JHS Pedals Supreme Legends Of Fuzz – New JHS Pedals Guitar Effect Pedal
£168.00
A legendary tone. The JHS Pedals Legends Of Fuzz Supreme presents a sensational recreation of the esteemed 1972 Univox Super Fuzz used by the likes of Pete Townshend. All the original circuitry constructed into a stunning housing thats built for the modern stage. Its an octaver fuzz. Meaning youll experience that singing high-end richness with…
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The JHS Pedals Supreme Legends Of Fuzz is in New condition and made by JHS Pedals , it is a great Fuzz Of Legends Supreme Pedals JHS Guitar Effect Pedal- A legendary tone. The JHS Pedals Legends Of Fuzz Supreme presents a sensational recreation of the esteemed 1972 Univox Super Fuzz used by the likes of Pete Townshend. All the original circuitry constructed into a stunning housing thats built for the modern stage. Its an octaver fuzz. Meaning youll experience that singing high-end richness with each note you play. Its this distinctive screaming quality that gave the 1972 model its gigantic status. And now you can inject it straight into your performance. But with a remodelled design comes fresh features. Including a custom-made JHS Mode switch which engages a much thicker midrange more pronounced octaves and more power in your playing. This unique feature sits next to the Tone switch which offers a mid-cut for an overall smoother more rounded sound. Topped off with the traditional Volume and Expand (fuzz level) controls the Supreme is simply a must-have for lovers of The Black Keys White Stripes and Townshend. Theres a reason it sits in the fuzz hall of fame… . Available from Just Pedals for only £ 168 Vintage fuzz tone… A sound that defined decades of rock n roll. The JHS Supreme features the exact same circuitry of the original 1972 Univox Super Fuzz – an effects pedal held in the highest regard by guitar players across the world. What this means is you can experience the authenticity of the original 72 model with a construction that excels on the modern stage. But lets delve into what really matters – the tone. An octaver fuzz this unique effect incorporates the detail of a high end harmonic into your playing offering a much richer more textured distortion tone. Its this distinctive layered effect that allowed the original Super Fuzz to gain its monumental status. Whether youre performing screeching solos or fatter low-end riffs – the Supreme ensures your tone packs a punch like no other. …with a few extra features Alongside the traditional volume and gain controls JHS have integrated a few additional switches onto the Supreme to provide even more versatility than the original vintage models. The Mode switch engages a custom-made midrange boost by JHS themselves which also delivers a more pronounced upper octave and even more power in your playing. This is ideal for kicking out complete chaos into your solos for a more aggressive attack and fatter overall sound. Conversely the Tone switch provides a much more submissive tone that flattens out your attack and scoops the mids creating a smoother more discreet tone. You wouldnt find this versatility even on the original/ Legends of Fuzz Fuzz. Its without a doubt one of the most iconic and widely-used guitar effects in rock music. From the revolutionary licks of Hendrix and Page to the fat modern sound and aggressive solos of White Stripes and The Black Keys – fuzz has without a doubt found its place in the heights of rock n roll. But one thing that stands out in the playing of all these artists is that coveted vintage flair. Thats why JHS have introduced the Legends of Fuzz series. Featuring the circuitry and designs of the most sought-after vintage fuzz effects JHS have taken everything we love about these classics and recreated them for the modern stage. All the tones that defined rock music through the ages – these are the best of the best. Specifications Model Name: JHS Pedals Legends Of Fuzz Supreme Model Code: JHS-SUPREME Pedal Type: Octaver Fuzz Switching: True Bypass Controls: Volume Expand Mode Tone Dimensions: 5.68 X 3.62 X 2″
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Volume control sets the overall output level of the effect; turn it up and it gets louder Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode” JHS Mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn
Compact and versatile tone-machine When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup G1 flipped up adds a touch of drive for more riffy grit G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
Mini toggle switch selects between chorus and Vibrato effects Three available waveform types (sine, square, and triangle) Intuitive controls for volume, EQ, speed, and depth Control the rate with the onboard speed knob or tap tempo footswitch Requires standard 9V DC negative power
Combines overdrive and fuzz effects in one pedal, offering a wide range of tonal possibilities. Delivers smooth, transparent overdrive and ferocious fuzz, and anything in between. Independent Gain, Tone and Volume controls allow you to shape the tones as expected. The case is solid aluminum and it’ll stand up to heavy use on a pedal board. Input: 9V / 50 mA.
The perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly Just plug in your instrument Cable (or patch Cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal Once hooked up, use the left footswitch to select between a and B channels When the led is Red, the a channel is engaged. When the led is Green, the B channel is engaged. Hit the right “Y” footswitch, and both channels are engaged for full stereo output Because the active a/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum
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