Boss RC-202 Loop Station – New Boss Multi Effects Looper EQ Guitar Effect Pedal
£305.50
The Boss RC-202 Loop Station is a compact robust looping module designed for a range of styles and genres – from electronic and club music to hip-hop and more. Featuring a wide range of multi-effects as well as looping capabilities this high-quality manufacture piece of equipment will expand and add depth to any performance helping…
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The Boss RC-202 Loop Station is in New condition and made by Boss , it is a great Multi Effects Looper EQ Guitar Effect Pedal – The Boss RC-202 Loop Station is a compact robust looping module designed for a range of styles and genres – from electronic and club music to hip-hop and more. Featuring a wide range of multi-effects as well as looping capabilities this high-quality manufacture piece of equipment will expand and add depth to any performance helping you find your own unique voice. Loops can be created and stored to memories in real time allowing you to recall your favourite presets sound settings or loops at any time. This unit features a USB port for DAW integration and phrase import/export – so once you discover your signature sound you can take it with you wherever you go. Whats more with up to 64 phrase memories available youll have more than enough space to explore store and save your creativity. Made using industry standard components and quality Boss manufacturing this compact unit is highly durable and ready to withstand all the trials of life on the road. . Available from Just Pedals for only £ 305.5 Looping functionality The Boss RC-202 Loop Station is designed with one main function in mind – to provide the user with the ability to create loops and then play them back on the fly. Featuring two stereo loops with fingertip controls allowing you to easily create and control your loops. With 64 phrase memories its easy to store and recall your loop creations separated into eight banks for easy access at all times this feature means you can seamlessly switch between different loops adding a new depth to your performance. Performance control The Boss RC-202 Loop Station is packed with a range of functions and settings for looping it also offers panels filled with varying hands-on buttons and knobs giving you maximum control while looping. There is also a jack on the unit for connecting external devices such as footswitches or expression. The built-in MIDI connection also allows you to connect MIDI foot controllers or MIDI keyboards depending on what your sonic requirements are. These MIDI connections allow you to synchronise with an RC-505 or a second RC-202 as well as a range of other external devices to elevate your performance further. Connectivity In addition to the MIDI and jack connections the RC-202 features connections for microphones and instruments plus a convenient stereo aux input for connecting more mainstream devices such as MP3 players. The built-in XLR mic input allows you to connect your microphone directly to the unit itself perfect for any vocalists in need of a looping outlet. The mono/stereo instrument input allow you to connect a range of instruments from electric guitars to basses and more. The built-in USB connection lets you plug the device into your computer in order to export and archive WAV loops or load up phrases or sounds for sampler-style trigging. The unit will also function as a USB/MIDI audio interface meaning you can easily connect and use the unit with your favourite DAW software allowing you to sync record and edit everything from your computer. Intensive FX The Boss RC-202 Loop Station also features a wide range of built-in effects with more real-ime processing than any other looper on the market. The unit provides you with four input and track FX available simultaneously. You can affect your loops in real-time utilizing such effects as shift lo-fi ring modulation and more. The track FX features such effects as filter slicer and beat – providing you with DJ and sampler effects that can be edited to fit your exact specifications. The effects can also be adjusted easily thanks to the large easily accessible knobs allowing you to turn the effect on or off on the fly. Specifications General Nominal Input Level: Input Mic (Variable): -40 dBu (Typ.) -10 dBu (Max) Input Inst: -10 dBu Aux In: -20 dBu Input Impedance: Input Mic: 4 k Ohms Input Inst: 1 M Ohm Aux In: 22 k Ohms Nominal Output Level: -10 dBu Output Impedance: 1 k Ohm Recommended Load Impedance: 10 k Ohms or Greater Recording/Playback: Maximum Recording Time: Approx. 3 Hours (Stereo) Maximum Phrase Memory: 8 Memory x 8 Bank Number of Tracks: 2 Data Format: WAV (44.1 kHz 16-Bit Linear Stereo) Effect Type (Master FX): Comp Reverb Rhythm Type: 17 Display: 7 Segments 3 Characters (LED) USB: Mass Storage Class Audio/MIDI Connectors: Input Mic Jack: XLR Type (Balanced Phantom Power: DC 48 V 10 mA Max) Input Inst (L/Mono R) Jacks: 1/4 Phone Type Aux In Jack: Stereo Miniature Phone Type Phones Jack: Stereo Miniature Phone Type Output (L/Mono R) Jacks: 1/4 Phone Type CTL 1 2/EXP Jack: 1/4 TRS Phone Type USB Port: USB B Type MIDI (In Out) Connectors: 5-Pin DC IN Jack Power Supply: AC Adaptor Current Draw: 400 mA Accessories: AC adaptor Owners manual Leaflet Using The Unit Safely Dimensions Width: 9-7/16 (239mm) Depth: 6-15/16 (175mm) Height: 2-3/16 (55mm) Weight(Excluding AC Adaptor): 0.95kg (2lbs 2oz)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Looper
A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:
1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.
