Jim Dunlop Cry Baby Daredevil Fuzz Wah Pedal

£249.00

This is a New Jim Dunlop Cry Baby Daredevil Fuzz Wah Pedal from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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The Cry Baby Daredevil Fuzz Wah fuses the sweet and expressive voice of a modded Cry Baby with a gnarly custom fuzz circuit for a full palette of raw and aggressive tones. This pedal’s origin lies in Daredevil proprietor and builder Johnny Wator’s love for classic vintage circuits and the desire to create bold new sounds.

Inspired by his personal wah-wielding guitar heroes, Johnny fine-tuned this circuit over several years, building them for friends and bandmates, before bringing it to Dunlop for consideration as a new addition to the lineup. The Cry Baby Daredevil Fuzz Wah is the resulting collaboration, and in true Daredevil fashion, it’s straight-forward and downright dirty.

Key Features

  • Fuzz Fusion – Fuses the expressive voice of a modded Cry Baby with a gnarly custom fuzz circuit.
  • Perfect for Instant Lead Tone – Internal pots control pedal output and fuzz intensity.
  • Fuzz Toggle – Heavy-duty baseball bat switch toggles fuzz on and off.
  • Hand Built – With thru-hole components and true bypass switching.
  • Vintage Crackle Finish – Alongside a polished aluminium rocker top and a custom tread.

Specifications

  • Power: 9V DC (Not included)
  • Bypass: True Bypass
  • Finish: Vintage Crackle

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Brand

Jim Dunlop

In the current JustPedals catalogue, Jim Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Volume Pedals. Current listings include MXR GT Overdrive, DVP4 Volume X Mini and Slash Wah. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.