JHS Pedals Bonsai 9-Way Overdrive – Nearly New – New JHS Pedals Guitar Effect Pedal
£208.00
The JHS Pedals Bonsai 9-Way Overdrive embodies the very essence of tubescreamer pedals equipped with 9 incredibly powerful and unique overdrives for a truly versatile performance. After extensive research and analysis the Bonsai perfectly recreates every aspect of their sound and feel to provide a faithful reproduction of their legendary sound. Hand-built with premium components…
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The JHS Pedals Bonsai 9-Way Overdrive – Nearly New is in New condition and made by JHS Pedals , it is a great New Nearly – Overdrive 9-Way Bonsai Pedals JHS Guitar Effect Pedal- The JHS Pedals Bonsai 9-Way Overdrive embodies the very essence of tubescreamer pedals equipped with 9 incredibly powerful and unique overdrives for a truly versatile performance. After extensive research and analysis the Bonsai perfectly recreates every aspect of their sound and feel to provide a faithful reproduction of their legendary sound. Hand-built with premium components the JHS Overdrive pedal delivers everything from bright slight high gain tones and classic low gain sounds with a pronounced mid-range all the way through to iconic metal punch and extremely high gain overdrive with an incredible amount of low end. Also featuring volume drive and tone controls to dial in the perfect sound for an array of playing styles the JHS Pedals Bonsai 9-Way Overdrive is the perfect choice for fans wanting a range of iconic drive tones at their fingertips. . Available from Just Pedals for only £ 208 The Iconic Overdrive Sound The overdrive sound has become synonymous in the world of music used by thousands of players from every possible genre including The Edge Trey Anastasio Buddy Guy Kirk Hammett John Mayer SRV and Carlos Santana. Out of all the variations and renditions of this iconic sound the Tubescream is probably the most renown most produced and most sold in the history of guitar pedals. The JHS Pedals Bonsai Overdrive takes 9 of these classic vintage rare or hard-to-find variations of the Screamer and perfectly replicates every aspect of their sound and feel into one pedal. World Recognised Boutique Pedals JHS Pedals has evolved from a one man bedroom operation to a world recognised boutique effects pedal company featuring simplistic designs with hand-wired components. Josh Scott founder of JHS Pedals began by modifying pedals he had on his personal board. Years of touring and session work led Josh to realise exactly what it is that players want from their pedals which meant building them from the ground up to achieve perfection. Hand Built to Perfection JHS Pedals are hand-built in Kansas City USA the company has a core value that JHS builders will never be replaced by robots. Every boutique JHS pedal is made and tested by a highly skilled pedal builder to ensure that every JHS pedal is crafted to perfection. Overdrive Models OD-1 – 1977 The OD-1 is an overall bright and slightly high gain overdrive which doesn’t use the tone control. When selecting this mode the pedal inverts its signal just like the original and delivers a symmetrical clipping. The OD-1 is the ideal choice for boosting other drives and amps into singing saturation giving your tone a magical feel. TS-808 – 1979 The TS-808 is perfect for giving your sound that classic low gain with a signature pronounced mid-range. TS-9 – 1982 the TS-9 offers an almost identical tone quality as the TS-808 but provides a slightly more pushed low-mid range ideal for creating extra grunge and thunder. MSL Power or L Series – 1985 The MSL mode delivers an iconic metal tone which may not quite inspire the modern metal djent we think of. Selecting this mode with provide your tone with an incredibly high gain sound with an powerful low-end and an overall more gooey feeling than the other modes. TS-10 – 1986 The TS-10 mode embodies the very pedal made famous by John Mayer offering a slightly upgraded version for a more bluesy and crisp tone with excellent low-end roll off and low gain. Exar OD-1 1989 The Exar OD-1 is a TS-style overdriven pedal made in Poland offering a slightly different drive character with a little more gain than classic tubescreamers. This overdrive also offers a slightly more transparent feel providing a nice mix of overdriven and clean soundscapes. TS-7 (+mode) – 1999 The TS-7 mode provides a hot tone offering the highest gain sound the Bonsai offers. Designed with an incredibly amount of low-end and dirt fill out the TS-7 is the ideal choice for delivering killer tones and shredding licks. Keeley Mod Plus – 2002 The Keeley Mod Plus offers the classic mod Robert Keeley used to tighten up the original’s tone delivering an incredibly smooth mid-range and high-end with an increased bass response. JHS Strong Mod – 2008 The JHS Strong Mod mode delivers JHS’ own modification they’ve used since 2008 offering a more cleaner and overall more powerful sound than the other modes. The Strong Mod provides the pedal with a pronounced high-end with an incredible low-end drop off. Specifications Type: Overdrive Controls: Volume Drive Tone Mode Select Finish: Green Graphics: Bonsai Tree I/O Connection: 1/4″ Jack Dimensions: 2.2 x 4.8 x 1.6 Please Note: Pedal does not come with a power supply.
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
The Bonsai is our tribute to one of the greatest pedals ever created, the Tube Screamer A Simple rotary knob switches through nine classic, vintage, rare, or hard to find variations of the Screamer The Bonsai Does Not emulate these pedals, it is exact replications of these nine units all housed in one box Choosing a mode on the Bonsai rotary actually activates components specific to each unit
A pedal that could go from overdrive to distortion and all the way to fuzz A passionate homage to a landmark pedal that changed music history Uses a unique digital runway system to direct the paths of 261 components through 40 individual switches to achieve a fluid, analog multimode switching Over 100 different RAT specimens were studied to achieve this unique circuitry 9 unique iterations of the ProCo Rat in 1 stomp box
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA
Compact and versatile tone-machine When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup G1 flipped up adds a touch of drive for more riffy grit G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/m… read more
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