Boss RE-202 Space Echo Pedal – New Boss Reverb Preamp Modulation Echo Delay Guitar Effect Pedal
£299.00
The Boss RE-202 Space Echo pedal is the cutting edge of Boss innovation and a brand-new take on one of their most legendary classic pedals from the 70s – the RE-201. Designed to accurately replicate the sound of its predecessor this pedal offers a multi-tape echo delay sound that will transport you to another dimension.…
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The Boss RE-202 Space Echo Pedal is in New condition and made by Boss , it is a great Reverb Preamp Modulation Echo Delay Guitar Effect Pedal- The Boss RE-202 Space Echo pedal is the cutting edge of Boss innovation and a brand-new take on one of their most legendary classic pedals from the 70s – the RE-201. Designed to accurately replicate the sound of its predecessor this pedal offers a multi-tape echo delay sound that will transport you to another dimension. When paired with the original spring reverb as well as many other reverb options youll have an echo sound like no other beneath your feet. Its a sound you can make your own too the RE-202 offers a huge amount of effect controls such as the Wow & Flutter knob which introduces varying levels of tape modulation. You can use the save and select to store up to 127 memories via external MIDI the saturation control brings magnetic tape compression as well as preamp colouration and the tap tempo allows you to time your delay with pinpoint accuracy – helping to elevate your performance to the next level. . Available from Just Pedals for only £ 299 A space-age echo that transports you through time A hugely versatile pedal you’ll be able to combine a vintage sound with all the modern technological perks and harmonics. You can easily access and combine the brand-new features of the RE-202 with the vintage characteristics of the classic pedal. The magnetic tape and preamp behaviours that were feature on the RE-201 originally can be accessed on the RE-202 through the saturation control which will provide compression and warmth to the tone alongside the modulation effect that can be achieved from the Wow & Flutter control. Inspired by a legendary blueprint Designed to accommodate the modern musician the RE-202 now features twice the delay time as well as a tap tempo control allowing for pinpoint accuracy when shaping your delay sound. The fourth virtual tape head unlocks five extra sound combinations and unlike the previous model the RE-202 has a true stereo I/O and selectable operation for guitar and line-level devices. You can also connect external footswitches or expression pedals for additional control and any dry sounds can be manipulated between the warmer full tones of the 201 or the clean zero processing signal. This dry signal can also be muted when your in the studio or aiming to run simultaneous effects out of the same set up. Specifications Output Impedance: Output A (Mono) Output B (1kohm) Recommended Load Impedance: Output A (Mono) Output B: (10kohms) Bypass: Buffered Bypass Controls: On/Off Memory Tap Saturation Wow & Flutter Mode Selector Bass Treble Reverb Vol Repeat Rate Intensity Echo Vol Memory Input Tape Connectors: Input A (Mono) jack Input B jack Output A (Mono) jack Output B jack: 1/4 inch phone type CLT 1 2/EXP jack 1/4 inch TRS phone type MIDI (IN OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB micro B-type (program update only) Power Supply: AC Adaptor Current Draw: 140 mA Modes: 12 Modes Sampling Frequency: 48 kHz
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Echo
An echo pedal, also known as a delay pedal, is a type of guitar effects pedal used to create repetitions or echoes of the original guitar signal. Echo pedals are popular for adding depth, ambiance, and rhythmic patterns to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of an echo pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Echo pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, echo pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, echo pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, echo pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, echo pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, echo pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Modulation
Modulation is a category of guitar effects that alter the characteristics of the audio signal by varying parameters such as pitch, frequency, or timing. These effects add movement, depth, and texture to the sound, allowing guitarists to create dynamic and expressive tones. Common types of modulation effects include chorus, flanger, phaser, tremolo, and vibrato, each of which offers unique sonic characteristics and creative possibilities:
1. **Chorus**: Chorus effect adds thickness and richness to the sound by creating multiple, slightly detuned copies of the original signal. This results in a shimmering, swirling effect reminiscent of a choir or ensemble.
2. **Flanger**: Flanger effect creates a sweeping, jet-like sound by modulating a delayed version of the original signal and mixing it with the dry signal. It produces a distinctive whooshing or swooshing effect that can range from subtle to dramatic.
3. **Phaser**: Phaser effect splits the audio signal into multiple phase-shifted copies and combines them to create a series of peaks and troughs in the frequency spectrum. This produces a swirling, swirling effect that adds movement and dimension to the sound.
4. **Tremolo**: Tremolo effect modulates the volume of the audio signal at a rhythmic rate, creating a pulsating or throbbing sound. It adds a dynamic, rhythmic element to the guitar tone and is often used to create vintage-style surf or tremolo-bar effects.
5. **Vibrato**: Vibrato effect modulates the pitch of the audio signal at a varying rate, creating a subtle, pulsating variation in pitch. It adds a sense of depth and expressiveness to the sound, simulating the natural vibrato of stringed instruments.
Modulation effects can be used individually or in combination with other effects to create complex and layered tones. They are commonly used in various music genres, including rock, pop, funk, and experimental music, to enhance guitar solos, create atmospheric textures, and add movement to rhythm parts. Overall, modulation effects offer guitarists a wide range of creative possibilities for shaping their tone and expression.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo Classic multi-head tape echo sound with expanded delay time Original three-head configuration plus additional tape head for 12 unique echo combinations Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience Saturation control for adding magnetic tape compression and preamp coloration Wow & Flutter control for introducing varying levels of natural tape modulation Choose between new and aged tape conditions Selectable input modes for optimum performance with instruments and line-level gear Warp and Twist effects with footswitch control Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
Premium booster and preamp pedal with analog circuitry derived from legendary BOSS and Roland effects Waza Craft innovation for a premium analog tone experience Versatile design with three selectable modes CE mode reproduces the bright, bell-like preamp sound of the BOSS CE-1 Chorus Ensemble RE mode reproduces the fat, warm preamp sound of the Roland RE-201 Space Echo NAT mode provides a natural clean boost with minimal sound coloration Gain knob controls the amount of saturation introduced into the signal Level knob for controlling the overall volume and driving the inputs of amps and other pedals Selectable standard or vintage input buffer with different tone and response characteristics BOSS five-year warranty
[7 Delay Modes] 7 delay effects including digital, analog, tape, mod, sweep, lofi and reverse. [3 Knobs] MIX is used to control the dry/effect signal ratio. TIME is used to control the delay time from 20ms ~ 838ms. F.BACK is used to control the feedback amount. [Digital Delay Pedal] Digital circuit design, true bypass provides transparent tone. [Durable Guitar Pedal] Whole Aluminium-alloy classic, stable and strong. LED indicator shows the working state. [Notice] DC 9V Adapter power supply. Not Included.
The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types—including the newly developed Arpverb—provide everything from subtle spatial color to complex, dreamy textures for ambient explorations. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. Fast, easy operation with hands-on controls. 127 user memories for storing sounds. Density control with six stages. Param knob to access extended functions within each reverb type. Selectable carryover for maintaining reverb trails when switching presets or bypassing the effect. Stereo I/O with wet/dry and dry mute output options. Two assignable footswitches.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
![[7 Delay Modes] 7 delay effects including digital, analog, tape, mod, sweep, lofi and reverse. [3 Knobs] MIX is used to control the dry/effect signal ratio. TIME is used to control the delay time from 20ms ~ 838ms. F.BACK is used to control the feedb...](https://m.media-amazon.com/images/I/41EUFdvIhyL._SL313_.jpg)
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