Boss GT-1000Core Guitar Effects Processor – New Boss Reverb Processor Delay Chorus Guitar Effect Pedal
£529.00
Get right to the core of your tone. The BOSS GT-1000Core Guitar Effects Processor is a marvel of modern engineering. Featuring a wealth of different effects including BOSSs flagship reverb delay chorus and more it places tonnes of tonal options right in your hands. Youll also have access to more amp and cab sims than…
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The Boss GT-1000Core Guitar Effects Processor is in New condition and made by Boss , it is a great Reverb Processor Delay Chorus Guitar Effect Pedal- Get right to the core of your tone. The BOSS GT-1000Core Guitar Effects Processor is a marvel of modern engineering. Featuring a wealth of different effects including BOSSs flagship reverb delay chorus and more it places tonnes of tonal options right in your hands. Youll also have access to more amp and cab sims than you could ever want each sounding authentic detailed and powerful. Your sound is about to evolve at speed. The perfect weapon for live performances. You can easily integrate this unit into your existing amp/pedalboard setup thanks to its ultra-compact size and array of I/O options. But you can also go direct into the PA or any recording device thanks to the inbuilt amp/cab sims. Two FX loops enable you to create stunning sonic combinations with your favourite effects whilst a headphone output allows for silent practice sessions. Its almost hard to believe how much innovation has gone into this pedal. Now its time for you to innovate your sound. . Available from Just Pedals for only £ 529 The tone-crafter Thick chunky twangy punchy overdriven or crystal-clean. Welcome to a world where you can craft your tone with precision and detail all stemming from the BOSS GT-1000Core. The digital interface makes it super easy to see what youre doing and allows you to switch between different presets in a flash. Dial in your dream delay reverb modulation distortion or virtually any other effect in seconds. The amp and cab sims give you access to a multitude of different amp and speaker voicings so you can find the perfect option for your music. Using cutting edge AIRD technology BOSS have managed to recreate amp tones which sound wholly authentic – even the tube amps sound like the real deal. Wherever you go and however you choose to use this device you can be sure that itll bring you an absolutely stellar array of sounds which will reinvigorate your playing. Live-ready Playing a show? The GT-1000 has your back. With two effects loops you can integrate your favourite effects and really blow your audiences away with your soundscapes. Using the seven cable method you can even run this through two amps each with completely different signal chains. MIDI and CTL outputs lend you a whole host of options including being able to automate amp channel switches to synchronise with effects changes. You can run up to 24 effects simultaneously so you can really experiment with your sound and push the limits of whats possible. Supreme sonic dynamism right at your fingertips. Your recording workhorse Make awe-inspiring music. This unit doesnt just excel live – it works perfectly for studio recording too. With such an array of amp cab and effect options at your disposal youll be able to find superb settings for your recording needs. 32 bit/96kHz audio ensures crisp highly deteailed recording quality so you can let every detail shine in your music. And being MIDI-compatible you can easily link this up with other MIDI devices to expand your sonic capabilities. Youll also be able to load up to 16 Impulse Response (IR) files into the GT-1000 Core as well as patch in your favoured synthesiser for incredible dynamism in your sound. And you can easily record your dry signal simultaneously then re-amp your riffs later for the ultimate tone. This multi-effects unit will change the way you write record and play music forever. Specifications Model Name: Boss GT-1000 Core Guitar Effects Processor PC: GT-1000CORE Sampling frequency: 96 kHz AD/DA conversion: 32 bits Processing: 32-Bit Floating Point Memory: 250 (User) + 250 (Preset) Phrase Loop: 38 Sec. (Mono) 19 Sec. (Stereo) Tuner Internal Detection: +/- 0.1 Cent Normal Input Level: Input L/Mono R: -10 dbu Return 1 Return 2: -10 dbu Maximum Input Level: Input L/Mono R: +12 dbu Return 1 Return 2: +12 dbu Input Impedance: Input L/Mono R: 2 M Ohms Return 1 Return 2: 1 M Ohm Normal Output Level: Output L/Phones R/Mono: -10 dbu Send 1 Send 2: -10 dbu Maximum Output Level: Output L/Phones R/Mono: +12 dbu Send 1 Send 2: +12 dbu Output Impedance: Output L/Phones R/Mono: 44 Ohms Send 1 Send 2: 1 K Ohm Recommended Load Impedance: Output L/Phones R/Mono: 10 K Ohms Or Greater (Phones: 44 Ohms Or Greater Send 1 Send 2: 10 K Ohms Or Greater Controls: Down Switch Up Switch Ctl 1 Switch Effect Button Menu Button Exit Button Write Button Page Button 1-5 Knobs Select Knob Output Level Knob Display: Lcd 256 X 80 Dots Indicators: Up Indicator Down Indicator Ctl 1 Indicator Connectors: Input (L/Mono R) Output (R/Mono) Jacks: 1/4-Inch Phone Type Output: (L/Phones) Jack: 1/4-Inch Trs Phone Type CTL 2 3/Exp 1?CTL 4 5/Exp 2 Jacks: 1/4-Inch TRS Phone Type Midi (In Out) Connectors: Stereo Miniature Phone Type USB Computer Port: Usb Micro-B Type Dc In: Jack Power Supply: Ac Adaptor Current Draw: 670 Ma Dimensions: 173 (W) X 135 (D) X 63 (H) Mm / 6-13/16 (W) X 5-3/8 (D) X 2-12 (H) Inches 173 (W) X 135 (D) X 65 (H) Mm / 6-13/16 (W) X 5-3/8 (D) X 2-9/16 (H) Inches (Including Rubber Foot) Weight: 920 G / 2 Lbs 1 Oz Accessories: Ac Adaptor Owners Manual Leaflet “Using The Unit Safely” Rubber Foot X 4
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Chorus
A “chorus” pedal is a type of modulation effect used in guitar and bass playing to create a rich, swirling sound that simulates the effect of multiple instruments playing the same part simultaneously. Chorus pedals are popular for adding depth, warmth, and movement to the guitar tone, and they are widely used across various music genres, from rock and pop to jazz and ambient.
