Electro Harmonix Nano Metal Muff – New Electro Harmonix Noise Gate EQ Distortion Guitar Effect Pedal
£64.32
Upgraded and downsized. The Electro Harmonix Nano Metal Muff takes one of metals best-loved circuits makes some choice adjustments and rehouses it in a shell less than half the size- all the tone just more compact. Famous for its colossal distortion near-unlimited gain and trademark crunch- plug into this beast and youll instantly understand the…
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The Electro Harmonix Nano Metal Muff is in New condition and made by Electro Harmonix , it is a great Noise Gate EQ Distortion Guitar Effect Pedal- Upgraded and downsized. The Electro Harmonix Nano Metal Muff takes one of metals best-loved circuits makes some choice adjustments and rehouses it in a shell less than half the size- all the tone just more compact. Famous for its colossal distortion near-unlimited gain and trademark crunch- plug into this beast and youll instantly understand the hype. The biggest new addition is the integrated noise gate helping keep unwanted noise away even with the gain cranked. Tailor your dirt tone with 3-band EQ allowing you to fine-tune with meticulous detail. Get the classic sound now with a smaller footprint; all the heaviness half the size. . Available from Just Pedals for only £ 64.32 Heavy versatility One thing the Electro Harmonix Nano Metal Muff is not short on is gain. EHX have equipped the new Metal Muff with precise controls so you can perfectly adjust your tone regardless of how far you push the gain. The Bass control gives you +/- 14dB of cut or boost to tailor your bottom end and make it as fat or thin as you like. Similarly the Mid knob delivers +/- 15dB so you can get the classic scooped metal sound or something much thicker and more prominent. Finally the Treble control is capable of +/- 10dB allowing you to add as much high-end sparkle as is required. Noise gate The biggest addition to the Nano Metal Muff is the built-in noise gate allowing you to easily silence unwanted noise. Simply use the Gate control to set the threshold and this intelligent feature does the rest automatically blocking any sound below that level. This noise gate even comes with its own dedicated LED so you can quickly see if its working. Unwanted noise is often an issue for heavier players with high-gain; this smart feature massively adds to the functionality and keeps your thick gritty tones pure unaffected by any annoying squeals that would interfere without a noise gate. Features Voiced for the heavy metal player Compact pedalboard friendly footprint Extensive EQ control: Bass +/- 14dB of cut or boost Mid +/- 15dB and Treble +/- 10dB VOL (volume) sets the pedal’s output volume level DIST adjusts input gain and distortion Noise gate eliminates unwanted noise and includes an LED to indicate when the output signal is muted Comes with a 9 Volt battery accepts an optional EHX 9.6C200mA power supplySpecifications Audio input impedance at INPUT jack: 1MΩ Audio output impedance at OUTPUT jack: 600Ω Current draw: 24mA Maximum input signal level in bypass before clipping: +8.5dBu Dimensions: 114.3 (L) x 69.9 (W) x 53.3 (H) mm Weight: 0.28 kg
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Noise Gate
A noise gate is a type of guitar effects pedal used to reduce unwanted noise and hum in the guitar signal chain. It works by automatically muting or attenuating the signal when it falls below a certain threshold, effectively “gating” out background noise during silent passages or when the guitar is not being played.
Here are the key features and functions of a noise gate pedal:
1. **Threshold**: The threshold control sets the level at which the noise gate activates. Any signal below this threshold will be attenuated or muted. Adjusting the threshold allows users to customize the sensitivity of the noise gate to match the level of background noise in their signal chain.
2. **Decay (or Release)**: The decay control determines how quickly the noise gate closes after the signal falls below the threshold. A shorter decay time results in a faster response, while a longer decay time allows for a more gradual fade-out. This control helps to smooth out the transition between active and muted signal states.
3. **Attack (or Hold)**: Some noise gate pedals feature an attack control, which determines how quickly the gate opens when the signal exceeds the threshold. This control can be useful for preserving the initial transient of guitar notes and preventing them from being cut off abruptly.
4. **Range (or Depth)**: The range control adjusts the amount of attenuation applied to the signal when the noise gate is active. Increasing the range increases the amount of signal suppression, effectively reducing background noise and hum.
5. **Release (or Hold)**: The release control sets the amount of time the gate remains closed after the signal falls below the threshold before reopening. This control helps to avoid chopping off sustained notes or chords prematurely by allowing the gate to stay closed for a specified duration.
Noise gate pedals are commonly used in guitar rigs to eliminate unwanted noise from high-gain amplifiers, noisy effects pedals, or noisy venues. They can help improve the overall clarity and definition of the guitar tone by reducing background noise and hum, especially during quiet passages or when using high levels of distortion or gain.
Overall, noise gate pedals are valuable tools for guitarists looking to achieve cleaner, more articulate tones by effectively controlling unwanted noise in their signal chain.
Adjusted distortion pedal for heavy metal. Extensive equalization control, with 14db bass cut or enhancement, 15db mids, and 10db treble. Vol control to adjust the overall output volume. Dist control for input gain adjustment and distortion. Noise gate eliminates unwanted noise and LED indicating signal mutee. Format suitable for any pedal board. Includes 9V battery. Optional 200mA EHX 9.6C feeder, sold separately.
The authentic V2 Violet Ram’s Head Big Muff in a nano-sized chassis Effect status LED True bypass Vintage look and graphics 9V battery included, also accepts optional EHX 9.6VDC-200mA power supply
On/Off switchControls for Volume, Tone, and SustainDual outputsMini Switch for Bass BoostRugged metal chassisRuns on 9 volt battery (best with Polaroid 9 Volt batteries) or optional AC Adapter (sold separately). The Bass Big Muff Pi Pedal features controls for volume, tone, sustain, dual outputs (effect and dry for recording), and a mini switch for bass boost The Electro-Harmonix Bass Big Muff Pi Distortion Pedal is powered by a single 9-volt battery or optional AC power supply (sold separately)
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
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