Electro Harmonix Battalion Bass Preamp & DI – New Electro Harmonix Preamp EQ Distortion Compressor Bass Analogue Guitar Effect Pedal
£149.00
The Electro Harmonix Battalion Bass Preamp offers incredible tone shaping capabilities with comprehensive ins/outs to integrate with any bass rig perfect for the versatile bass player. A 4-band EQ provides shaping across the frequency range while the inbuilt compressor adds extra thump and sustain to your sound. A fully-featured MOSFET distortion section offers further tone…
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The Electro Harmonix Battalion Bass Preamp & DI is in New condition and made by Electro Harmonix , it is a great Preamp EQ Distortion Compressor Bass Analogue Guitar Effect Pedal- The Electro Harmonix Battalion Bass Preamp offers incredible tone shaping capabilities with comprehensive ins/outs to integrate with any bass rig perfect for the versatile bass player. A 4-band EQ provides shaping across the frequency range while the inbuilt compressor adds extra thump and sustain to your sound. A fully-featured MOSFET distortion section offers further tone enhancements letting players infuse their sound with extra crunch and bite when needed. The addition of an XLR allows easy connection to existing rigs while the dedicated level bypass and ground lift controls ensure the player remains in control. Designed for the bassist who prefers to have control over their sound the Battalion Bass Preamp is perfect for any pedalboard in any situation. . Available from Just Pedals for only £ 149 A Compact & Flexible Preamp The Battalion’s compact size hides its incredibly flexible design making it perfect for any pedalboard. A wide selection of controls provides powerful tone shaping while its comprehensive ins and outs allow the pedal to integrate with ay bass rig or application. Two output jacks provide players with a standard output and dry signal output while the XLR out is perfect for directly interfacing with equipment. The XLR also features dedicated level bypass ad ground lift controls for further adjustments to your setup. Excellent Tone shaping Capabilities A wide range of controls provides excellent tone shaping capabilities ensuring bass players can dial in the perfect tone for any situation. A 4-band EQ offers control over the bass lo mids hi mids and treble frequencies letting players find the sweet spot for any playing style. Switching on the pedals compressor adds a thump and sustain to the overall sound and the noise gate helps eliminate any unwanted noise and hum while preserving the attack and original tone of your bass. Fully Features MOSFET Distortion Section Not only can players find the perfect sound for their playing style but the Battalion pedal also offers a powerful distortion section for adding extra dynamics and dimensions to their sound. The MOSFET design lends EHXs signature distortion tones to the pedal capable of producing Muff-esque heavier distortion or near-transparent overdrive versatility is one of the Battalions strong suits. Level blend drive and tone knobs offer all you need to dial in a range of distorted tone with a 3-way switch to select different signal options. Switching to Pre EQ the distortion is set before the pedals EQ allowing players to shape the distorted sound via the 4-band EQ and create a range of different tonal characters. Setting it to post EQ sets the distortion after the pedals EQ allowing players to shape the dry signal before it reaches the distortion. Dry EQ makes the pedals Eq only affect the blended dry signal allowing players to heavily EQ their signal without affecting the distortion. This mode is perfect for simulating dual-amp or dual-channel setups. Features Designed with all-analogue circuitry for a beautifully warm vintage feel Four-band EQ tailored specifically for bass guitar. Includes controls for Bass Lo Mid Hi Mid and Treble Distortion section delivers a powerful selection of distorted bass sounds Distortion features level blend drive and Tone controls with a dedicated footswitch Three signal flow modes provide unique tonal variations Compressor with amount control adds thump and sustain to your bass sound Noise Gate with adjustable threshold control eliminates noise and hum while preserving attack and original tone Flexible ins/outs offers excellent integration in any bass rig or application Balanced XLR output for use as a DI with dedicated level bypass and ground lift controls Comes with an EHX9.6DC-200mA AC adapter Specifications Controls: Volume Gate 4-Band EQ Compression Level Blend Drive Tone -10dB Pad Button Compression Button XLR Bypass Button Ground Lift Button Distortion Mode Switch Distortion Footswitch Bypass Footswitch Input: 1/4″ Jack Input Impedance: 2.2MOhm Outputs: 1/4” Jack 1/4″ Jack Dry XLR Output Impedance: 220Ohm Power: 9V DC Current Draw: 100mA
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Compressor
A compressor pedal is an essential tool used in guitar playing to control the dynamic range of the instrument’s signal. Compressors work by reducing the volume of loud sounds and boosting the volume of softer sounds, effectively narrowing the dynamic range of the guitar signal. This results in a more consistent and sustained sound, with smoother transitions between notes and chords.
Here are the key features and functions of a compressor pedal:
1. **Threshold**: The threshold control determines the level at which the compressor begins to engage. Signals above this threshold are compressed, while signals below it remain unaffected.
2. **Ratio**: The ratio control determines the amount of compression applied to the signal once it exceeds the threshold. For example, a ratio of 4:1 means that for every 4 dB the input signal exceeds the threshold, the output signal will be limited to 1 dB increase. Higher ratios result in more aggressive compression.
3. **Attack**: The attack control sets how quickly the compressor responds to changes in signal level once it exceeds the threshold. A fast attack time will clamp down on peaks more quickly, while a slower attack time allows more transient peaks to pass through unaffected.
4. **Release**: The release control determines how quickly the compressor returns to its normal state after the signal falls below the threshold. A shorter release time will result in quicker recovery to normal signal levels, while a longer release time provides more sustain and a smoother overall sound.
5. **Level (or Output)**: This control adjusts the overall output level of the compressed signal, allowing you to match the compressed signal with the rest of your effects chain or amplifier.
Compressor pedals offer several benefits to guitarists:
– **Increased Sustain**: By levelling out the volume of notes and chords, compressors can extend the sustain of the guitar signal, making notes ring out longer and creating a smoother, more consistent sound.
– **Improved Note Clarity**: Compressors can help even out the volume levels of individual notes within chords, making them sound more balanced and defined. This is particularly useful for fingerstyle playing or intricate picking techniques where note clarity is crucial.
– **Enhanced Dynamics**: While compressors reduce the dynamic range of the signal, they can also enhance the perceived dynamics by bringing quieter passages up in volume, resulting in a more expressive and responsive playing experience.
Overall, compressor pedals are valuable tools for guitarists seeking to control their instrument’s dynamics, increase sustain, and achieve a more polished and professional sound. Whether used subtly to smooth out peaks or aggressively to add punch and presence, compressors can significantly enhance your guitar tone and playing experience.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
On/Off switchControls for Volume, Tone, and SustainDual outputsMini Switch for Bass BoostRugged metal chassisRuns on 9 volt battery (best with Polaroid 9 Volt batteries) or optional AC Adapter (sold separately). The Bass Big Muff Pi Pedal features controls for volume, tone, sustain, dual outputs (effect and dry for recording), and a mini switch for bass boost The Electro-Harmonix Bass Big Muff Pi Distortion Pedal is powered by a single 9-volt battery or optional AC power supply (sold separately)
Gain stage, treble control and signal path optimized for bassists and guitarists who want extended low frequency response Boosted power rails deliver extra headroom and definition Switchable -10dB pad for instruments with higher output User selectable true or buffered bypass modes 9.6DC-200 power supply included. Also runs on 9 Volt battery
Authentic v-tone modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Presence control for definition and upper harmonics plus ultra-musical 2-band eq specifically tuned for bass guitars Output available on ¼' ts or balanced, gold-plated xlr connectors Runs on nine v battery or the behringer psu-sb dc power supply (not included)
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
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