The Electro Harmonix Nano Q-Tron Envelope Controlled Filter is a compact version of the classic Micro Q-Tron renowned for its exceptional organic and analog sound. This versatile effect pedal transcends the ordinary fitting seamlessly into a wide range of musical genres and delivering outstanding results on guitar bass keys horns and more. As a pioneer…
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The Electro Harmonix Nano Q-Tron Envelope Controlled Filter is in New condition and made by Electro Harmonix , it is a great Wah Volume EQ Envelope Bass Analogue Guitar Effect Pedal- The Electro Harmonix Nano Q-Tron Envelope Controlled Filter is a compact version of the classic Micro Q-Tron renowned for its exceptional organic and analog sound. This versatile effect pedal transcends the ordinary fitting seamlessly into a wide range of musical genres and delivering outstanding results on guitar bass keys horns and more. As a pioneer in envelope controlled filter technology since the 1970s Electro-Harmonix has crafted the Nano Q-Tron with a deep heritage and expertise. Designed to respond to your playing style and dynamics this pedals cutoff or centre frequency is controlled by the volume of your input signal. The result is a wide range of tone-altering effects from subtle nuances to dynamic sweeps auto-wah to ultra-funky sounds. With intuitive controls such as the Volume knob for output level Drive Control for filter sweep sensitivity and Q Control for peak bandwidth adjustment you have complete command over the desired effect. The LP BP HP Mode Switch further enhances your sonic possibilities by selecting the frequency range the filter will pass whether its emphasizing the lows (LP) midrange (BP) or highs (HP). Built with a pedalboard-friendly compact and rugged enclosure the Nano Q-Tron is ready to withstand the demands of any performance. . Available from Just Pedals for only £ 109 A miniature Q-Tron for your board! The Electro Harmonix Nano Q-Tron is a miniature version of the classic Micro Q-Tron offering the same unique envelope-controlled filter technology in a compact size. Great news for any EHX enthusiast that wants to pack even more tone onto their existing board or slim down their rig to make transport that much easier. The small footprint of this pedal does not compromise on its capabilities! It still offers an innovative sweep direction switch for even more customised sonic exploration. Specifications Circuit: Analogue Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200m (A power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 10mA Year Released: 2021 UPC: 683274012384
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Envelope
An envelope filter effect pedal is a type of audio effect that alters the sound of an instrument based on the dynamics of the player’s performance, specifically how loudly or softly they play. It works by using an envelope follower, which tracks the amplitude (volume level) of the signal and controls a filter that modulates the sound accordingly. The result is a distinctive sound where the filter’s cutoff frequency is swept up or down in reaction to the player’s attack, creating a “wah” or “quack” effect.
Envelope filters are commonly used in genres like funk, electronic, and rock to add a dynamic, expressive quality to the sound. The pedal can produce a range of tones, from subtle, smooth sweeps to more pronounced, percussive filter effects. The effect is most noticeable when playing with strong dynamics, such as heavy picking or fingerstyle playing, as the intensity of the filter changes in real-time. Some popular envelope filter pedals include the Electro-Harmonix Q-Tron and the MXR Envelope Filter, both of which allow players to shape the effect’s response with adjustable sensitivity, attack, and filter range for greater tonal control.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Wah
A wah pedal, short for “wah-wah” pedal, is an effects pedal commonly used with electric guitars and occasionally with electric keyboards and bass guitars. It’s known for its distinctive sound, characterized by a sweeping, resonant filter effect that mimics the human voice saying “wah.” Here’s how a wah pedal works and some common features:
1. **Pedal Design**: A wah pedal typically consists of a foot-operated pedal and a housing unit. The pedal is attached to a potentiometer (variable resistor) inside the housing, which adjusts the frequency response of the audio signal based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many wah pedals are compatible with expression pedals, allowing players to control the wah effect in real-time using their foot. This adds a dynamic and expressive element to the performance, enabling players to vary the intensity and speed of the wah effect as they play.
3. **Sweep Range**: The sweep range refers to the range of frequencies affected by the wah pedal. As the pedal is rocked back and forth, it sweeps through a range of frequencies, emphasizing certain frequencies while attenuating others. This creates the characteristic “wah” sound.
4. **Q Control**: Some wah pedals feature a Q control, also known as resonance or bandwidth control, which adjusts the width of the frequency band affected by the wah effect. Higher Q settings result in a narrower band of frequencies being emphasized, producing a more pronounced and focused wah sound, while lower Q settings produce a broader, more subtle effect.
5. **True Bypass**: Like many other effects pedals, wah pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the wah effect is bypassed.
6. **LED Indicator**: Some wah pedals include an LED indicator to indicate when the effect is engaged. This provides visual feedback to the player, especially useful in low-light settings or on dimly lit stages.
7. **Treadle Grip**: The treadle grip refers to the surface texture or material of the pedal’s foot surface. Some wah pedals feature textured or ribbed surfaces to provide better grip and control, especially when using the pedal with bare feet or in slippery conditions.
Overall, a wah pedal is a versatile and expressive effect that adds character and flair to guitar solos, rhythm playing, and improvisations. Whether used for funky rhythm parts, expressive lead lines, or experimental sounds, a wah pedal offers guitarists a wide range of creative possibilities for shaping their tone and adding dynamic expression to their playing.
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