Boss DS-1 Distortion Pedal – New Boss Fuzz Distortion Guitar Effect Pedal
£67.00
The Boss DS-1 Distortion Pedal is still going strong 40 years after being introduced and with good reason. Delivering dirty distortion with more than a hit of grit all with a stunningly bright tone and it becomes rapidly apparent why Kurt Cobain trusted this pedal to deliver the huge fuzzy tones that were necessary. Sporting…
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The Boss DS-1 Distortion Pedal is in New condition and made by Boss , it is a great Fuzz Distortion Guitar Effect Pedal- The Boss DS-1 Distortion Pedal is still going strong 40 years after being introduced and with good reason. Delivering dirty distortion with more than a hit of grit all with a stunningly bright tone and it becomes rapidly apparent why Kurt Cobain trusted this pedal to deliver the huge fuzzy tones that were necessary. Sporting Boss iconic three-knob layout this bright orange beast has been a mainstay on countless pedalboards since its introduction in 1978 and the fact the design has yet to be improved upon more than 40 years later shows its reputation is well-earned. If you need a pedal to take your sound up several gears theres nothing better than the DS-1. . Available from Just Pedals for only £ 67 Mid scoop The distinctive distorted tones of the Boss DS-1 Distortion Pedal are defined by a few clever design features. With its pioneering two stage circuit the unique tone control offers sculpted EQ to a prominent mid-scoop in stark contrast to most other overdrive pedals. This is a big factor in the DS-1s unique sound signature. The DS-1 achieves this by using a passive Big Muff Pi style tone control which also attenuates treble or bass depending on which way you turn the tone knob. This control consists of a simple fixed low-pass filter and a high-pass filter with a pot to mix the two signals these two filters have cut-offs that create the mid-scoop at around 500Hz. Indulge in excess Another of the DS-1s tonal secrets is the transistor boosting stage of the circuit amplifying the incoming signal 56 times! This drives the signal from the early stages and gives the characteristic hot sound the DS-1 is known for. This heavily driven high gain sound combines well with the symmetrical clipping design which generates additional harmonic content giving you a richer sound. Symmetrical clipping produces even-order harmonics which are more sonically pleasing than odd-order. Boss double down on this powerful design by connecting the diodes to the AC ground in the clipping stage this makes the signal clip even harder adding to the aggressive character of this timeless pedal. All this with the robust build quality you expect from Boss pedals. Get the distorted sound that guitarists everywhere since 1978 have been raving about: maximum distortion settings ideal! Features Classic BOSS Distortion tones for guitar and keyboard Reproduces dynamics of playing from soft to hard Distortion Level and Tone control to tailor overall sound as desired Specifications Nominal Input Level: -20 dBu Input Impedance: 470 ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input Noise Level: -122 dBu (IHF-A Typ.) Connectors: INPUT Jack OUTPUT Jack AC Adaptor Jack (9 V DC) Power Supply: 9 V DC: Dry Battery 9 V type AC Adaptor Current Draw: 10 mA (9 V DC) Accessories: Dry Battery 9 V type (6F22/9 V) Dimensions: (W) 73 mm 2-7/8 inches (D) 129 mm 5-1/8 inches (H) 59 mm 2-3/8 inches Weight: 0.4 kg 0 lbs. 15 oz.
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
Classic BOSS distortion tones with added Turbo modes Turbo Mode I produces warm and mellow distortion with flat frequency response Turbo Mode II provides biting distortion with a mid-range boost, perfect for leads Built-in remote jack allows users to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes BOSS five-year warranty
Introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever. The DS-1 is the top-selling BOSS compact pedal ever. DS-1W is the latest version of the legendary DS-1, upgraded and hand built in Japan with Waza Craftsmanship for the ultimate BOSS tone experience. Newly revised two-stage gain circuit with discrete analog components. Standard mode delivers the legendary sound of the original DS-1. Versatile Tone knob provides wide-ranging frequency control fine-tuned for each modended range and versatility whilst retaining the look and character of the DS-1. Two modes offer increased versatility when the pedal is used as a gain booster. Premium buffer for clean and clear tone when bypassed.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick, saturated sound is perfectly suited for metal styles and is also great for playing heavy rhythms and soaring solos in other genres. Iconic high-gain distortion pedal Innovative dual-stage gain circuit produces thick and tight distortion sounds with smooth, singing sustain Three-band active EQ with semi-parametric midrange provides intense sound customization with up to 15 dB boost/cut on each band. Easy to achieve massive, satisfying sounds at any volume level. BOSS five-year warranty.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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