2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.
3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.
4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.
5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.
6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.
7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.
Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.
Multi Effects
Multi-effects pedals are versatile devices that combine multiple guitar effects into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing capabilities in a compact and convenient package. Here are some key features and benefits of multi-effects pedals:
1. **Variety of Effects**: Multi-effects pedals typically include a wide range of effects, such as distortion, modulation, delay, reverb, chorus, and more. They allow guitarists to access a diverse palette of tones and textures without needing to invest in individual pedals for each effect.
2. **Amp Modeling**: Many multi-effects pedals feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles with a single pedal.
3. **Presets and Programmability**: Multi-effects pedals often include preset patches and programmable settings, allowing guitarists to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Multi-effects pedals offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing guitarists to tailor their sound to suit their preferences. Some pedals also support deep editing and customization via computer software or mobile apps.
5. **Space-saving and Portability**: By combining multiple effects into a single unit, multi-effects pedals help save space on the pedalboard and simplify setup and teardown for gigs and rehearsals. They are also lightweight and portable, making them ideal for traveling musicians or players with limited space.
6. **Cost-effective Solution**: Investing in a multi-effects pedal can be more cost-effective than purchasing individual stompboxes, especially for players who require a wide range of effects. Multi-effects pedals offer excellent value for money and can provide access to high-quality tones and effects at a fraction of the cost of buying separate pedals.
Overall, multi-effects pedals are versatile tools that offer guitarists a convenient and cost-effective way to access a diverse range of tones and effects. Whether used for practice, recording, or live performance, multi-effects pedals provide flexibility, convenience, and creative potential for players of all levels.
New
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Experience a new level of fun with our most user-friendly Loop Station to date, perfect for guitar, bass and keyboard players. The RC-1 allows you to create musical textures by layering individual phrases to form a continuous loop. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. Newly designed loop indicator displays the current loop mode (Rec/Overdub/Play). Includes a single 9-volt alkaline battery (approximately 4.5 hours of battery life).
Advanced two-track looper with onboard mixing and deep control options Stereo looper engine with 13 hours of recording time LCD with multi-color backlight for viewing loop status and editing parameters Mono/stereo inputs for easy pedalboard integration, plus independent XLR mic input with phantom power International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions.
1 piece BOSS pedals are delivered ex works with a battery attached, so the available power may vary. With the pedal, the circuit is activated as soon as a 6.35mm (mono) jack cable is plugged into the output jack. Regardless of whether the pedal is activated (looping) or not, the battery discharges. The average life is about 2 hours. Don't leave the cable plugged in overnight Remove all batteries from the battery compartment, replace with a new, fresh (non-rechargeable) 9V battery, and then plug a mono or TS cable into the output socket. Both the power LED and the screen should then be activated. BOSS pedals also work with a 9-volt power supply. To check if the pedal is working, it should be tested with a battery first. Then removed the battery and an official BOSS Inserted the power supply and tested the pedal in the same way.
The industry-standard tabletop looper, updated and enhanced. Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing. Five simultaneous stereo phrase tracks with dedicated controls and independent volume faders. Input FX and Track FX sections, each with four simultaneous effects and four quick-access banks. Massive onboard effects selection with 49 Input FX types and 53 Track FX types, including new Harmony, Electric FX, and many others. Newly added Mark Back function provides enhanced undo/redo flexibility while performing. 99 memories, each containing five phrase tracks, custom effects and playback settings, control assignments, and more. Synchronize your loops with over 200 onboard rhythm patterns and 16 drum kits. USB for data backup, phrase import/export with BOSS Tone Studio, and pattern import with the RC Rhythm Converter.
Next-generation performance tool combining song-based looping and dynamic rhythms in a small footprint. Cover nearly any genre with over 280 preset rhythm styles that include two unique sections, intro/ending fills, and two transition fills. Sixteen versatile drum kits with high-quality sounds from the BOSS and Roland rhythm libraries. Stereo looper engine with six hours of recording time and class-leading 32-bit AD/DA and 32-bit floating-point processing. Serial two-track operation for building loop performances with two independent song parts. Two circular indicators display loop and rhythm playback status. Selectable output filter to optimize guitar and rhythm sounds for a guitar amp or full-range sound system. Support for expanded control via external footswitches, an expression pedal, or MIDI. Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately). Mac/Windows software for importing WAV loops and user rhythms in SMF format.
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