Electro Harmonix Cock Fight Plus Talking Wah & Fuzz – New Electro Harmonix Guitar Effect Pedal
£129.00
The Electro Harmonix Cock Fight Plus Wah Pedal is a vocal-sounding wah pedal and fuzz effect in one easy-to-use unit. It takes the award-winning EHX Cock Fight pedal (cocked talking-wah with fuzz) as its base and houses it in a rugged chassis with added expression pedal to give you full foot-control over the wah functionality.…
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The Electro Harmonix Cock Fight Plus Talking Wah & Fuzz is in New condition and made by Electro Harmonix , it is a great Fuzz & Wah Talking Plus Fight Cock Harmonix Electro Guitar Effect Pedal- The Electro Harmonix Cock Fight Plus Wah Pedal is a vocal-sounding wah pedal and fuzz effect in one easy-to-use unit. It takes the award-winning EHX Cock Fight pedal (cocked talking-wah with fuzz) as its base and houses it in a rugged chassis with added expression pedal to give you full foot-control over the wah functionality. The wah can offer you a traditional wah filter (“Cry”) or can be set to a formant filter (“Talk”) to give your setup a versatile blend of tones. The Fuzz section can either be set up as a pre/post effect to let you hone your unique tones or it can be bypassed altogether. The Cock Fight Plus Wah is capable of going from mild wah tones right through to the most unique vocal and raucous fuzz-wah sound you can imagine. Whether youre looking for traditional wah and fuzz sounds or youre looking to push the boundaries of guitar tones this could be the pedal for you. . Available from Just Pedals for only £ 129 The Electro Harmonix Cock Fight The Cock Fight Plus Wah takes EHXs original Cock Fight pedal as its base with its unique blend of wah and fuzz tonality. It packages this with a traditional rocker-type expression pedal to give you total foot control of the wah functionality. Wah & Fuzz In One Unit The Cock Fight Plus features a wah effect capable of operating in “Cry” mode (traditional wah-filter) or “Talk” mode (throaty/vocal sounding formant filter) to give you both flavours of wah tone from the more traditional to the more extreme. These are fully controllable via the rocker-foot pedal and can be left in “notched” position by removing your foot from the pedal. Fuzz Sounds The Cock Fight Plus Wah also features a fuzz tone which can either be utilised pre/post the wah pedal to create different reactions to your guitar signal. The fuzz features a drive control plus a bias control which can be used to simulate a reduction in bias voltage much like the infamous “dying battery” type of tones characterised by decreased sustain and notes that are cut short. Here you have the capability to create some real unique and vintage-sounding tones to make your songs stand out from the crowd. Road-Ready The Cock Fight Plus Wah comes included with a 9v battery or can be optionally powered by a 9v power source capable of delivering at least 30mA. It is a rugged and lightweight pedal with metal chassis and durable construction meaning it will survive those active gigs and rehearsals when your foot is getting the most use out of the Cock Fight Pluss tones. Features Great wah and talking pedal sounds Three pedals in one: crying wah + talking wah plus a classic fuzz Use with or w/out the fuzz. Place the fuzz before the filter for a vintage vibe or after for a more modern sound Adjustable bias control takes the fuzz from “normal” to a classic “dying battery” sound Solid construction with rocker switch expression control Specifications Controls: vol – freq – tone – drive – bottom – bias Manual Switches: cry/talk – fuzz off/pre/post LED: Effect on/off Footswitches: Effect bypass Connections: input (1/4″ jack) Output: (1/4″ jack) EXP input: (1/4″ TRS jack) PSU input: (5.5 x 2.1 mm barrel connector – center negative) Current draw: 35 mA Power: 9 V battery (included) or a 9 V DC power supply (not included) Dimensions: (W x D x H) 102 x 121 x 57 mm (4″ x 475″ x 225″) Origin: Made in USA
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Wah
A wah pedal, short for “wah-wah” pedal, is an effects pedal commonly used with electric guitars and occasionally with electric keyboards and bass guitars. It’s known for its distinctive sound, characterized by a sweeping, resonant filter effect that mimics the human voice saying “wah.” Here’s how a wah pedal works and some common features:
1. **Pedal Design**: A wah pedal typically consists of a foot-operated pedal and a housing unit. The pedal is attached to a potentiometer (variable resistor) inside the housing, which adjusts the frequency response of the audio signal based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many wah pedals are compatible with expression pedals, allowing players to control the wah effect in real-time using their foot. This adds a dynamic and expressive element to the performance, enabling players to vary the intensity and speed of the wah effect as they play.
3. **Sweep Range**: The sweep range refers to the range of frequencies affected by the wah pedal. As the pedal is rocked back and forth, it sweeps through a range of frequencies, emphasizing certain frequencies while attenuating others. This creates the characteristic “wah” sound.
4. **Q Control**: Some wah pedals feature a Q control, also known as resonance or bandwidth control, which adjusts the width of the frequency band affected by the wah effect. Higher Q settings result in a narrower band of frequencies being emphasized, producing a more pronounced and focused wah sound, while lower Q settings produce a broader, more subtle effect.
5. **True Bypass**: Like many other effects pedals, wah pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the wah effect is bypassed.
6. **LED Indicator**: Some wah pedals include an LED indicator to indicate when the effect is engaged. This provides visual feedback to the player, especially useful in low-light settings or on dimly lit stages.
7. **Treadle Grip**: The treadle grip refers to the surface texture or material of the pedal’s foot surface. Some wah pedals feature textured or ribbed surfaces to provide better grip and control, especially when using the pedal with bare feet or in slippery conditions.
Overall, a wah pedal is a versatile and expressive effect that adds character and flair to guitar solos, rhythm playing, and improvisations. Whether used for funky rhythm parts, expressive lead lines, or experimental sounds, a wah pedal offers guitarists a wide range of creative possibilities for shaping their tone and adding dynamic expression to their playing.
Great wah and talking pedal sounds Like getting three pedals in one: crying wah + talking wah plus a classic fuzz Use with or w/out the fuzz. Place the fuzz before the filter for a vintage vibe or after for a more modern sound Adjustable bias control takes the fuzz from “normal” to a classic “dying battery” sound 9Volt battery included, also works with optional EHX 9.6DC200mA power supply
Route your signal to output A or output B or both simultaneously Easily switch between different pedal boards The tuner jack is hardwired to the input jack and provides a direct output for a tuner or other effects regardless of the state of the unit The audio path is completely passive The Switchblade Plus can be powered by a 9 volt battery or 9VDC eliminator
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