Boss AD-2 Acoustic Preamp Guitar Pedal – New Boss Preamp Processor EQ Acoustic Guitar Guitar Effect Pedal
£119.00
The Boss AD-2 Acoustic Preamp Guitar Pedal is an advanced sound processor for performing live with electro-acoustic guitars. Equipped with powerful Boss technology the AD-2 Preamp features an acoustic resonance effect that recreates the tone of an unplugged acoustic guitar. In addition this powerful pedal also includes features such as a notch filter to eliminate…
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The Boss AD-2 Acoustic Preamp Guitar Pedal is in New condition and made by Boss , it is a great Preamp Processor EQ Acoustic Guitar Guitar Effect Pedal- The Boss AD-2 Acoustic Preamp Guitar Pedal is an advanced sound processor for performing live with electro-acoustic guitars. Equipped with powerful Boss technology the AD-2 Preamp features an acoustic resonance effect that recreates the tone of an unplugged acoustic guitar. In addition this powerful pedal also includes features such as a notch filter to eliminate feedback and a balanced DI. With two independent outputs the AD-2 offers flexibility and allows the user to connect to an amp and a PA mixer. As well as providing the perfect tone this high-quality unit also comes in a familiar housing that will sit well on any pedalboard. Robust and compact its built using industry standard Boss engineering to ensure a long-lasting performance. . Available from Just Pedals for only £ 119 AD-2 The Boss AD-2 Acoustic Preamp is designed to capture the true sound of an unplugged acoustic guitar by simply relying on the standard undersaddle piezo pickups. Boss have now designed a compact solution to this common problem and have created an acoustic resonance effect that recreates the complex tonal characteristics of an unplugged acoustic giving you a natural tone that sits well in any mix. This innovative system works by analysing the input signal in real time and uses advantaged processing to recreate the guitars true tone. Acoustic resonance control The Boss AD-2 Acoustic Preamp is the perfect live tool for achieving a great sound easily and quickly as simply twisting the one-knob control adjusts multiple parameters at once – allowing you to get the perfect tonal balance for any style. Ambience effect Using the ambience effect players can dial in a high-quality reverb optimised for any acoustic guitar performance. Unlike other reverb pedals the AD-2 is capable of producing a deep ambience that perfectly complements the instrument’s voice. By turning this dial you can achieve a wide range of superb reverb sounds. Additional features The Boss AD-2 is also fully equipped with two independent outputs for performance flexibility. The easily located output jack is ideal for connecting to an acoustic guitar amp or stage monitor as well as the Line Out connection for sending a balanced signal direct to a PA mixer. If thats not enough the versatile unit also offers low-frequency feedback reduction with an easy-to-use notch filter and the ability to use the footswitch to mute the sound for switching guitars and tuning on stage. Compact structure Like with many pedals from Boss the AD-2 offers a familiar compact chassis along with a durable footswitch for easy access. Its compact structure makes it the perfect addition to any pedalboard. Specifications Nominal Input Level: -20dBu Input Impedance: 10 M ohms Nominal Output Level: -20dBu Output Impedance: Output Jack – 1 kohm Line Out – 600 ohms Bypass: Buffered Bypass Controls: Pedal Switch Acoustic Resonance Ambience Notch Current Draw: 65 mA Dimensions (Width Depth Height): 73 x 129 x 59mm
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Acoustic Guitar
“Acoustic Guitar” isn’t a typical guitar effects pedal type like distortion, delay, or reverb. Instead, it refers to the natural sound produced by acoustic guitars, which don’t require additional effects to be heard.
However, there are effects pedals designed specifically for acoustic guitars that can enhance or modify their sound in various ways. Here are some common types of effect pedals used with acoustic guitars:
Acoustic Preamp/DI: These pedals are designed to enhance the tone of an acoustic guitar when plugged into a PA system or amplifier. They often include EQ controls to shape the sound and may offer features like feedback suppression and phase inversion to mitigate issues commonly encountered when amplifying acoustic instruments.
Acoustic Simulator: These pedals are intended to make electric guitars sound like acoustic guitars. They emulate the resonance, tone, and dynamics of an acoustic instrument, allowing electric guitarists to achieve a more natural sound without switching guitars.
