Boss DS-1X Distortion Special Edition Pedal – New Boss Overdrive EQ Distortion Bass Analogue Guitar Effect Pedal
£129.00
The Boss DS-1X is not an upgraded DS-1 its a lot LOT more. Boss have decided to reinvent distortion. Up to now overdrive and distortion circuits have always been analog aside from expensive modelling technology Boss have seen the potential of digitally processing overdrive however and created the remarkably innovative DS-1X. This pedal can process…
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The Boss DS-1X Distortion Special Edition Pedal is in New condition and made by Boss , it is a great Overdrive EQ Distortion Bass Analogue Guitar Effect Pedal- The Boss DS-1X is not an upgraded DS-1 its a lot LOT more. Boss have decided to reinvent distortion. Up to now overdrive and distortion circuits have always been analog aside from expensive modelling technology Boss have seen the potential of digitally processing overdrive however and created the remarkably innovative DS-1X. This pedal can process each frequency band separately and tailor the effect to each. This is alongside a shift in focus away from midrange so the pedal now emphasises bass and treble response giving a truly modern feel perfect for the studio. On top of this powerful tone-shaping the DS-1X then applies its signature natural compression to giving the output a really polished professional sound every time. If youre looking for the next generation of distortion its pretty clear its the DS-1X. . Available from Just Pedals for only £ 129 Digital distortion Future-proofing distortion pedals. The main talking point of the Boss DS-1X is its digital multi-dimensional processing which means it operates in a radically different way from most overdrive/distortion pedals. Whereas most distortion circuits are fully analog digitally processing the signal allows the DS-1X to do far more like adding natural compression. This compression gives everything a smooth edge and gives a polished outputted sound. This suits the tone choices of this pedal Boss wanted to make a modern distortion so treble and bass frequencies are emphasised over midrange here coupled with having a touch-sensitive dynamic response and the natural compression and you can be sure everything you put through this pedal comes out studio-ready; the DS-1X does all the hard work for you. None of this is at the detriment of tone however with the DS-1X still offering the stupidly hot gritty textures the standard DS-1 is famous for. Switching to digital simply allows extra features to be implemented like touch-sensitivity for superior responsiveness and additional clarity by processing different frequency bands separately. Get up to date get the Boss DS-1X. Features Special edition BOSS distortion pedal with next-generation sound feel and tonal response All-new design provides a superior playing experience that?s unattainable with analog distortion pedals Powerful real-time processing adapts to your playing to provide ideal distortion tones in every register Enjoy perfect sounds over the entire fretboard from tight crisp tones on the low strings to fat singing tones on the highest notes High-clarity distortion sound that?s never muddy or boomy even when playing two or more notes at the same time Ultra-responsive to volume changes and picking dynamics Very low noise even with high-gain settings Drive High and Low knobs offer a wide range of sound shaping not found in typical stompbox pedals Striking appearance with exclusive chrome knobs and control plate plus vintage silver knob for battery compartment access Features BOSS innovative Multi-Dimensional Processing (MDP) realized with proprietary technology and custom DSP Specifications Nominal Input Level: -20 dBu Input Impedance: 1 Mohm Nominal Output Level: -20 dBu Output Impedance: 1 kohm Recommended Load Impedance: 10 kohms or Greater Controls: Level Low High Distortion Pedal Switch Indicator: Check Indicator Connectors: Input Jack Output Jack AC Adaptor Jack Power Supply: Alkaline Battery (9V 6LR61) or Carbon-Zinc Battery (9V 6F22) AC Adaptor (Sold Separately) Current Draw: 45 mA Expected Battery Life Under Continuous Use: Carbon: Approx. 2.5 hours Alkaline: Approx. 9 hours Accessories: Owners Manual Leaflet Alkaline Battery (9V 6LR61) Dimensions Width: 2.875’’ (73 mm) Depth: 5.125’’ (129 mm) Height: 2.375’’ (59 mm) Weight: 0.45kg (1 lbs)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
The DS-1X launches the famous BOSS distortion into a new era of expression, delivering unmatched performance for guitarists seeking the ultimate tone with next-level sound, feel, and tonal response. BOSS’s innovative MDP technology and high-speed DSP deliver a superior playing experience that’s unattainable with analog distortion circuits. Powerful real-time processing adapts to your playing to provide ideal distortion tones in every register. Enjoy perfect sounds over the entire fretboard, from tight, crisp tones on the low strings to fat, singing tones on the highest notes. High-clarity distortion sound that’s never muddy or boomy, even when playing two or more notes at once. Ultra-responsive to volume changes and picking dynamics. Very low noise, even with high-gain settings. Drive, High, and Low knobs control multiple internal parameters at once, providing sophisticated sound shaping not available in typical pedals. Striking appearance with exclusive chrome knobs and control plate,… read more
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Classic BOSS distortion tones with added Turbo modes Turbo Mode I produces warm and mellow distortion with flat frequency response Turbo Mode II provides biting distortion with a mid-range boost, perfect for leads Built-in remote jack allows users to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes BOSS five-year warranty
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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