Electro Harmonix MOP-D10 Multi-Output Power Supply – New Electro Harmonix Overdrive EQ Analogue Guitar Effect Pedal
£228.08
The Electro Harmonix MOP-D10 Multi-Output Power Supply presents the be-all-end-all solution to your pedalboards power needs. Why? It comes equipped with 10 isolated 9VDC outputs to fuel your effects with the essential power they need. Whether its a classic overdrive pedal or an intricate stompbox – the MOP-D10 features four separate current options as well…
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The Electro Harmonix MOP-D10 Multi-Output Power Supply is in New condition and made by Electro Harmonix , it is a great Overdrive EQ Analogue Guitar Effect Pedal- The Electro Harmonix MOP-D10 Multi-Output Power Supply presents the be-all-end-all solution to your pedalboards power needs. Why? It comes equipped with 10 isolated 9VDC outputs to fuel your effects with the essential power they need. Whether its a classic overdrive pedal or an intricate stompbox – the MOP-D10 features four separate current options as well as a voltage switch to tailor to any pedals needs.But with so much power outage comes high electrical interference right? Wrong. Because the MOP-D10 provides a premium analog power path with low-noise regulators in its isolated output design for a performance of complete clarity. No unexpected electrical noise. Just your best sound uninterrupted. And with 10 power cables and pedlaboard mounting hardware includes straight out of the box you can enhance your effects board with immediate effect. Plug-in for power perfection. . Available from Just Pedals for only £ 228.08 Specifications Model Name: Electro Harmonix MOP-D10 Multi-Output Power Supply Code: MOP-D10 Outputs; 10 Weight: 1.22kg (2.7 lbs) Dimensions: 7.87″ x 5.51″ x 1.73″
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
9v 500mA Regulated, 2.1mm x 5.5mm, Centre Negative Polarity Power Supply Filtered for Zero Hum, Noise Free Operation Spring Mounted Tip for Secure Connection 2 Meter Rounded Thick Cable. Energy Efficient Designed for Musical Equipment
9v 500mA Regulated, 2.1mm x 5.5mm, Centre Negative Polarity Power Supply Filtered for Zero Hum, Noise Free Operation Spring Mounted Tip for Secure Connection 2 Meter Rounded Thick Cable. Energy Efficient Designed for Musical Equipment
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
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