Explosive overdrive for your whole band. The Electro Harmonix Nano Operation Overlord Overdrive gives you a huge range of classic overdrive tones to use in your music. With 3 JFET gain stages providing everything from a light crunch to a fully-saturated explosive distortion youll never run out of ways to spice up your playing with…
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The Electro Harmonix Nano Operation Overlord Overdrive is in New condition and made by Electro Harmonix , it is a great Overdrive Distortion Boost Bass Guitar Effect Pedal- Explosive overdrive for your whole band. The Electro Harmonix Nano Operation Overlord Overdrive gives you a huge range of classic overdrive tones to use in your music. With 3 JFET gain stages providing everything from a light crunch to a fully-saturated explosive distortion youll never run out of ways to spice up your playing with a bit of overdrive. Theres a whole new dimension of it available when you hit the “Boost” button and turn on Boost Mode. This provides you with a full pedal-style overdrive circuit before the JFET gain stages increasing the overall overdrive sound. And unlike most overdrive pedals the Overlord works with not just guitar but bass keyboard and any other electrical instruments you can think of. A “Dry Blend” control retains the articulation and low-end of all instruments making this pedal super-flexible. Get one for everyone in your band. Apart from the drummer… . Available from Just Pedals for only £ 82.09 Explore every inch of the overdrive spectrum From subtle understated grit to full intense overdrive. The EHX Nano Operation Overlord is absolutely perfect for finding the ideal overdrive sound to suit your music. With three JFET gain stages you can go from a touch of crunch with the gain control down low to hugely saturated distortion with the knob turned all the way round. Theres loads to play with. Brilliant “Boost Mode” If those three gain stages arent enough for you Electro Harmonix have given you even more in the Nano Overlord. That “something more” comes in the form of a fantastic Boost Mode. Acting like a full-pedal style overdrive circuit before the JFET gain circuit it adds a whole extra dimension of overdrive to your signal. So overall distortion is increased and you benefit from an even bigger sound for when you really want to hammer every note home with unmistakable crunch. Multi-instrumentalist? This ones for you… Electro Harmonix are renowned in the music industry for their sensational guitar effects pedals. But the Overlord is something a little different. While it may still be a fantastic guitar FX stomp box its also been optimised for use with bass guitar keyboard and pretty much any electronic instrument you can think of to use it with. A 3-position input provides changeable settings for a wide range of instruments. But what makes the Overlord particularly brilliant for use across different instruments is its “Dry Blend” control. Especially good for keyboards and basses the “Dry Blend” helps you to keep all of the sweet natural articulation of your instruments voice. And it makes sure you dont lose any of your bottom end keeping bass notes full and rich but allowing you to add a distinctive dose of distortion. Specifications Model Name: Electro Harmonix Nano Operation Overlord Overdrive Model Code: NANO OVERLORD EQ: 3-Band Controls: GAIN Knob DRY Knob INPUT LVL Switch BASS Knob MID Knob TREBLE Knob VOL Knob FOOTSWITCH w/Red LED BOOST Button w/Blue LED Connections: INPUT Jack OUTPUT Jack BOOST FSW Jack 9V POWER Jack Power Supply: EHX 9.6DC 200mA Power Supply (Included)
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Compact, yet feature laden overdrive and distortion pedal Create sounds from ranging boost without the grit and sweet crunch all the way to intensely saturated overdrive and thick distortion 3-position input level switch lets you set the initial input gain level for a variety of instruments including guitar, bass and keyboards. Active 3-band EQ for superlative tone shaping In Normal Mode three amp-like JFET gain stages provide low to medium gain sounds
Combines the Crayon full range overdrive and the Hot Tubes, a reissue of the classic 1970s CMOS overdrive. Use the Crayon or Hot Tubes alone or stack them with the Crayon driving the Hot Tubes Sounds great on guitar and bass Blend control lets you blend in your dry signal which is especially useful on bass guitar Master EQ section features Bass and Treble for increased tonal control and flexibility
Adjusted distortion pedal for heavy metal. Extensive equalization control, with 14db bass cut or enhancement, 15db mids, and 10db treble. Vol control to adjust the overall output volume. Dist control for input gain adjustment and distortion. Noise gate eliminates unwanted noise and LED indicating signal mutee. Format suitable for any pedal board. Includes 9V battery. Optional 200mA EHX 9.6C feeder, sold separately.
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