The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals Three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble The rotary switch has three settings: Full EQ, No Mid, and No EQ Low Cut dip switch removes some of the lows if you feel your tone is too muddy and can help you cut through a mix In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp

Delay tuned for slap-back junkies Controls for Slap (time), Mix (delay level), Repeat (number of repeats), and EQ (tone of repeats) Transparent boost is great for getting above the mix or pushing an amp into overdrive Maximum delay time of about 240ms makes dialing in the perfect slap much easier Operates at standard DC Negative 9V

Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA

Gives you the ability to take two inputs and blend them into one output Perfect for putting effects in parallel so that they are not affected by one another When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays” Can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression

Feature1: 73 Tonebender Fuzz Effect Type: Fuzz Technology: Analog Special Features: switchable JHS MOD Mono / Stereo: Mono In, Mono Out