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Electro Harmonix Nano Operation Overlord Overdrive – New Electro Harmonix Boost Overdrive Distortion Guitar Effect Pedal

£79.48

Explosive overdrive for your whole band. The Electro Harmonix Nano Operation Overlord Overdrive gives you a huge range of classic overdrive tones to use in your music. With 3 JFET gain stages providing everything from a light crunch to a fully-saturated explosive distortion youll never run out of ways to spice up your playing with…

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Description

The Electro Harmonix Nano Operation Overlord Overdrive is in New condition and made by Electro Harmonix , it is a great Boost Overdrive Distortion Guitar Effect Pedal – Explosive overdrive for your whole band. The Electro Harmonix Nano Operation Overlord Overdrive gives you a huge range of classic overdrive tones to use in your music. With 3 JFET gain stages providing everything from a light crunch to a fully-saturated explosive distortion youll never run out of ways to spice up your playing with a bit of overdrive. Theres a whole new dimension of it available when you hit the “Boost” button and turn on Boost Mode. This provides you with a full pedal-style overdrive circuit before the JFET gain stages increasing the overall overdrive sound. And unlike most overdrive pedals the Overlord works with not just guitar but bass keyboard and any other electrical instruments you can think of. A “Dry Blend” control retains the articulation and low-end of all instruments making this pedal super-flexible. Get one for everyone in your band. Apart from the drummer… . Available from Just Pedals for only £ 79.48 Explore every inch of the overdrive spectrum From subtle understated grit to full intense overdrive. The EHX Nano Operation Overlord is absolutely perfect for finding the ideal overdrive sound to suit your music. With three JFET gain stages you can go from a touch of crunch with the gain control down low to hugely saturated distortion with the knob turned all the way round. Theres loads to play with. Brilliant “Boost Mode” If those three gain stages arent enough for you Electro Harmonix have given you even more in the Nano Overlord. That “something more” comes in the form of a fantastic Boost Mode. Acting like a full-pedal style overdrive circuit before the JFET gain circuit it adds a whole extra dimension of overdrive to your signal. So overall distortion is increased and you benefit from an even bigger sound for when you really want to hammer every note home with unmistakable crunch. Multi-instrumentalist? This ones for you… Electro Harmonix are renowned in the music industry for their sensational guitar effects pedals. But the Overlord is something a little different. While it may still be a fantastic guitar FX stomp box its also been optimised for use with bass guitar keyboard and pretty much any electronic instrument you can think of to use it with. A 3-position input provides changeable settings for a wide range of instruments. But what makes the Overlord particularly brilliant for use across different instruments is its “Dry Blend” control. Especially good for keyboards and basses the “Dry Blend” helps you to keep all of the sweet natural articulation of your instruments voice. And it makes sure you dont lose any of your bottom end keeping bass notes full and rich but allowing you to add a distinctive dose of distortion. Specifications Model Name: Electro Harmonix Nano Operation Overlord Overdrive Model Code: NANO OVERLORD EQ: 3-Band Controls: GAIN Knob DRY Knob INPUT LVL Switch BASS Knob MID Knob TREBLE Knob VOL Knob FOOTSWITCH w/Red LED BOOST Button w/Blue LED Connections: INPUT Jack OUTPUT Jack BOOST FSW Jack 9V POWER Jack Power Supply: EHX 9.6DC 200mA Power Supply (Included)

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About Electro Harmonix

We have one of the largest online selection of new and used Electro Harmonix music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.

EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.

  • Boost
  • A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.

    Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.

    Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:

    1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.

    2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.

    3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.

    4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.

    Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.

  • Distortion
  • A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.

    Here are the key features and functions of a distortion pedal:

    1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.

    2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.

    3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.

    4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.

    Distortion pedals offer several benefits and creative uses for guitarists:

    – **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.

    – **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.

    – **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.

    – **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.

    Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.

  • Guitar Effect Pedal
  • New
  • Overdrive
  • An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:

    1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.

    2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.

    3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.

    4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.

    5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.

    6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.

    7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.

    Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.

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