Chorus pedals work by splitting the guitar signal into two identical paths. One path remains unaffected, while the other path is slightly delayed and modulated in pitch. The modulated signal is then mixed back with the original signal, creating the characteristic “shimmering” effect associated with chorus.
Key features of chorus pedals include:
1. **Rate**: This controls the speed at which the modulated signal’s pitch fluctuates, determining how quickly the chorus effect cycles.
2. **Depth**: Also known as intensity or mix, this adjusts the amount of modulation applied to the delayed signal. Higher depth settings produce a more pronounced and noticeable chorus effect.
3. **Delay Time**: Some chorus pedals allow you to adjust the delay time, which affects the perceived width and depth of the chorus effect. Longer delay times create a more spacious and immersive sound.
4. **Tone or EQ**: Many chorus pedals include tone or EQ controls to shape the frequency response of the chorus effect. These controls allow you to tailor the tone of the chorus to suit your preferences or match the characteristics of your guitar and amplifier.
Chorus pedals can be used in various ways to enhance your playing:
– **Thickening**: Adding a subtle chorus effect to your guitar tone can thicken it, making it sound fuller and more expansive. This is particularly useful for filling out the sound in a band mix or creating a lush, layered texture in ambient music.
– **Clean Tones**: Chorus pedals are often used with clean or lightly overdriven guitar tones to add sparkle and dimension. They can impart a sense of movement and depth to simple chord progressions or arpeggios, making them sound more dynamic and expressive.
– **Lead Tones**: When applied to lead guitar lines or solos, chorus pedals can add a touch of modulation that helps the notes stand out and sound more vibrant. This can be especially effective for achieving a “shimmering” quality in melodic passages.
Overall, chorus pedals are versatile tools that can add depth, warmth, and character to your guitar tone. Whether you’re aiming for subtle enhancement or bold modulation effects, a chorus pedal can be a valuable addition to your pedalboard.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Processor
A processor, in the context of guitar effects and audio equipment, refers to a device or unit that processes and modifies audio signals in various ways. Guitar processors, also known as multi-effects processors, are versatile devices that combine multiple effects and signal processing capabilities into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing tools, allowing for easy access to a diverse palette of tones and textures.
Here are some key features and functions of guitar processors:
1. **Built-in Effects**: Guitar processors typically include a wide variety of effects such as distortion, modulation, delay, reverb, chorus, and more. These effects can be individually selected, customized, and combined to create unique sounds and tones.
2. **Amp Modeling**: Many guitar processors feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles without the need for additional gear.
3. **Presets and Programmability**: Guitar processors often come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Guitar processors offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing users to tailor their sound to suit their preferences. Some processors also support deep editing and customization via computer software or mobile apps.
5. **Expression Pedal Compatibility**: Many guitar processors are compatible with expression pedals, allowing users to control parameters such as volume, wah, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
6. **USB Connectivity and Recording**: Some guitar processors feature USB connectivity, allowing users to connect the unit to a computer for recording, editing, and firmware updates. This makes it easy to integrate the processor into a home recording setup or use it as a digital audio interface.
7. **Integration with Amps and Pedalboards**: Guitar processors can be used standalone or integrated into existing amplifier setups and pedalboards. They offer various connectivity options such as input and output jacks, effects loops, and MIDI compatibility, making them versatile tools for shaping guitar tones in any setup.
Overall, guitar processors provide guitarists with a comprehensive solution for achieving a wide range of tones and effects in a single unit. Whether used for practice, recording, or live performance, guitar processors offer flexibility, convenience, and creative potential for players of all levels and styles.
Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Flagship-class BOSS sound engine squeezed into a light and compact floor unit. Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. Modern design with no hard edges enables safe transport in a guitar bag. Easy Select and Easy Edit functions for quickly choosing and tweaking patches. Four AA batteries provide up to seven hours of playing time for busking and mobile gigs. Onboard control switch and expression pedal; footswitch/expression pedal jack and USB. Download ready-to-play pro patches for free at BOSS Tone Central. AC adaptor not included, optional BOSS PSA adaptor recommended.
Fusing advanced BOSS tone technologies into a sleek, ultra-modern hardware design, the inspiring GX-100 delivers top-level performance everywhere you play. Powerful, easy-to-use amp/effects processor for guitar and bass. 24-bit AD/DA, 32-bit floating-point processing, and 48 kHz sampling rate. Authentic tube amplifier tone and touch response with AIRD technology. 23 amplifier types and over 150 BOSS effects.
The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types—including the newly developed Arpverb—provide everything from subtle spatial color to complex, dreamy textures for ambient explorations. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. Fast, easy operation with hands-on controls. 127 user memories for storing sounds. Density control with six stages. Param knob to access extended functions within each reverb type. Selectable carryover for maintaining reverb trails when switching presets or bypassing the effect. Stereo I/O with wet/dry and dry mute output options. Two assignable footswitches.
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