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Boss OD-200 Hybrid Drive Pedal – New Boss EQ Boost Overdrive Distortion Fuzz Guitar Effect Pedal

£215.00

If you value versatility your search for overdrive is over. The Boss OD-200 Hybrid Drive Pedal comes loaded with 12 unique modes followed by 15 switchable boost circuits to emphasise and sculpt. You are even given the choice of whether to place the boost circuit in series or parallel giving you total tonal freedom. So…

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Description

The Boss OD-200 Hybrid Drive Pedal is in New condition and made by Boss , it is a great EQ Boost Overdrive Distortion Fuzz Guitar Effect Pedal – If you value versatility your search for overdrive is over. The Boss OD-200 Hybrid Drive Pedal comes loaded with 12 unique modes followed by 15 switchable boost circuits to emphasise and sculpt. You are even given the choice of whether to place the boost circuit in series or parallel giving you total tonal freedom. So from classic overdrive to dirty blues tones from sharp screams to heavy distortion and from warm “brown” voices to roaring fuzz youve got a full arsenal of drive to play with. And a whole lot more in between too.Expertly designed to be as easy-to-use as possible its remarkably straightforward dialling in your perfect overdriven sound using the OD-200. A no-nonsense interface and 3-band EQ make tone shaping quick and easy. And of course theres the incomparable sound quality Boss are renowned for; 32-bit internal processing and a 96kHz sampling rate make sure your signal is always sharp and defined. Ditch your other overdrive pedals – get the one that can give you everything. . Available from Just Pedals for only £ 215 The last drive pedal you ever need to buy… Thats a bold statement. But its one were pretty confident in. Because the Boss OD-200 comes with an enormous range of different drive tones for you to use in your music. Combining both analog and digital circuitry you can enjoy authentic classic tones as well as modern drive. The 12 voices loaded into the OD-200 range from subtle warm overdrive to raging scream-like tones – and everything in between. Customisable circuitry One of the most exciting features is the quite frankly frightening amount of control you have over how this pedal operates. First choose from the 12 overdrive modes which suits your sound best then experiment with the 15 different boost circuits to shape your tone to perfection finally select whether this circuit runs in series or parallel and if in series whether its placed before or after the drive section. Unlimited tonal options and plenty to play with and experiment until you find your perfect driven tone. Uninterrupted sound quality When youve got so many different features functions and voices to play with it can be easy to forget that above everything a pedal has to sound good. Boss certainly havent forgotten this. The OD-200 features 32-bit AD/DA 32-bit internal processing and a 96kHz sampling rate – all coming together to provide premium sound quality and clarity. And an onboard advanced gate circuit eliminates noise and keeps your tone tight and focused. This is a pedal thatll only ever make your signal better never worse. Specifications Sampling Frequency: 96kHz AD/DA Conversion: 32 bits Processing: 32-bit Floating Point Drive Circuit: Analog and Digital Modes: Overdrive Blues Scream CNTR OD X-Drive Dist X-Dist Stack Drive Fat Dist Brown X-Metal Fuzz Memory: 4 + Manual Nominal Input Level: -10 dBu Maximum Input Level: +7 dBu Input Impedance: 1 mOhm Nominal Output Level: -10 dBu Maximum Output Level: +7 dBu Output Impedance: 1 kOhm Bypass: Buffered Controls: ON/OFF Switch MEMORY/BOOST Switch MODE Knob DRIVE Knob LEVEL Knob PARAM Knob LOW Knob MIDDLE Knob HIGH Knob PARAM Button MEMORY Button Display: 7 Segments 3 Characters (LED) Connectors: INPUT Jack (1/4-inch Phone Type) OUTPUT Jack (1/4-inch Phone Type) CTL 1 (1/4-inch TRS Phone Type) 2/EXP Jack (1/4-inch TRS Phone Type) MIDI IN and OUT Jacks (Stereo Miniature Phone Type) DC IN Jack USB Port (USB Micro B-Type) Power Supply: Alkaline Battery (AA LR6) x 3 AC Adapter (Sold Separately) Current Draw: 220 mA Dimensions: 101mm x 138mm x 63mm Weight: 600 grams

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Boost
  • A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.

    Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.

    Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:

    1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.

    2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.

    3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.

    4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.

    Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.

  • Distortion
  • A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.

    Here are the key features and functions of a distortion pedal:

    1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.

    2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.

    3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.

    4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.

    Distortion pedals offer several benefits and creative uses for guitarists:

    – **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.

    – **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.

    – **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.

    – **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.

    Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Fuzz
  • Fuzz is a type of distortion effect used in guitar playing that produces a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to replicate the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by drastically clipping the guitar signal. This results in a distinctive and powerful sound characterized by rich harmonics, sustain, and a pronounced edge.

    Key features of a fuzz pedal include:

    1. **Gain**: Controls the amount of distortion or fuzz applied to the guitar signal. Increasing the gain produces a more saturated and aggressive tone, while lower gain settings offer a cleaner sound with less distortion.

    2. **Tone**: Adjusts the frequency response of the fuzz effect. This control allows you to shape the tonal character of the fuzz, from dark and bass-heavy to bright and treble-focused.

    3. **Level (or Volume)**: Sets the overall output level of the fuzz pedal. This control allows you to match the volume of the fuzz effect with the rest of your signal chain or amplifier.

    Fuzz pedals are popular among guitarists across various music genres, particularly in rock, blues, and psychedelic music. They can be used in a variety of ways:

    1. **Rhythmic Riffs**: Fuzz pedals are often used to create thick and aggressive rhythm guitar tones with plenty of sustain and grit. They can add depth and intensity to power chords, riffs, and palm-muted passages.

    2. **Lead Solos**: Fuzz pedals are also commonly used for lead guitar tones, allowing players to achieve soaring, saturated tones with singing sustain and harmonically rich overtones. They can add presence and impact to guitar solos, making them stand out in a mix.

    3. **Experimental Sounds**: Fuzz pedals are versatile tools that can be used to create a wide range of unconventional and experimental guitar sounds. They can produce oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes.

    Overall, fuzz pedals offer guitarists a powerful and expressive means of shaping their tone and adding character to their playing. Whether used subtly for a touch of warmth and edge or dialed up for extreme distortion and sustain, fuzz pedals can inspire creativity and enhance the sonic palette of any guitarist.

  • Guitar Effect Pedal
  • New
  • Overdrive
  • An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:

    1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.

    2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.

    3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.

    4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.

    5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.

    6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.

    7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.

    Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.

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