JHS Pedals The Unicorn V2, Analog Bulb Driven Uni-vibe w/ Tap Tempo Pedal
£229.00
Here's what JHS say about the Unicorn V2In 2015 we brought you the Unicorn V1 …the world's first bulb-driven photocell modulator with tap tempo…our very own Uni-Vibe if you will. This Spring 2018 we are proud to bring you the Unicorn V2!Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969," and Robin…
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The JHS Pedals The Unicorn V2, Analog Bulb Driven Uni-vibe w/ Tap Tempo Pedal is in New condition and made by JHS Pedals , it is just a great Pedal Tempo Tap w/ Uni-vibe Driven Bulb Analog V2, Unicorn The Pedals JHS Guitar Effect Pedal-
Here's what JHS say about the Unicorn V2
In 2015 we brought you the Unicorn V1 …the world's first bulb-driven photocell modulator with tap tempo…our very own Uni-Vibe if you will. This Spring 2018 we are proud to bring you the Unicorn V2!
Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969," and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries.
Just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.
Sounds as good as you remember The Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units. – Sounds like the originals because it’s built like the originals – All-analog signal path delivers a warm, touch-sensitive tone – Dry/Wet toggle selects between a Uni-Vibe* and vibrato effect
In-depth tempo control There are other analog vibe pedals and there are pedals with tap-tempo control, but – if we’re allowed to gloat for a second – the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions – or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn – and you have one of the most versatile vibe pedals on the market. – Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch – Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob – LED indicator notifies you of the effect’s tempo, even when disengaged
External tempo and expression control But wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-co . Available from Just Pedals for only £ 229 + delivery. Read More for details, demos & to order securely online.
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
Just New products for sale, unused, and in their original packaging. They come with a protected seller guarantee and include manufacturer warranties. Read more for additional details.
Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Uni-vibe Photocell Modulator w/ Tap Tempo All-Analog signal path delivers a warm, touch-sensitive tone Dry/wet toggle selects between a Uni-Vibe and Vibrato effect Left two controls are your tone, right two controls are your speed, toggle is your effect Requires standard 9V DC negative power
Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier Three-band EQ sets the Violet apart from our other popular distortion pedals Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool Single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to
Simple yet effective tool to boost/cut the perfect amount of midrange frequencies Sweepable midrange frequency to find the perfect EQ to slice through any mix Will boost +10dB with EQ flat Sweepable center frequency from 400Hz to 7.5kHz Requires standard 9V DC Negative power, consumes 13mA
Overdrive that simulates the touch, ringtone and character of the broad learned in his first era 1935-1968 It has volume, tone and drive controls and a Gain 2-position selector that acts like many of the 50/60's wide with high/low inputs The lower position is for clean and dark sounds, on the top you will have more volume, saturation
Retains original guitar sound without altering clarity or treble Very low noise and high amplitude that allow you to use it as Boost with saturation pedals. With the Blend button you can add the desired amount of source signal and with the EQ button you can light up or darken the bell. Works with both Humbuckers and Single Coils. Features an XLR output to connect to a console or studio interface.
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