Reverb: Reverb pedals add ambiance and depth to the sound of acoustic guitars by simulating the reverberations of different spaces, such as halls, rooms, or studios. This can create a more spacious and immersive sound, enhancing the overall presence of the acoustic guitar.
Delay: Delay pedals produce echo effects by repeating the guitar signal after a set amount of time. When used subtly, delay can add depth and dimension to acoustic guitar playing, creating a sense of space and movement in the sound.
Chorus: Chorus pedals modulate the guitar signal to create a shimmering, chorus-like effect. When applied to acoustic guitars, chorus can add richness and thickness to the sound, mimicking the lush harmonics of multiple instruments playing together.
Compressor: Compressor pedals regulate the dynamic range of the guitar signal, evening out the volume levels between soft and loud notes. For acoustic guitars, compressors can help maintain a consistent level of volume and sustain, enhancing the overall clarity and presence of the instrument.
These are just a few examples of effects pedals commonly used with acoustic guitars. While acoustic guitars are often appreciated for their natural, unprocessed sound, effects pedals can be used creatively to enhance their tone and expand their sonic possibilities in various musical contexts.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Processor
A processor, in the context of guitar effects and audio equipment, refers to a device or unit that processes and modifies audio signals in various ways. Guitar processors, also known as multi-effects processors, are versatile devices that combine multiple effects and signal processing capabilities into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing tools, allowing for easy access to a diverse palette of tones and textures.
Here are some key features and functions of guitar processors:
1. **Built-in Effects**: Guitar processors typically include a wide variety of effects such as distortion, modulation, delay, reverb, chorus, and more. These effects can be individually selected, customized, and combined to create unique sounds and tones.
2. **Amp Modeling**: Many guitar processors feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles without the need for additional gear.
3. **Presets and Programmability**: Guitar processors often come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Guitar processors offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing users to tailor their sound to suit their preferences. Some processors also support deep editing and customization via computer software or mobile apps.
5. **Expression Pedal Compatibility**: Many guitar processors are compatible with expression pedals, allowing users to control parameters such as volume, wah, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
6. **USB Connectivity and Recording**: Some guitar processors feature USB connectivity, allowing users to connect the unit to a computer for recording, editing, and firmware updates. This makes it easy to integrate the processor into a home recording setup or use it as a digital audio interface.
7. **Integration with Amps and Pedalboards**: Guitar processors can be used standalone or integrated into existing amplifier setups and pedalboards. They offer various connectivity options such as input and output jacks, effects loops, and MIDI compatibility, making them versatile tools for shaping guitar tones in any setup.
Overall, guitar processors provide guitarists with a comprehensive solution for achieving a wide range of tones and effects in a single unit. Whether used for practice, recording, or live performance, guitar processors offer flexibility, convenience, and creative potential for players of all levels and styles.
Acoustic-electric guitar preamp with advanced BOSS sound processing Sophisticated under-the-hood processing with multiple interlocked parameters, accessible with simple stompbox controls Acoustic Resonance reproduces the complex resonance characteristics of an unplugged acoustic Ambience knob provides wide-ranging, studio-quality reverb optimized for acoustic guitar Notch filter for instant feedback reduction Normal output for an acoustic guitar amp and balanced DI output for direct PA connection Sound mute function for switching guitars and tuning on stage
One-Stop Gig Solution for Acoustic Instruments Players with Main Effects needed Analog Preamp with 2-Band EQ recreates a Classic Acoustic Guitar Amplifier, provide a warm, natural sound High Quality Chorus, Delay, Reverb Effects for Different Playing Scenarios Tap Tempo and Tail On/Off function for Delicate Control XLR Output for directly connecting to PA, Mixer or Audio Interface
9v 500mA Regulated, 2.1mm x 5.5mm, Centre Negative Polarity Power Supply Filtered for Zero Hum, Noise Free Operation Spring Mounted Tip for Secure Connection 2 Meter Rounded Thick Cable. Energy Efficient Designed for Musical Equipment
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps Classic "blues" guitar tones with tube amp simulation Warm distortion and overdrive Wide range of distortions from crunch to hard Responds to nuance and volume changes Ideal for guitar, bass and other instruments AC adaptor or 9V battery operation BOSS five-year warranty
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
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