JAM Pedals Red Muck Bass Fuzz Distortion Pedal

£229.00

This is a New JAM Pedals Red Muck Bass Fuzz Distortion Pedal from JAM Pedals, listed in Distortion Pedals on Just Pedals. Read More below.

View Just
more
and ,

The Red Muck is sure to put a few hairs on your chin! Jam Pedals brings you their take on the Sovtek style Muff from the era of big tunes and even bigger tones.

It’s guaranteed to spit out some serious saturation in a fuzz/distortion style, widening your sound to new levels. As well as your standard EQ controls, the Red Muck can be used in symmetrical or asymmetrical clipping modes, offering two general sets of tones. The rest comes down to your personal tweaking – but we’re sure you’ll want to hurry up and get on with the playing.

Here’s what Jam Pedals say about the Red Muck Bass:

The Red Muck puts on a few pounds, grows a new set of sharp teeth and is out to seduce even the most demanding Muff connoisseurs!

A Fuzz-Distortion pedal, inspired from the circuits of the ’71 “triangle” and the later “Red Army / Civil War” Muff. Along with our individual touch, the end result boasts a smoother sound, fatter low end, pronounced midrange and added tonal flexibility through the expanded range of the tone knob. The onboard MIX control allows you to discover your sweet- spot of the Dry / Wet signal ratio, while the second footswitch turns it into a 2-gain-stage pedal!

This pedal is equally capable at fuzzing things up just a bit to add some vintage wooly fatness to your bass lines, as it is at shooting those heavy riffs into sizzling yet controlled mayhem!

Related videos

Brand

Jam Pedals

In the current JustPedals catalogue, Jam Pedals is represented by Overdrive Pedals, Fuzz Pedals and Tremolo & Vibrato Pedals. Current listings include Eureka Fuzz, Ripple Phaser and Chill Tremolo. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.