Electro Harmonix Deluxe Big Muff Pi Distortion & Sustainer – Nearly New – New Electro Harmonix Wah Volume Noise Gate EQ Distortion Boost Bass Guitar Effect Pedal
£125.00
The Electro Harmonix Deluxe Big Muff Pedal takes the iconic Big Muff pedal and expands on its capabilities for even more versatility. It features the familiar sustain tone and volume controls from the original device to shape your overall distortion tone and it adds in new mid-controls alongside a noise gate to remove unwanted hum.…
When you click on “Add to Basket” or “More Details,” you’ll be taken to a partner website where you can find additional information about this product. As an affiliate, we may receive a small commission for this, but it won’t cost you anything extra.
The Electro Harmonix Deluxe Big Muff Pi Distortion & Sustainer – Nearly New is in New condition and made by Electro Harmonix , it is a great Wah Volume Noise Gate EQ Distortion Boost Bass Guitar Effect Pedal- The Electro Harmonix Deluxe Big Muff Pedal takes the iconic Big Muff pedal and expands on its capabilities for even more versatility. It features the familiar sustain tone and volume controls from the original device to shape your overall distortion tone and it adds in new mid-controls alongside a noise gate to remove unwanted hum. The upgrades take the original Big Muff design and gives it a whole new lease of life delivering greatly expanded sonic capabilities to experiment with and find your new signature tone. Instantly elevate your low-end power with the Bass Boost switch and to really fine-tune your sound control the resonance of your mids with the Q switch. The expression pedal input also gives you the ability with the use of an external expression controller to remotely sweep your mid-frequencies and gain new wah-like effects. Basically a bigger Bug Muff. . Available from Just Pedals for only £ 125 Taking the Big Muff to the next level The Electro Harmonix Deluxe Big Muff Pi pedal expands on the original Big Muff Pi distortion pedal and gives it new mid-controls noise gate and extra switching capabilities to provide extended sonic abilities and brand new textures to experiment with. This versatility means you can access every iconic Muff tone- from 71 Triangle to Sovtek Civil War to the 73 Rams Head. The core sound is very close to the classic NYC Big Muff Pi but the level of adaptability put this Big Muff in a league of its own. Extra mid-control capabilities The Deluxe Big Muff Pi features new mid-control boost and cut alongside a Q-control and frequency control to fully utilise and sweep the mid-range. This provides you with extensive mid-control and can be manipulated even further by the use of an external expression pedal; giving you the ability to create wah-like sweeps controlled via your foot. A new bass-boost switch is available when you need it and is particularly useful when dialling-in more Russian-esque tones with pronounced mid and bass response. Attack & sustain The familiar Sustain control from the original Big Muff Pi allows you to shape your classic distorted tone just like the original. The new attack control enhances your sound by ensuring that the pick transient of your note attack is louder than the sustained signal providing you with clarity and note definition in your chord and riff playing. This gives your distorted tone clarity and articulation no matter how heavy the overall sound is; ideal for use when playing with a band to make sure that you are still heard clearly above the thick distorted tone. Features Classic distorted tone of the original Big Muff Pi Extensive mid-control functionality External expression control of the mids section (via external expression pedal) Noise gate Bass boost for enhanced low-end performance when you need it True bypass Specifications Controls: Volume Tone Sustain Attack and Gate semi-parametric mid Switches: Normal/Bass Boost switch Q Hi/Low switch Connectivity: True Bypass expression pedal input instrument in (1/4″) instrument out(1/4) Dimensions in mm: (WxLxH) 145x120x64 Battery: Battery operation possible battery included Power Supply: 9V DC (center negative) capable of at least 22mA at 9VDC Power supply is not included
Reviews
There are no reviews yet.
Be the first to review “Electro Harmonix Deluxe Big Muff Pi Distortion & Sustainer – Nearly New – New Electro Harmonix Wah Volume Noise Gate EQ Distortion Boost Bass Guitar Effect Pedal”
We have one of the largest online selection of new and used Electro Harmonix music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.
Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
Just New products for sale, unused, and in their original packaging. They come with a protected seller guarantee and include manufacturer warranties. Read more for additional details.
Noise Gate
A noise gate is a type of guitar effects pedal used to reduce unwanted noise and hum in the guitar signal chain. It works by automatically muting or attenuating the signal when it falls below a certain threshold, effectively “gating” out background noise during silent passages or when the guitar is not being played.
