Boss GT-1 Guitar Effects Processor – New Boss Processor Overdrive Looper Distortion Delay Chorus Guitar Effect Pedal
£194.00
The Boss GT-1 Guitar Effects Processor is a pedal that delivers a wide range of high-quality effects in a compact and lightweight design perfect for any travelling or regularly gigging musician. Containing a history of Boss processing from the OD-1 overdrive to modern effects powered by MDP technology this pedal features plenty of functions that…
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The Boss GT-1 Guitar Effects Processor is in New condition and made by Boss , it is a great Processor Overdrive Looper Distortion Delay Chorus Guitar Effect Pedal- The Boss GT-1 Guitar Effects Processor is a pedal that delivers a wide range of high-quality effects in a compact and lightweight design perfect for any travelling or regularly gigging musician. Containing a history of Boss processing from the OD-1 overdrive to modern effects powered by MDP technology this pedal features plenty of functions that are suited to both novice and highly experienced players. Featuring a wide range of effects from distortions chorus effects and delays to instrument simulations amp tones and looper effects – with even more accessible from the Boss tone center website. With up to 7 hours of battery power with constant use the Boss GT-1 is the perfect multi-effects pedal for any regularly performing musician on the road or in the studio. . Available from Just Pedals for only £ 194 Driven by the ST-Series engine This Boss multi-effects pedal features their leading sound engine from the GT series of pedals offering a range of world class amps and effects that suit all types of music. More than capable of producing professional quality sounds with plenty of tweakable parameters this pedal is perfect for seasoned musicians wanting to take complete control over their sound. Boss has incorporated their history of effects processing from the OD-1 overdrive to modern effects powered by MDP technology as well as a range of COSM amp tones. A compact multi-effects unit With a lightweight and portable design the GT-1 provides a range of controls and features that make it perfect for travelling musicians. The multi-effects processor offers a selection of dedicated controls and a built-in expression pedal allowing for quick and easy adjustments to the effects. The pedal can be powered by either an AC adaptor or 4 AA batteries and with features such as jack inputs for additional expression pedals and a USB port for recording and connecting with a DAW and Boss software – this pedal is a great choice for any guitarist who is ready to get serious about their music. A range of controls in a compact design The GT-1’s three footswitches are designed to provide patch selection tuner access looper control and more – all encased within a compact design. With a dedicated CTL1 switch that can be assigned to a range of functions such as tempo or effects on/off while the expression pedal and toe switch can be used for volume wah and other effect parameters. A range of control buttons are intuitively laid out for easy access allowing you to enjoy this pedal to its full potential. Patch selection and sound creation Its simple to find the perfect tones for your musical style and just as easy to customise them to your taste. Beginners can get great sounds right away while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The easy select function allows you to choose patches by genre distortion or effect type while the easy edit function lets you tweak drive modulation and echo tones to find the perfect sound for your playing style. Boss tone central The Boss tone central is a library service offering additional contents for many Boss products. Download the Boss tone studio application for powerful editing software and connect to the internet to download any of the free contents from the ever growing collection. Visit BOSS tone central to access a range of effects updates and patches for your pedal. Specifications Display: Graphics LCD (132 x 32 Dots Backlit LCD) Sampling Frequency: 44.1 kHz AD Conversion: 24 Bits AF Method DA Conversion: 24 Bits Effects: 108 Types Patches: User: 99 Preset: 99 Phrase Loop: 32 Seconds Nominal Input Level: Input: -10 dBu Aux in: -120 dBu Maximum Input Level: Input: -7 dBu Aux in: 0 dBu Input Impedance: Input: 1 M ohm Aux in: 27 k ohms Nominal Output Level: Output (L/Mono R): -10 dBu Phones: -10 dBu Output Impedance: Output (L/Mono R): 1 k ohm Phones: 44 ohms Recommended Load Impedance: Output (L/Mono R): 10 k ohms or Greater Phones: 44 ohms or Greater Controls: Down Footswitch Up Footswitch CTL1 Footswitch Easy Select Button Easy Edit Button FX1/Comp Button OD/DS Button Preamp Button FX2/Mod Button Delay Button Reverb Button Memory Edit Button Exit Button Enter Button Menu Button 1 Knob 2 Knob 3 Knob Expression Pedal Connectors Input Jack: 1/4-Inch Phone Type Output (L/Mono R) Jack: 1/4-Inch Phone Type CTL2 3/EXP2 Jack: 1/4-Inch TRS Phone Type Aux in Jack: Stereo Miniature Phone Type USB Computer Port: USB Type B DC in Jack Power Power Supple: 4 x Alkaline Batter (AA LR6) AC Adaptor (Sold Seperately) Current Draw: 200 mA Expected Battery Life: Approx. 7 Hours Dimensions Width: 12-1/16” (305mm) Depth: 6” (152mm) Height: 2-1/4” (56mm) Weight: 1.3 kg Accessories Owners Manual Leaflet “Using The Unit Safely” 4 x Alkaline Battery (AA LR6)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Chorus
A “chorus” pedal is a type of modulation effect used in guitar and bass playing to create a rich, swirling sound that simulates the effect of multiple instruments playing the same part simultaneously. Chorus pedals are popular for adding depth, warmth, and movement to the guitar tone, and they are widely used across various music genres, from rock and pop to jazz and ambient.
