The Electro Harmonix Blurst Modulating Filter turns its inspiration from keyboard and modular synthesizers into a versatile modulating filter pedal. The Blurst delivers an envelope filter effect that is controlled by an internal oscillator for a variety of creative tones ideal for funk. Equipped with an analog low pass filter with adjustable resonance three modulation…
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The Electro Harmonix Blurst Modulating Filter is in New condition and made by Electro Harmonix , it is a great Synthesizer Modulation EQ Envelope Analogue Guitar Effect Pedal- The Electro Harmonix Blurst Modulating Filter turns its inspiration from keyboard and modular synthesizers into a versatile modulating filter pedal. The Blurst delivers an envelope filter effect that is controlled by an internal oscillator for a variety of creative tones ideal for funk. Equipped with an analog low pass filter with adjustable resonance three modulation waveform shapes tap tempo with tap divide and EXP control over range rate or filter. With all these versatile control options the Blurst Modulating Filter is the perfect choice for creative guitarists who want access to unique filtered tones. . Available from Just Pedals for only £ 129.91 Internal Oscillator The Blurst Modulating Filter combines technology often found in keyboards and modular synthesizers into a compact pedal. Designed with the guitarist and bassist in mind the Blurst modulates an effect similar to an envelope filter which is controlled by an internal oscillator rather than by playing dynamics. This oscillator is the core of the pedals tone and lets you access a plethora of modulation sounds all with EHXs reliable build quality ensuring it will never let you down. All Analog Signal Path Unlike other modulating filter pedals the Blursts all-analog signal path features a fourth-order low pass filter with variable resonance. Players can achieve basic modulation with a choice of three wave shapes including Triangle Rising Saw-Tooth and Falling Saw-Tooth. The modulation is controlled digitally allowing for tap-tempo and an additional expression pedal (sold separately) can be used to control three selectable parameters. The Blurst is a great tool for the experimental player who wants a distinctive sound. FeaturesAchieve envelope filter tones controlled by an internal oscillator Analog low pass filter with adjustable resonance Three modulation waveform shapes: triangle rising saw-tooth and falling saw-tooth Modulation rate is set by either the rate knob or a combination of the tap footswitch and tap divide toggle switch offering quarter dotted eighth and triplet rhythms Three EXP modes range rate and filter can be controlled by an expression pedal or control voltage source like EHX’s 8 Step Program Analog Expression/CV Sequencer Range knob sets the frequency range of the filter’s modulation Blend control adjusts the dry/filtered signal mix Includes an EHX 9.6DC200mA power supplySpecificationsDimensions in inches: 2.75 (W) x 4.5 (L) x 2.1 (D) Dimensions in mm: 70 (W) x 115 (L) x 54 (D)
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Envelope
An envelope filter effect pedal is a type of audio effect that alters the sound of an instrument based on the dynamics of the player’s performance, specifically how loudly or softly they play. It works by using an envelope follower, which tracks the amplitude (volume level) of the signal and controls a filter that modulates the sound accordingly. The result is a distinctive sound where the filter’s cutoff frequency is swept up or down in reaction to the player’s attack, creating a “wah” or “quack” effect.
Envelope filters are commonly used in genres like funk, electronic, and rock to add a dynamic, expressive quality to the sound. The pedal can produce a range of tones, from subtle, smooth sweeps to more pronounced, percussive filter effects. The effect is most noticeable when playing with strong dynamics, such as heavy picking or fingerstyle playing, as the intensity of the filter changes in real-time. Some popular envelope filter pedals include the Electro-Harmonix Q-Tron and the MXR Envelope Filter, both of which allow players to shape the effect’s response with adjustable sensitivity, attack, and filter range for greater tonal control.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Modulation
Modulation is a category of guitar effects that alter the characteristics of the audio signal by varying parameters such as pitch, frequency, or timing. These effects add movement, depth, and texture to the sound, allowing guitarists to create dynamic and expressive tones. Common types of modulation effects include chorus, flanger, phaser, tremolo, and vibrato, each of which offers unique sonic characteristics and creative possibilities:
1. **Chorus**: Chorus effect adds thickness and richness to the sound by creating multiple, slightly detuned copies of the original signal. This results in a shimmering, swirling effect reminiscent of a choir or ensemble.
