JAM Pedals Red Muck Bass Fuzz Distortion Pedal

£229.00

This is a New JAM Pedals Red Muck Bass Fuzz Distortion Pedal from JAM Pedals, listed in Distortion Pedals on Just Pedals. Read More below.

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The Red Muck is sure to put a few hairs on your chin! Jam Pedals brings you their take on the Sovtek style Muff from the era of big tunes and even bigger tones.

It’s guaranteed to spit out some serious saturation in a fuzz/distortion style, widening your sound to new levels. As well as your standard EQ controls, the Red Muck can be used in symmetrical or asymmetrical clipping modes, offering two general sets of tones. The rest comes down to your personal tweaking – but we’re sure you’ll want to hurry up and get on with the playing.

Here’s what Jam Pedals say about the Red Muck Bass:

The Red Muck puts on a few pounds, grows a new set of sharp teeth and is out to seduce even the most demanding Muff connoisseurs!

A Fuzz-Distortion pedal, inspired from the circuits of the ’71 “triangle” and the later “Red Army / Civil War” Muff. Along with our individual touch, the end result boasts a smoother sound, fatter low end, pronounced midrange and added tonal flexibility through the expanded range of the tone knob. The onboard MIX control allows you to discover your sweet- spot of the Dry / Wet signal ratio, while the second footswitch turns it into a 2-gain-stage pedal!

This pedal is equally capable at fuzzing things up just a bit to add some vintage wooly fatness to your bass lines, as it is at shooting those heavy riffs into sizzling yet controlled mayhem!

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Brand

Jam Pedals

JAM Pedals is a boutique guitar effects pedal company based in Greece, known for its hand-built, vintage-inspired designs.

Founded by George and Vicky Nikas in 2007, the company has earned a reputation for creating pedals that offer warm, analogue tones reminiscent of classic sounds from the ’60s and ’70s. JAM Pedals are distinctive for their artistic, hand-painted enclosures and meticulous craftsmanship.

The company’s product lineup includes a variety of effects such as fuzz, overdrive, delay, and modulation pedals, all of which are designed to provide rich, dynamic soundscapes. JAM Pedals are highly regarded by musicians for their unique combination of creativity, quality, and tonal authenticity.

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced to imitate a pushed amplifier; others offer tight modern gain, scooped aggression or abrasive, gated texture. Gain, tone, presence, bass, clipping options and output headroom determine how the pedal interacts with pickups and the next stage. High gain is not automatically better gain: too much low end before clipping can become woolly, while too much treble after it can turn fizzy. Match the circuit to the amplifier and tuning.

Tags

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.

Fuzz

Pushes a signal into intentionally non-linear clipping, often with strong sustain, compression and harmonic roughness. Fuzz circuits vary widely, from gated splutter to broad, woolly or octave-rich sounds.