Boss GP-10GK Guitar Processor with GK-3 Pickup and Cable – Secondhand – New Boss Processor Bass Analogue Guitar Effect Pedal
£339.00
Inspection notes: This effects pedal is in full working order and in good condition. There are signs of wear on the pickup. This product is secondhand. It has been inspected by our team of product experts to ensure it meets our high-quality standards. The Boss GP-10 Guitar Processor is a pedal that works with a…
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The Boss GP-10GK Guitar Processor with GK-3 Pickup and Cable – Secondhand is in New condition and made by Boss , it is a great Processor Bass Analogue Guitar Effect Pedal- Inspection notes: This effects pedal is in full working order and in good condition. There are signs of wear on the pickup. This product is secondhand. It has been inspected by our team of product experts to ensure it meets our high-quality standards. The Boss GP-10 Guitar Processor is a pedal that works with a Roland GK compatible pickup to transform your sound into a host of different voices and tones. Youll have access to a universe of tones and tunings beneath your feet all in one compact processor thats affordable and easy to use. With a Roland GK-compatible pickup the GP-10 lets you transform your sound into numerous classic electric and acoustic guitar types basses and even analogue-modelled synths including the legendary Roland GR-300. Whats more youll have access to instant altered tunings including popular open tunings 12-sting tones and down tunings that are perfect for taking your performance to the next level. The versatile GP-10 also functions as a multi-effects processor for both GK and normal pickups giving you a huge selection of COSM amps and effects for playing live as well as for use in the studio. In addition the USB connectivity allows you to capture GP-10 tones directly into your DAW and you can even play computer based-soft synths from your guitar with the GP-10s guitar-to-MIDI convertor. . Available from Just Pedals for only £ 339 Multi-effects & instant re-tuning Incredible versatility for stage and studio playing the compact GP-10 is both an instrument modelling processor and a powerful multi-effects pedal in one. Its multi-effects section features flagship-level COSM amps and effects and these can be used with any guitar via a standard 1/4-inch cable. Plugging into the GP-10’s GK input with a Roland GP-compatible pickup and a 13-pin cable unlocks the instrument modelling section opening a world of amazing sonic possibilities at home on stage or in the studio. Inside the GP-10 is a wide selection of flagship effects derived from the GT-100. Most can be used with a normal guitar (without a GK pickup) allowing the GP-10 to do double duty as an effects processor for any guitar gig. Included are overdrives distortions mod effects delay reverb and more – as well as intelligent harmony and other great effects. The on-board expression pedal can be used as a foot volume or effects such as wah pedal/pitch bend and others. A world of effects beneath your feet In addition to instant tuning changes using a GK-compatible pickup with the GP-10 allows you to change your entire sound at the push of a button. On hand are classic modelled electric guitar single coil or humbucking tones as well as steel and nylon-string acoustics basses banjos resonators fretless guitar and even sitar! The GP-10 also includes an impressive analogue-modelled synth engine that powers an authentic emulation of the famous Roland GR-300 analogue guitar synth and a super-fat OSC synth with two oscillators alongside many adjustable sound parameters. In addition a selection of cool Poly FX deliver unique sounds only possible with GK processing allowing you to take your playing into exciting new territory. Modelled sounds can be blended with your guitar’s normal sound putting an infinite range of tonal options right beneath your feet. Ultra-responsive COSM amps A defining factor of any guitar’s sound is the amplifier and the GP-10 is filled with them. 30 different amp types are at your disposal along with bass amps for modelled bass tones and a full range for acoustic sounds. Powered by custom BOSS DSP and the latest developments in COSM technology the amps in the GP-10 deliver organic responsive tone with adjustable settings to vary the natural compression and playing feel. All the GP-10’s amps can be used with either normal guitars or those equipped with a GGK pickup. Built-in MIDI interface & USB audio The GP-10 features an on-board USB audio/MIDI interface making it easy to record great amp and effect tones in your favourite DAW with any guitar. When you use a GK-equipped guitar the GP-10 becomes an enormously powerful creative tool that expands your production capabilities beyond any standard guitar processor. For example you can record the audio output for each of your guitar’s strings on separate tracks either processed with the GP-10 or captured