Justin Chancellor is a sonic pioneer. The musical backbone of his Grammy award-winning band Tool, Chancellor is recognised for his percussive bass playing, but is also lauded for his creative, effects-laden melodic parts that really take you on a trip! The Jim Dunlop JCT95 Justin Chancellor Cry Baby wah pedal brings three of his favourite effects together in a…
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The Jim Dunlop JCT95 Justin Chancellor Signature Cry Baby Bass Wah, Fuzz & Filter Pedal is in New condition and made by Jim Dunlop , it is just a great Pedal Filter & Fuzz Wah, Bass Baby Cry Signature Chancellor Justin JCT95 Dunlop Jim Guitar Effect Pedal-
Justin Chancellor is a sonic pioneer. The musical backbone of his Grammy award-winning band Tool, Chancellor is recognised for his percussive bass playing, but is also lauded for his creative, effects-laden melodic parts that really take you on a trip! The Jim Dunlop JCT95 Justin Chancellor Cry Baby wah pedal brings three of his favourite effects together in a single housing — the fluid expressiveness of a custom mid-range filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz.
In short, this incredible tool (pun intended) is perfect for bassists who want to push the musical boundaries. Whether opening up soundscapes with chords and harmonics, or syncing up with a guitarist to perform arresting single-note unison runs — this pedal gives you plenty to play with!
Key Features
2 Wah Voices — 'U.K. Filter' and 'Wah' modes provide two tone-warpingly distinct variations on a theme.
U.K. Filter Mode — Thick and throaty, designed to emulate the unique envelope-like filtering of the tone control on Justin's bass. When combined with the built-in fuzz, the U.K. Filter voice generates incredibly smooth, synth-line tones.
Wah Mode — Brilliant, aggressive and lush. If you prefer a more traditional wah sound, this mode employs the classic red Fasel inductor and the circuitry of a modified Cry Baby Wah for a gnarlier sound with brilliant harmonics. It really cuts through with the fuzz engaged!
Wah Select Footswitch — Move between the two wah voices at any time, with separate Volume and Q controls giving you ultimate control.
Custom Circuitry — In both modes, the pedal maintains the thickness and heft of your low-end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker’s sweep!
Vintage Fuzz Circuit — Based on Justin’s go-to fuzz; a ferocious device of vintage UK origin. Has a tighter focus than most fuzzes, while retaining much of the bass signal's punch. By default, you’ll only hear the fuzz when using the rocker pedal, but you can kick the switch on the side to run it independently.
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Jim Dunlop is a prominent American brand known for its production of musical accessories, particularly guitar pedals, tuners, strings, and picks. Established in 1965, Dunlop has built a strong reputation in the music industry, becoming one of the leading manufacturers of gear for guitarists, bassists, and other musicians. The company is especially famous for its iconic Wah pedals, such as the *Cry Baby*, which has been a staple in the rock and metal genres for decades.
In addition to their legendary Wah pedals, Jim Dunlop produces a wide range of other effects pedals, including distortion, overdrive, delay, reverb, and compression pedals, all known for their durability and high-quality performance. Dunlop’s products are used by musicians across various genres and are prized for their consistency, innovative features, and ease of use. Beyond pedals, Jim Dunlop is also well-regarded for its guitar strings, picks, and other accessories, making it a trusted name in the world of musical gear.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Cry
Filter
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Heavy die cast construction for years of reliability The original crybaby wah wah pedal that has been a standard in the world of music since its introduction in the late 1960's 100k ohm hot potz potentiometer that allows for that quick, abrupt wah sound Powered by the optional dunlop ecb-003 ac adapter and/or 9 volt battery(sold separately) Relied on by jimi hendrix, eric clapton, buddy guy, david gilmour, and many other greats. NOTE: The product is only compatible with a 9 volt battery
This custom Cry Baby Wah combines three of Justin Chancellor's favorite ways to explore tones and craft soundscapes—filter, wah, and fuzz. U.K. Filter and Wah modes, two tone-warpingly distinct variations on a theme. Classic red Fasel Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics Separate Volume and Q controls, and move between the two at any time by stomping on the Wah Select footswitch Features Justin's go-to fuzz which can be operated independently
Add growling, funky crybaby dynamics to your bass sound Pedal modulates sweep through wah effect, silent "auto-off" switching automatically bypasses effect when foot is off pedal Adjustable volume boost knob, mounted on side Adjustable "q" control modulates frequency breadth of effect Power : battery operated (not included)
Effect Type: Wah-Wah Technology: Analog Mono/ Stereo: Mono In, Mono Out True Bypass: Yes Country of Origin: Made in USA effect type: wah-wah technology: analog mono/ stereo: mono in, mono out true bypass: yes country of origin: made in usa ; Included components: Dunlop CBM105Q Cry Baby Mini Bass Wah
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