The JHS Muffuletta Fuzz Pedal is a tribute to the legend and story of one of the greatest pedals ever invented. It delivers a myriad of legendary fuzz tones so you no longer need to choose between your favourites. Encased within a sturdy exterior this unique and hard-wearing pedal not only offers you a world…
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The JHS Pedals Muffuletta Fuzz is in New condition and made by JHS Pedals , it is a great Fuzz Muffuletta Pedals JHS Guitar Effect Pedal- The JHS Muffuletta Fuzz Pedal is a tribute to the legend and story of one of the greatest pedals ever invented. It delivers a myriad of legendary fuzz tones so you no longer need to choose between your favourites. Encased within a sturdy exterior this unique and hard-wearing pedal not only offers you a world of sonic options but is also fully equipped to survive all the trials of life with a regularly performing musician. In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar and by early 1969 he had created a circuit that has become one of the most legendary collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime the Big Muff Distortion/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. . Available from Just Pedals for only £ 199 All-analogue tone The Muffuletta replicates five classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model you are achieving analogue tone that uses real components and values found in the original units. JHS have selected their favourite classic versions from the pages of history and made them available in one small format pedal that is easy to understand operate and do what it should do… replicate rare expensive mythical and sought after versions of this circuit with ease. The Big Muff has an amazing history and has been used by some of the most influential guitarists ever. Never before has there been a single pedal that gives you all these different eras of tone. JHS are convinced that the Muffuletta can fit in anyones rig who loves dirt distortion and fuzz and think it will be hard for you to disagree once you plug it in and play. World recognised boutiqe pedals JHS Pedals has evolved from a one man bedroom operation to a world recognised boutique effects pedal company. All JHS pedals feature a simple design with hand-wired components. Josh Scott founder of JHS Pedals began by modifying pedals he had on his personal board years of touring and session work led him to realise exactly what it is that players want from their pedals which meant building them from the ground up to achieve perfection. Hand built to perfection JHS Pedals are hand-built in Kansas City USA the company has a core value that JHS builders will never be replaced by robots. Every boutique JHS pedal is made and tested by a highly skilled pedal builder to ensure that every JHS pedal is crafted to perfection. Controls Volume: Controls the output volume. Left is less volume right is more. Sustain: Controls the amount of fuzz which increases the sustain when turned up just like the vintage units. Tone: The tone on the Muffuletta is its own animal. Left is darker and more “muffy”. Right is brighter with a pleasing shrillness. You will also find that the tone sweep changes the character of the pedal in ways that normal tone knobs do not. Version Selector: This knob selects which of the 6 versions you want to play. Fuzz Modes 1. JHS 2015 The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful less compressed with a more haunting mid range. It is also the best for bass guitar. 2. 73 Rams Head 1973-1977 V2 The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings) Ernie Isley (Isly Brothers) and J. Mascis (Dinosaur Jr.). 3. The Triangle 1969-1970 V1 The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana David Gilmours Pete Cornish made pedal boards John Lennon Kevin Shields (My Bloody Valentine) and possibly Jimi Hendrix. 4. The Pi 1977-1978 V3 The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa Billy Corgan (Smashing Pumpkins) Jack White The Edge (U2) Beck and Pete Townsend (The Who). 5. The Russian 1999-2009 V8 The Russian Muff gets its name from the Made in Russia text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys) Chris Wolstenholme (Muse) and Robin Finck (Nine Inch Nails). 6. The Civil War 1991-1993 V7 The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colours found on many. It is best known for having more mid range brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth) John Fogerty Jeff Tweedy (Wilco) Mike Mills and Peter Buck (REM). Specifications Controls: Volume Sustain Tone Version Selector Modes: Civil War Russian PI Triangle 73 Rams Head JHS 2015 Input: 1 / 4″ Jack (right side) Output: 1 / 4″ Jack (left side) Power: 9V DC
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone We crammed five all-analog re-creations of the pedal’s most beloved tones into this box We even threw in a JHS-exclusive tone that is our take on the historic stomp No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal This pedal requires standard 9V DC negative power, consumes 4mA, and measures 2.2"X4.8"X1.6"
Made in Kansas City USA The perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones The Fat toggle engages a bass boost for an overall fatter, more powerful sound Runs on 9V DC Negative Center power and consumes 9mA
Compact and versatile tone-machine When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup G1 flipped up adds a touch of drive for more riffy grit G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
1973 Fresh Fuzz Replica Dimensions: 5.68 X 3.62 X 2 Inches Weight: 0.85 lbs This pedal requires 9V DC negative center. 4MA consumption. Do not use more than 9V DC, or your warranty will be voided. The Berkeley does allow for battery operation via a single 9V battery. Just loosen the two rear screws from the enclosure and the backplate will swing open. On the inside you will see a battery clip to install the battery into.
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