Electro Harmonix Octavix Octave Fuzz – Nearly New – New Electro Harmonix Volume Octave Fuzz Boost Guitar Effect Pedal
£93.00
The EHX Octavix gives you that late 60s fuzzed out octave up sound. The rugged nano housing features three control knobs for Volume Boost and Octave. Achieve sounds from the definitive late 1960s with the Octavix pedal replicating the sound of a vintage Octavia pedal as used by Jimi Hendrix on some guitar solos. At…
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The Electro Harmonix Octavix Octave Fuzz – Nearly New is in New condition and made by Electro Harmonix , it is a great Volume Octave Fuzz Boost Guitar Effect Pedal- The EHX Octavix gives you that late 60s fuzzed out octave up sound. The rugged nano housing features three control knobs for Volume Boost and Octave. Achieve sounds from the definitive late 1960s with the Octavix pedal replicating the sound of a vintage Octavia pedal as used by Jimi Hendrix on some guitar solos. At 24V the Octavix delivers a tighter sound and a richer octave tone while true bypass technology ensures maximum signal path integrity. . Available from Just Pedals for only £ 93 Features Classic octave up + fuzztone effect pedal Switchable 9 and 24 volt power rails give a saggy or tight sound True bypass Blue LED Runs on 9V battery or power supply (sold separately) Specifications Pedal Type: Fuzz/Octave Up Inputs: 1 x 1/4″ Jack Outputs: 1 x 1/4″ Jack Height: 2.1″ Width: 2.75″ Depth: 4.5″
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Octave
An octave pedal is a type of guitar effects pedal that generates tones one or two octaves above or below the original signal. This effect can create a wide range of sonic textures, from thickening the sound to adding harmonies and creating synthetic basslines. Here’s how octave pedals work and some common features:
1. **Octave Up/Down**: Octave pedals typically offer the option to generate tones one octave above (octave up) or below (octave down) the original signal. Some advanced pedals may even offer both octave up and down simultaneously for more versatility.
2. **Blend Control**: Many octave pedals include a blend control, allowing you to adjust the mix between the original signal and the octave-generated signal. This feature enables you to dial in the perfect balance between the two for your desired effect.
3. **Tracking**: Tracking refers to how accurately the pedal follows the input signal and generates the octave. Higher-quality octave pedals have better tracking, meaning they accurately reproduce the pitch of the original note without latency or glitching.
4. **Polyphonic vs. Monophonic**: Some octave pedals are polyphonic, meaning they can accurately track multiple notes and chords played simultaneously. Monophonic pedals, on the other hand, work best with single notes and may struggle with chords.
5. **Sub-Octave**: In addition to octave up and down, some octave pedals offer a sub-octave effect, generating tones two octaves below the original signal. This can create deep, bass-like tones and add richness to your sound.
6. **Effects Loop**: Some octave pedals include an effects loop, allowing you to place other effects before or after the octave effect in the signal chain. This can open up creative possibilities for combining octave effects with other modulation or time-based effects.
7. **Expression Pedal Compatibility**: Certain octave pedals are compatible with expression pedals, which allow you to control parameters such as octave blend, pitch bend, or even the interval of the generated octave in real-time using your foot.
Octave pedals are widely used in various music genres, including rock, funk, jazz, and experimental music. Guitarists use them to create unique sounds, emulate basslines, and add depth and dimension to their playing. Whether you’re looking to thicken your tone, create harmonies, or explore new sonic territories, an octave pedal can be a valuable addition to your pedalboard.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Unique transistor-based octave fuzz distortion circuit designed by Josh Scott Blendable Octave to dial in the analog octave chaos Balance control adjusts between smooth sustaining tones and raspy fuzz tones 1970s Electro-Harmonix graphic designed by Daniel Danger True Bypass
JOYO Voodoo Octave guitar pedal, Take your tone an octave up and add some fuzz too! A mid-cut switch gives you control over your tone. The Fuzz on the octave is a brilliantly thick snarling beast, add the brilliant Octave Up effect to the Fuzz and you're in 'White Stripes' territory, a whole new dimension to your riffs making them really pop and stand out. True Bypass provide transparent tone to keep the best tone quality, aluminium-alloy housing classic stoving varnish finish, stable and strong. JOYO is over decade of brand reputation, with the most popular budget pedals, amplifiers, wireless systems, controllers, metronomes, tuners winning the love of global guitarists and inspiring people's music dreams. Before playing, please make sure the guitar is fully connected with the pedal. in order to make JOYO pedals work properly and avoiding unexpected noise, we recommend you to purchase an extra JOYO original power adapter, or choose the other reliable brands and make sure it meets the … read more
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