2. **Flanger**: Flanger effect creates a sweeping, jet-like sound by modulating a delayed version of the original signal and mixing it with the dry signal. It produces a distinctive whooshing or swooshing effect that can range from subtle to dramatic.
3. **Phaser**: Phaser effect splits the audio signal into multiple phase-shifted copies and combines them to create a series of peaks and troughs in the frequency spectrum. This produces a swirling, swirling effect that adds movement and dimension to the sound.
4. **Tremolo**: Tremolo effect modulates the volume of the audio signal at a rhythmic rate, creating a pulsating or throbbing sound. It adds a dynamic, rhythmic element to the guitar tone and is often used to create vintage-style surf or tremolo-bar effects.
5. **Vibrato**: Vibrato effect modulates the pitch of the audio signal at a varying rate, creating a subtle, pulsating variation in pitch. It adds a sense of depth and expressiveness to the sound, simulating the natural vibrato of stringed instruments.
Modulation effects can be used individually or in combination with other effects to create complex and layered tones. They are commonly used in various music genres, including rock, pop, funk, and experimental music, to enhance guitar solos, create atmospheric textures, and add movement to rhythm parts. Overall, modulation effects offer guitarists a wide range of creative possibilities for shaping their tone and expression.
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Synthesizer
A synthesizer guitar pedal is a type of effects pedal that allows guitarists to create synth-like sounds using their electric guitar. These pedals use digital or analog signal processing to transform the guitar signal into various synthesized tones, textures, and effects. Here are some key features and functions of synthesizer guitar pedals:
1. **Synthesized Sounds**: Synthesizer pedals generate a wide range of synthesized sounds, including classic synth tones, pads, leads, basslines, arpeggios, and sound effects. These sounds can emulate vintage analog synthesizers, modern digital synths, or create entirely new and unique tones.
2. **Tracking and Polyphony**: Synthesizer pedals often feature advanced tracking technology to accurately detect and analyze the guitar signal, allowing for precise triggering and tracking of notes and chords. Some pedals also offer polyphonic capabilities, meaning they can track multiple notes or chords simultaneously, enabling complex chord voicings and harmonies.
3. **Waveforms and Oscillators**: Synthesizer pedals typically include multiple waveforms and oscillators for shaping and sculpting the synthesized sound. Users can adjust parameters such as waveform shape, pitch, modulation, and envelope to create a wide variety of sonic textures and timbres.
4. **Filters and Effects**: Synthesizer pedals often feature built-in filters, envelopes, LFOs (Low-Frequency Oscillators), and effects such as delay, reverb, and modulation. These effects allow users to further shape and modulate the synthesized sound, adding movement, depth, and character.
5. **Presets and Programmability**: Many synthesizer pedals come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different synth tones and settings on the fly.
6. **Expression Pedal Compatibility**: Some synthesizer pedals are compatible with expression pedals, allowing users to control parameters such as filter cutoff, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
7. **Integration with Other Gear**: Synthesizer pedals can be used standalone or integrated into existing guitar rigs, pedalboards, or studio setups. They often include various connectivity options such as input and output jacks, MIDI compatibility, and USB connectivity for recording and editing.
Overall, synthesizer guitar pedals offer guitarists a versatile and creative tool for exploring new sonic possibilities, expanding their tonal palette, and adding depth and dimension to their music. Whether used for experimental soundscapes, electronic music production, or blending with traditional guitar tones, synthesizer pedals unlock a world of creative potential for guitarists of all styles and genres.
The classic chorus! The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles True bypass 9-volt Battery included, Optional 9DC-100 power supply available
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