Here are the key features and functions of a noise gate pedal:
1. **Threshold**: The threshold control sets the level at which the noise gate activates. Any signal below this threshold will be attenuated or muted. Adjusting the threshold allows users to customize the sensitivity of the noise gate to match the level of background noise in their signal chain.
2. **Decay (or Release)**: The decay control determines how quickly the noise gate closes after the signal falls below the threshold. A shorter decay time results in a faster response, while a longer decay time allows for a more gradual fade-out. This control helps to smooth out the transition between active and muted signal states.
3. **Attack (or Hold)**: Some noise gate pedals feature an attack control, which determines how quickly the gate opens when the signal exceeds the threshold. This control can be useful for preserving the initial transient of guitar notes and preventing them from being cut off abruptly.
4. **Range (or Depth)**: The range control adjusts the amount of attenuation applied to the signal when the noise gate is active. Increasing the range increases the amount of signal suppression, effectively reducing background noise and hum.
5. **Release (or Hold)**: The release control sets the amount of time the gate remains closed after the signal falls below the threshold before reopening. This control helps to avoid chopping off sustained notes or chords prematurely by allowing the gate to stay closed for a specified duration.
Noise gate pedals are commonly used in guitar rigs to eliminate unwanted noise from high-gain amplifiers, noisy effects pedals, or noisy venues. They can help improve the overall clarity and definition of the guitar tone by reducing background noise and hum, especially during quiet passages or when using high levels of distortion or gain.
Overall, noise gate pedals are valuable tools for guitarists looking to achieve cleaner, more articulate tones by effectively controlling unwanted noise in their signal chain.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Wah
A wah pedal, short for “wah-wah” pedal, is an effects pedal commonly used with electric guitars and occasionally with electric keyboards and bass guitars. It’s known for its distinctive sound, characterized by a sweeping, resonant filter effect that mimics the human voice saying “wah.” Here’s how a wah pedal works and some common features:
1. **Pedal Design**: A wah pedal typically consists of a foot-operated pedal and a housing unit. The pedal is attached to a potentiometer (variable resistor) inside the housing, which adjusts the frequency response of the audio signal based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many wah pedals are compatible with expression pedals, allowing players to control the wah effect in real-time using their foot. This adds a dynamic and expressive element to the performance, enabling players to vary the intensity and speed of the wah effect as they play.
3. **Sweep Range**: The sweep range refers to the range of frequencies affected by the wah pedal. As the pedal is rocked back and forth, it sweeps through a range of frequencies, emphasizing certain frequencies while attenuating others. This creates the characteristic “wah” sound.
4. **Q Control**: Some wah pedals feature a Q control, also known as resonance or bandwidth control, which adjusts the width of the frequency band affected by the wah effect. Higher Q settings result in a narrower band of frequencies being emphasized, producing a more pronounced and focused wah sound, while lower Q settings produce a broader, more subtle effect.
5. **True Bypass**: Like many other effects pedals, wah pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the wah effect is bypassed.
6. **LED Indicator**: Some wah pedals include an LED indicator to indicate when the effect is engaged. This provides visual feedback to the player, especially useful in low-light settings or on dimly lit stages.
7. **Treadle Grip**: The treadle grip refers to the surface texture or material of the pedal’s foot surface. Some wah pedals feature textured or ribbed surfaces to provide better grip and control, especially when using the pedal with bare feet or in slippery conditions.
Overall, a wah pedal is a versatile and expressive effect that adds character and flair to guitar solos, rhythm playing, and improvisations. Whether used for funky rhythm parts, expressive lead lines, or experimental sounds, a wah pedal offers guitarists a wide range of creative possibilities for shaping their tone and adding dynamic expression to their playing.
On/Off switchControls for Volume, Tone, and SustainDual outputsMini Switch for Bass BoostRugged metal chassisRuns on 9 volt battery (best with Polaroid 9 Volt batteries) or optional AC Adapter (sold separately). The Bass Big Muff Pi Pedal features controls for volume, tone, sustain, dual outputs (effect and dry for recording), and a mini switch for bass boost The Electro-Harmonix Bass Big Muff Pi Distortion Pedal is powered by a single 9-volt battery or optional AC power supply (sold separately)
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
The authentic V1 Triangle Big Muff reissued in a nano-sized chassis Effect status LED True bypass Vintage look and graphics Comes with a 9V battery, also accepts an optional EHX 9.6DC200mA PSU
Reviews
There are no reviews yet.