Boss MO-2 Multi Overtone Guitar Effects Pedal – New Boss Stereo Volume Bass Guitar Effect Pedal
£112.25
The Boss MO-2 Overtone is a guitar effects pedal that unlocks your harmonic potential creating a wide variety of extraordinary soundscapes for delivering stunning performances. Powered by Boss innovative multi-dimensional processing technology offering rich sounds that complement and enhance the natural tone of guitar as well as responding well to the dynamics of your playing.…
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The Boss MO-2 Multi Overtone Guitar Effects Pedal is in New condition and made by Boss , it is a great Stereo Volume Bass Guitar Effect Pedal- The Boss MO-2 Overtone is a guitar effects pedal that unlocks your harmonic potential creating a wide variety of extraordinary soundscapes for delivering stunning performances. Powered by Boss innovative multi-dimensional processing technology offering rich sounds that complement and enhance the natural tone of guitar as well as responding well to the dynamics of your playing. Its powerful controls provide players with a wide range of available tonal adjustments and are ultra-responsive to volume changes as well as dynamics. Offering both a mono and stereo output as well as being suitable for bass guitars the Boss MO-2 is the perfect companion for players looking for more out of their tone. . Available from Just Pedals for only £ 112.25 An expressive & compact pedal The boss Multi-Overtone is the perfect tool to help you get melodically inspired by your guitar all over again with its impressive and harmonically rich sounds it’s guaranteed to complement and enhance your guitars natural voice. With three different modes provide a wide variety of diverse and unique tone-shaping possibilities with the detune control delivering an extended range of impressive modulations. Experiment with the controls to make your sound shimmer with multi-stringed resonance or give it some more powerful textures that are reminiscent of instruments such as organs or synths. Versatile performance Along with some incredibly rich and clear tones the Boss MO-2 is equipped with both mono and stereo outputs allowing you to create some glorious depth and definition – taking your playing to brand-new heights. Highly intuitive and creative what makes this pedal the perfect companion for players is its ability to offer stunning effects for both clean and distorted guitars as well as allowing bassists to infuse their instrument with some beautiful harmonic content. No matter your style this pedal will change the way you play for better and for always. Boss’ Unique Multi-Dimensional Processing Completely unique feature of the MO-2 is Boss’ Multi-Dimensional Processing (MDP) technology which works by analysing the studio signals in a variety of dimensions and then applying the perfect effect level to each stage. The end result is a bold new sound with a previously unattainable range of expression and dynamic response. The MO-2 will take your player further than ever before helping you explore your creativity and infuse some inspiration into your performance. Specifications General Nominal Input Level: -20 dBu Input Impedance: 1 Mohm Nominal Output Level: -20 dBu Output Impedance: 1 kohm Recommended Load Impedance: 10 kohms or Greater Controls: Balance Tone Detune Mode Pedal Switch Indicator: Check Indicator Connectors: Input Jack Output-A (Mono) Jack Output-B Jack DC Input Power Supply: Carbon-Zinc Battery (9 V 6F22) or Alkaline Battery (9 V 6LR61) AC Adaptor (PSA Series: Sold Separately) Current Draw: 40 mA Expected Battery Life Under Continuous Use: Carbon: Approx. 3 Hours Alkaline: Approx. 10 Hours Accessories: Owners Manual Leaflets Alkaline Battery (9V 6LR61) Dimensions Width: 2.875’’ (73 mm) Depth: 5.125’’ (129 mm) Height: 2.375’’ (59 mm) Weight: 0.43kg (16oz)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound Works well with both clean and distorted guitar tones, and also bass guitar Ultra-responsive to volume changes and playing dynamics Three different sound modes; wide range of tonal adjustment with simple controls Mono or stereo output BOSS five-year warranty AC adaptor not included, optional BOSS PSA-230 adaptor recommended.
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps Classic "blues" guitar tones with tube amp simulation Warm distortion and overdrive Wide range of distortions from crunch to hard Responds to nuance and volume changes Ideal for guitar, bass and other instruments AC adaptor or 9V battery operation BOSS five-year warranty
Pro-level amps and effects in a light, compact floor unit Essential tools on board for optimizing your core bass tone Includes advanced MDP effects for maximum musical expression Modern design with no hard edges enables safe transport in an instrument bag International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions.
Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colorful sonic grooves. Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly create compelling sonic grooves with single and dual Slicer paths processed with multiple internal effects. Elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Control the wave shape and length of sliced audio with Attack and Duty knobs. Mono/stereo input and output for integration with any setup. Seven stereo output modes: Fixed, EFX/Direct, Random, Ping-Pong, Auto, 3D Cross, and 3D Rotation. Control bypass and tap tempo with the onboard pedal switch. Connect up to two footswitches or an expression pedal for external parameter control. TRS MIDI input for clock sync and CC control.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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