Electronic Audio Experiments Longsword Distortion Pedal

£259.00

This is a New Electronic Audio Experiments Longsword Distortion Pedal from Electronic Audio Experiments,Other, listed in Distortion Pedals on Just Pedals. Read More below.

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Founded in 2015 and hailing from Boston, Massachusetts, Electronic Audio Experiments are more than just a pedal manufacturer, they are "an exploration in sound and texture via electronics". The Longsword Distortion features cascaded gain stages delivering a full range of tones from a clean boost to searing, high gain distortion and everything in between. With controls for bass and treble with an active, frequency-selectable midrange boost/cut control, it's incredibly easy to sculpt a diverse array of overdrive and distortion sounds that are sure to cut through in a mix. The Longsword's broad frequency response ensures it'll work equally as well with guitar, baritone and even bass.

Controls

  • Level – Output volume
  • Drive – Go from light grit to heavy overdrive
  • Low/High – James/Baxandall tone stack (shelving filters)
  • Mid – Active midrange boost/cut
  • Shift – Selects frequency controlled by Mid pot
  • Diode – Selects between clipping diodes, to alter dynamics and headroom
  • Up – MOSFET clipping, medium compression
  • Center – No diodes, minimal compression
  • Down – Silicon diode clipping, maximum compression
  • Boost (Footswitch) – Engages a front end mid boost
  • Boost (Knob) – Adds up to 20dB of gain when the Boost is engaged

Specifications: 

  • Bypass: Relay switching with true bypass
  • Input impedance @ 1 Khz: 500kΩ
  • Output impedance @ 1 Khz: 1kΩ
  • Power: 9V DC, 2.1 mm center negative barrel. The current draw is 75 mA.
  • We recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.  

Brand

Electronic Audio Experiments,Other

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.