The Ampeg Liquifier Analogue Bass Chorus Pedal is the perfect tool to bring life to your bass guitar. It offers the ability to extra layers and a captivating melodic presence to your performance. Unlike traditional chorus pedals the Liquifier makes two copies of your signal and runs separate triangle waves through them creating a stunning through-zero flange effect. Its three-control knob setup provides you with everything you need to produce incredible chorus effects from subtle swirls that sit in the background all the way to glorious psychedelic swirls. With its true bypass switching retaining your original signal when the pedal is switched off the Ampeg Liquifier Bass Chorus is the perfect companion for bassists wanting more from their tone.
Ampeg Liquifier Analogue Bass Chorus Pedal
This is a New Ampeg Liquifier Analogue Bass Chorus Pedal from Ampeg, listed in Chorus Pedals on Just Pedals. Read More below.
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Brand
Ampeg
In the current JustPedals catalogue, Ampeg is represented by Preamp & DI Pedals, Overdrive Pedals and Chorus Pedals. Current listings include Scrambler, Classic Analog and Opto Comp Analogue. That makes the range relevant to players looking for drive, gain and clipping, plus modulation and movement. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Chorus Pedals
Chorus pedals mix the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate controls the speed of the modulation; depth controls its excursion; blend, tone and stereo routing determine how prominent the effect becomes. Slower, shallow settings can add width without obscuring the note, while deeper settings move towards a seasick or synthetic wobble. Analogue bucket-brigade and digital designs can behave differently, so check mono compatibility, headroom and the placement of the pedal after drives or before a mixer.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
Bass
Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.
True Bypass
True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.
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