Boss MD-200 Modulation Pedal with MIDI Connection Cable – New Boss Modulation Chorus Boost Guitar Effect Pedal
£229.00
Not just a phase. The Boss MD-200 Modulation Pedal gives you all the mod effects you could ask for. And then some. World-class effects. In one compact pedal. With 12 modes to choose from youve got an arsenal of modulation at your disposal. Dial-in Chorus for those 80s leads. Or create vintage quiver with the…
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The Boss MD-200 Modulation Pedal with MIDI Connection Cable is in New condition and made by Boss , it is a great Modulation Chorus Boost Guitar Effect Pedal- Not just a phase. The Boss MD-200 Modulation Pedal gives you all the mod effects you could ask for. And then some. World-class effects. In one compact pedal. With 12 modes to choose from youve got an arsenal of modulation at your disposal. Dial-in Chorus for those 80s leads. Or create vintage quiver with the Tremolo setting. The MD-200 is a huge boost to your sonic repertoire. Take control and tap in rates with a built-in tempo switch. Making sure youre always in time. While a versatile insert function means you have a wealth of patching options available. You can have your say over pre and post-mod processing. . Available from Just Pedals for only £ 229 New generation effects Based on the legendary MD-500 the MD-200 packs the same advanced algorithms and tech into an even smaller pedal. Twelve modes give you every mod effect you need. And each mode has three custom adjustable parameters. While incredibly tactile controls let you make adjustments easily. You can have your sound exactly how you want it. Tap in rates with footswitch-controlled tempo. And patch in additional pedals and other MIDI-equipped devices thanks to a versatile insert function. Quality and quantity Boss dont just give you a plethora of modulation options. They also make sure that they all sound great. With 32-bit AD/DA 32-bit internal processing and a 96 kHz sampling rate. The MD-200 is built with the same unparalleled quality youve come to expect from Boss. Youre in capable hands. Specifications Sampling Frequency: 96 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Modes: CHORUS CE-1 CHORUS FLANGER PHASER VINTAGE PHASER CLASSIC VIBE VIBRATO TREMOLO ROTARY AUTO WAH SLICER OVERTONE Memory: 4 + Manual Nominal Input Level: INPUT A/MONO B: -10 dBu Maximum Input Level: INPUT A/MONO B: +7 dBu Input Impedance: INPUT A/MONO B: 2 M ohm Nominal Output Level: OUTPUT A/MONO B: -10 dBu Maximum Output Level: OUTPUT A/MONO B: +7 dBu Output Impedance: OUTPUT A/MONO B: 1 k ohms Recommended Load Impedance: OUTPUT A/MONO B: 10 k ohms or greater Bypass: Buffered bypass Controls: ON/OFF switch MEMORY/TAP switch MODE knob RATE knob DEPTH knob E. LEVEL knob PARAM 1 knob PARAM 2 knob PARAM 3 knob TAP DIVISION button MEMORY button Display: 7 segments 3 characters (LED) Indicator: TAP DIVISION indicator MEMORY (MAN 1–4) indicators Connectors: INPUT (A/MONO B) jacks OUTPUT (A/MONO B) jacks: 1/4-inch phone type CTL 1 2/EXP jack: 1/4-inch TRS phone type MIDI (IN OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB micro B-type (program update only) Power Supply: Alkaline battery (AA LR6) x 3 AC adaptor (sold separately) Current Draw: 225 mA Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours Dimensions: 101 x 138 x 65 mm Weight: 610 g
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Chorus
A “chorus” pedal is a type of modulation effect used in guitar and bass playing to create a rich, swirling sound that simulates the effect of multiple instruments playing the same part simultaneously. Chorus pedals are popular for adding depth, warmth, and movement to the guitar tone, and they are widely used across various music genres, from rock and pop to jazz and ambient.
Chorus pedals work by splitting the guitar signal into two identical paths. One path remains unaffected, while the other path is slightly delayed and modulated in pitch. The modulated signal is then mixed back with the original signal, creating the characteristic “shimmering” effect associated with chorus.
Key features of chorus pedals include:
1. **Rate**: This controls the speed at which the modulated signal’s pitch fluctuates, determining how quickly the chorus effect cycles.
2. **Depth**: Also known as intensity or mix, this adjusts the amount of modulation applied to the delayed signal. Higher depth settings produce a more pronounced and noticeable chorus effect.
