The Darkglass Microtubes B7K Analogue Bass Preamp is a powerhouse of tone sculpting offering unparalleled control over your bass sound. With its Blend control you can seamlessly mix your clean input signal with the overdriven signal ensuring that your bass retains its natural character while adding just the right amount of grit. The Attack switch…
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The Darkglass Microtubes B7K Analogue Bass Preamp is in New condition and made by Darkglass , it is a great Preamp Bass Analogue B7K Microtubes Darkglass Guitar Effect Pedal- The Darkglass Microtubes B7K Analogue Bass Preamp is a powerhouse of tone sculpting offering unparalleled control over your bass sound. With its Blend control you can seamlessly mix your clean input signal with the overdriven signal ensuring that your bass retains its natural character while adding just the right amount of grit. The Attack switch provides further versatility allowing you to boost treble for added clarity and presence or cut high frequencies to tame brightness ensuring your bass cuts through the mix with precision.Meanwhile the Grunt switch offers three levels of bass saturation enhancing low-end dynamics and providing the perfect foundation for your tone. Whether youre in the studio crafting the perfect bassline or on stage delivering a powerful performance the Darkglass Microtubes B7K delivers unmatched sonic versatility and clarity. Plus with features like the Parallel Output for parallel processing this preamp opens up a world of tonal possibilities making it an essential tool for any bass player seeking to take their sound to the next level. . Available from Just Pedals for only £ 295 The B7K Version 2 The Darkglass B7K Preamp is one of their lead pedals on the market for bassists the engineers at Darkglass thought it was time to implement some of their tricks they learned over the years to give the pedal an upgrade it deserves. The pedal’s EQ section is upgrade with extra controls to expand it tone shaping capabilities featuring switches to change their centre frequencies of the lo and hi mid controls allowing players to tailor their ideal distortion tone. Powerful bass preamp The Darkglass B7K is designed to be the ultimate tool to give your bass’ tone extra depth and character offering a tone-crushing overdrive and plenty of controls to shape your sound for any situation. Featuring the dynamic saturation circuitry of their B3K pedal and a powerful 4-band EQ the B7K Preamp offers incredible tone shaping capabilities which allows players to fully explore their creativity. Its also equipped with parallel and direct outputs expanding versatility and letting players seamlessly integrate it into existing rigs. Control options Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob allowing for fine control of the blend ratio. Level: Sets the volume of the overdriven signal. Drive: Sets the amount of saturation in the overdriven signal. Grunt Switch: Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage. Attack Switch: Sets the amount of treble content to saturate: The “Boost” setting emphasises the treble content extra clarity and presence. The “Flat” position leaves this register untouched while the “Cut” position will reduce the amount of high frequencies being saturated. Frequencies: Low +-12dB @ 100Hz | Low Mids: +-12dB @ 1kHz Hi Mids: +-12dB @ 3 kHz | Treble: +-12dB @ 5kHz Low Mids Switch: This switch changes the centre frequency of the Low Mids from 1kHz to 500Hz. Hi Mids Switch: This switch change the centre frequency of the Hi Mids from 3kHz to 1.5kHz. Specifications General Controls: Blend Level Drive Low Lo Mids Hi Mids Treble Switches: Grunt Attack Lo Mids Hi Mids Ground Lift Input: Standard 1/4 Jack Output: Standard 1/4 Jack Parallel Output: 1/4 Jack (Passthrough for Input Signal Useful for Parallel Processing.) Direct Output: balanced XLR (For PA’s or Studio Mixing Consoles) Power Requirements: 9V DC Centre – 2.1mm 30mA Current Draw (Sold Separately) Dimensions Height: 120 mm Width: 106 mm Depth: 45 mm Weight: 0.35 kg
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Darkglass, established in Finland in 2009, is a renowned manufacturer of high-end bass effects pedals and amplifiers. The company is celebrated for its innovative approach to bass tone, focusing on delivering powerful, precise, and versatile sound-shaping tools. Among their standout products are the B7K Ultra and the Microtubes X7, both of which are highly regarded for their rich distortion and overdrive capabilities, as well as their advanced EQ controls. Darkglass pedals are known for their robust build quality and ability to produce a wide range of tones, making them a popular choice among professional bassists looking to enhance their sound with cutting-edge effects and amplification.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
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