dry for later processing. When you record unprocessed sounds in this way you have the ability to not only re-amp the tracks through the GP-10’s amps but to ‘re-guitar’ as well using the GP-10’s instrument modelling to change the sound to anything you want. The guitar-to-MIDI function allows you to stretch your creativity even further using your guitar to play soft synths capture MIDI sequences and input MIDI data into notation software on your computer. Specifications Power Supply: AC Adaptor Current Draw: 350 mA Pedals: Pedal Switch x 4 Expression Pedal x 1 AD Conversion: GK Pickup: 24 bits GUITAR IN: 24 bits + AF method DA Conversion: 24 bits Sampling Frequency: 44.1 kHz Nominal Input Level: GUITAR INPUT: -10dBu AUX IN: 20 dBu Input Impedance: GUITAR INPUT: 1 M ohm AUX IN: 27 k ohms Nominal Output Level: OUTPUT L/MONO R: -10dBu GUITAR OUT: 2 kohms PHONES: 44 ohms Patch Memory: 99 ModelingElectric Guitar: 12 types Acoustic: 9 types Bass Types: 3 types Guitar Synthesizer: 3 types Poly FX: 5 types Preamps: 30 types FX: 16 types Alternate Tunings: Open: D E G A Drop: D to A D-MODAL NASHVILLE SHIFT: -12 to +12 12 string guitar function
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Processor
A processor, in the context of guitar effects and audio equipment, refers to a device or unit that processes and modifies audio signals in various ways. Guitar processors, also known as multi-effects processors, are versatile devices that combine multiple effects and signal processing capabilities into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing tools, allowing for easy access to a diverse palette of tones and textures.
Here are some key features and functions of guitar processors:
1. **Built-in Effects**: Guitar processors typically include a wide variety of effects such as distortion, modulation, delay, reverb, chorus, and more. These effects can be individually selected, customized, and combined to create unique sounds and tones.
2. **Amp Modeling**: Many guitar processors feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles without the need for additional gear.
3. **Presets and Programmability**: Guitar processors often come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Guitar processors offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing users to tailor their sound to suit their preferences. Some processors also support deep editing and customization via computer software or mobile apps.
5. **Expression Pedal Compatibility**: Many guitar processors are compatible with expression pedals, allowing users to control parameters such as volume, wah, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
6. **USB Connectivity and Recording**: Some guitar processors feature USB connectivity, allowing users to connect the unit to a computer for recording, editing, and firmware updates. This makes it easy to integrate the processor into a home recording setup or use it as a digital audio interface.
7. **Integration with Amps and Pedalboards**: Guitar processors can be used standalone or integrated into existing amplifier setups and pedalboards. They offer various connectivity options such as input and output jacks, effects loops, and MIDI compatibility, making them versatile tools for shaping guitar tones in any setup.
Overall, guitar processors provide guitarists with a comprehensive solution for achieving a wide range of tones and effects in a single unit. Whether used for practice, recording, or live performance, guitar processors offer flexibility, convenience, and creative potential for players of all levels and styles.
The GK-5 is a user-installable guitar pickup designed for the advanced Serial GK digital interface found in the latest BOSS guitar synthesizer products Offering improved performance over the previous analog 13-pin interface, Serial GK opens a universe of new sonic possibilities in guitar and bass synthesis Light and streamlined connector housing with a lower profile than previous GK pickups Flat, slimline pickup fits on most standard electric guitars Includes an attachment plate for the bridge on Les Paul-style guitars Connector housing mounts securely to the instrument’s strap button with the included bracket Specially designed BOSS Serial GK cables (BGK series) available for stable and accurate operation with your Serial GK product
Pro-level amps and effects in a light, compact floor unit Essential tools on board for optimizing your core bass tone Includes advanced MDP effects for maximum musical expression Modern design with no hard edges enables safe transport in an instrument bag International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions.
Features an adjustable curve design and pickup cable length 'Cord Length the pickup adjustable Remote Control GK wide angle and smooth for volume control 'Jack Type Phone from 1/4 input for a normal guitar
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
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