Chorus pedals work by splitting the guitar signal into two identical paths. One path remains unaffected, while the other path is slightly delayed and modulated in pitch. The modulated signal is then mixed back with the original signal, creating the characteristic “shimmering” effect associated with chorus.
Key features of chorus pedals include:
1. **Rate**: This controls the speed at which the modulated signal’s pitch fluctuates, determining how quickly the chorus effect cycles.
2. **Depth**: Also known as intensity or mix, this adjusts the amount of modulation applied to the delayed signal. Higher depth settings produce a more pronounced and noticeable chorus effect.
3. **Delay Time**: Some chorus pedals allow you to adjust the delay time, which affects the perceived width and depth of the chorus effect. Longer delay times create a more spacious and immersive sound.
4. **Tone or EQ**: Many chorus pedals include tone or EQ controls to shape the frequency response of the chorus effect. These controls allow you to tailor the tone of the chorus to suit your preferences or match the characteristics of your guitar and amplifier.
Chorus pedals can be used in various ways to enhance your playing:
– **Thickening**: Adding a subtle chorus effect to your guitar tone can thicken it, making it sound fuller and more expansive. This is particularly useful for filling out the sound in a band mix or creating a lush, layered texture in ambient music.
– **Clean Tones**: Chorus pedals are often used with clean or lightly overdriven guitar tones to add sparkle and dimension. They can impart a sense of movement and depth to simple chord progressions or arpeggios, making them sound more dynamic and expressive.
– **Lead Tones**: When applied to lead guitar lines or solos, chorus pedals can add a touch of modulation that helps the notes stand out and sound more vibrant. This can be especially effective for achieving a “shimmering” quality in melodic passages.
Overall, chorus pedals are versatile tools that can add depth, warmth, and character to your guitar tone. Whether you’re aiming for subtle enhancement or bold modulation effects, a chorus pedal can be a valuable addition to your pedalboard.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Looper
A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:
1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.
2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.
3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.
4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.
5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.
6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.
7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.
Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Processor
A processor, in the context of guitar effects and audio equipment, refers to a device or unit that processes and modifies audio signals in various ways. Guitar processors, also known as multi-effects processors, are versatile devices that combine multiple effects and signal processing capabilities into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing tools, allowing for easy access to a diverse palette of tones and textures.
Here are some key features and functions of guitar processors:
1. **Built-in Effects**: Guitar processors typically include a wide variety of effects such as distortion, modulation, delay, reverb, chorus, and more. These effects can be individually selected, customized, and combined to create unique sounds and tones.
2. **Amp Modeling**: Many guitar processors feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles without the need for additional gear.
3. **Presets and Programmability**: Guitar processors often come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Guitar processors offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing users to tailor their sound to suit their preferences. Some processors also support deep editing and customization via computer software or mobile apps.
5. **Expression Pedal Compatibility**: Many guitar processors are compatible with expression pedals, allowing users to control parameters such as volume, wah, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
6. **USB Connectivity and Recording**: Some guitar processors feature USB connectivity, allowing users to connect the unit to a computer for recording, editing, and firmware updates. This makes it easy to integrate the processor into a home recording setup or use it as a digital audio interface.
7. **Integration with Amps and Pedalboards**: Guitar processors can be used standalone or integrated into existing amplifier setups and pedalboards. They offer various connectivity options such as input and output jacks, effects loops, and MIDI compatibility, making them versatile tools for shaping guitar tones in any setup.
Overall, guitar processors provide guitarists with a comprehensive solution for achieving a wide range of tones and effects in a single unit. Whether used for practice, recording, or live performance, guitar processors offer flexibility, convenience, and creative potential for players of all levels and styles.
Flagship-class BOSS sound engine squeezed into a light and compact floor unit. Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. Modern design with no hard edges enables safe transport in a guitar bag. Easy Select and Easy Edit functions for quickly choosing and tweaking patches. Four AA batteries provide up to seven hours of playing time for busking and mobile gigs. Onboard control switch and expression pedal; footswitch/expression pedal jack and USB. Download ready-to-play pro patches for free at BOSS Tone Central. AC adaptor not included, optional BOSS PSA adaptor recommended.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick, saturated sound is perfectly suited for metal styles and is also great for playing heavy rhythms and soaring solos in other genres. Iconic high-gain distortion pedal Innovative dual-stage gain circuit produces thick and tight distortion sounds with smooth, singing sustain Three-band active EQ with semi-parametric midrange provides intense sound customization with up to 15 dB boost/cut on each band. Easy to achieve massive, satisfying sounds at any volume level. BOSS five-year warranty.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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