3. **Delay Time**: Some chorus pedals allow you to adjust the delay time, which affects the perceived width and depth of the chorus effect. Longer delay times create a more spacious and immersive sound.
4. **Tone or EQ**: Many chorus pedals include tone or EQ controls to shape the frequency response of the chorus effect. These controls allow you to tailor the tone of the chorus to suit your preferences or match the characteristics of your guitar and amplifier.
Chorus pedals can be used in various ways to enhance your playing:
– **Thickening**: Adding a subtle chorus effect to your guitar tone can thicken it, making it sound fuller and more expansive. This is particularly useful for filling out the sound in a band mix or creating a lush, layered texture in ambient music.
– **Clean Tones**: Chorus pedals are often used with clean or lightly overdriven guitar tones to add sparkle and dimension. They can impart a sense of movement and depth to simple chord progressions or arpeggios, making them sound more dynamic and expressive.
– **Lead Tones**: When applied to lead guitar lines or solos, chorus pedals can add a touch of modulation that helps the notes stand out and sound more vibrant. This can be especially effective for achieving a “shimmering” quality in melodic passages.
Overall, chorus pedals are versatile tools that can add depth, warmth, and character to your guitar tone. Whether you’re aiming for subtle enhancement or bold modulation effects, a chorus pedal can be a valuable addition to your pedalboard.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Modulation
Modulation is a category of guitar effects that alter the characteristics of the audio signal by varying parameters such as pitch, frequency, or timing. These effects add movement, depth, and texture to the sound, allowing guitarists to create dynamic and expressive tones. Common types of modulation effects include chorus, flanger, phaser, tremolo, and vibrato, each of which offers unique sonic characteristics and creative possibilities:
1. **Chorus**: Chorus effect adds thickness and richness to the sound by creating multiple, slightly detuned copies of the original signal. This results in a shimmering, swirling effect reminiscent of a choir or ensemble.
2. **Flanger**: Flanger effect creates a sweeping, jet-like sound by modulating a delayed version of the original signal and mixing it with the dry signal. It produces a distinctive whooshing or swooshing effect that can range from subtle to dramatic.
3. **Phaser**: Phaser effect splits the audio signal into multiple phase-shifted copies and combines them to create a series of peaks and troughs in the frequency spectrum. This produces a swirling, swirling effect that adds movement and dimension to the sound.
4. **Tremolo**: Tremolo effect modulates the volume of the audio signal at a rhythmic rate, creating a pulsating or throbbing sound. It adds a dynamic, rhythmic element to the guitar tone and is often used to create vintage-style surf or tremolo-bar effects.
5. **Vibrato**: Vibrato effect modulates the pitch of the audio signal at a varying rate, creating a subtle, pulsating variation in pitch. It adds a sense of depth and expressiveness to the sound, simulating the natural vibrato of stringed instruments.
Modulation effects can be used individually or in combination with other effects to create complex and layered tones. They are commonly used in various music genres, including rock, pop, funk, and experimental music, to enhance guitar solos, create atmospheric textures, and add movement to rhythm parts. Overall, modulation effects offer guitarists a wide range of creative possibilities for shaping their tone and expression.
New
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Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound Features Mono input and Stereo outputs for connection to dual amps BOSS five-year warranty AC adaptor not included, optional BOSS PSA adaptor recommended.
Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. Standard mode provides a perfect reproduction of the legendary CE-2 sound. CE-1 mode features chorus and vibrato, authentically reproducing the two stereo sound modes in the world’s first chorus pedal. Includes new sounds not available in the original pedals, including CE-2 stereo output and variable depth for CE-1 chorus sounds. Rate and Depth knobs provide fine sound adjustment in both pedal modes. Premium all-analog circuitry with bucket-brigade (BBD) delay line. Made in Japan.
Compact chorus pedal especially designed for bass guitar Applies chorus sound to the high frequencies without altering low frequencies Effect Level, Low Filter, Rate and Depth knobs permit precise tonal shaping BOSS five-year warranty
Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, the SY-200 features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI. 12 analog-style synth categories with many variations in each (171 sounds total). Three adjustable parameters for customizing sounds. 128 memories for saving and recalling sounds. Fast sound creation with hands-on controls and large display. No special pickup required—play rich, dynamic synth tones with any guitar or bass. Latency-free performance for unrestricted musical expression. AC adaptor not included, optional BOSS… read more
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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