Electronic Audio Experiments Longsword Distortion Pedal

£259.00

This is the Electronic Audio Experiments Longsword Distortion Pedal from Electronic Audio Experiments,Other, listed in Distortion Pedals on Just Pedals. Read More below.

View Just
more
and

Founded in 2015 and hailing from Boston, Massachusetts, Electronic Audio Experiments are more than just a pedal manufacturer, they are "an exploration in sound and texture via electronics". The Longsword Distortion features cascaded gain stages delivering a full range of tones from a clean boost to searing, high gain distortion and everything in between. With controls for bass and treble with an active, frequency-selectable midrange boost/cut control, it's incredibly easy to sculpt a diverse array of overdrive and distortion sounds that are sure to cut through in a mix. The Longsword's broad frequency response ensures it'll work equally as well with guitar, baritone and even bass.

Controls

  • Level – Output volume
  • Drive – Go from light grit to heavy overdrive
  • Low/High – James/Baxandall tone stack (shelving filters)
  • Mid – Active midrange boost/cut
  • Shift – Selects frequency controlled by Mid pot
  • Diode – Selects between clipping diodes, to alter dynamics and headroom
  • Up – MOSFET clipping, medium compression
  • Center – No diodes, minimal compression
  • Down – Silicon diode clipping, maximum compression
  • Boost (Footswitch) – Engages a front end mid boost
  • Boost (Knob) – Adds up to 20dB of gain when the Boost is engaged

Specifications: 

  • Bypass: Relay switching with true bypass
  • Input impedance @ 1 Khz: 500kΩ
  • Output impedance @ 1 Khz: 1kΩ
  • Power: 9V DC, 2.1 mm center negative barrel. The current draw is 75 mA.
  • We recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.  

Brand

Electronic Audio Experiments,Other

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.