amount of signal suppression, effectively reducing background noise and hum.

5. **Release (or Hold)**: The release control sets the amount of time the gate remains closed after the signal falls below the threshold before reopening. This control helps to avoid chopping off sustained notes or chords prematurely by allowing the gate to stay closed for a specified duration.

Noise gate pedals are commonly used in guitar rigs to eliminate unwanted noise from high-gain amplifiers, noisy effects pedals, or noisy venues. They can help improve the overall clarity and definition of the guitar tone by reducing background noise and hum, especially during quiet passages or when using high levels of distortion or gain.

Overall, noise gate pedals are valuable tools for guitarists looking to achieve cleaner, more articulate tones by effectively controlling unwanted noise in their signal chain.

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