JHS Pedals Mary-K Legends Of Fuzz – New JHS Pedals Guitar Effect Pedal
£179.00
The JHS Pedals Legends Of Fuzz Mary-K is a tribute to the legendary fuzz circuits of the past offering an authentic recreation of the iconic Kay Fuzz Tone. This pedal has been designed to take you on a journey through time and space allowing you to experience the raw and untamed sound of vintage fuzz.…
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The JHS Pedals Mary-K Legends Of Fuzz is in New condition and made by JHS Pedals , it is a great Fuzz Of Legends Mary-K Pedals JHS Guitar Effect Pedal- The JHS Pedals Legends Of Fuzz Mary-K is a tribute to the legendary fuzz circuits of the past offering an authentic recreation of the iconic Kay Fuzz Tone. This pedal has been designed to take you on a journey through time and space allowing you to experience the raw and untamed sound of vintage fuzz. With its faithful recreation of the historic circuit this pedal will offer up all the classic tones associated with this beloved effect. The Mary-K features two knobs for controlling Gain and Frequency as well as an expression pedal input for adjusting Frequency. This allows for unprecedented control over your tone and enables you to achieve sounds that would otherwise be impossible. Whether youre looking to recreate those classic 60s tones or go wild with your own unique sound this pedal has got you covered. The Mary-K also features a plastic chassis which helps reduce unwanted noise in high electromagnetic interference environments. So plug in and get ready to experience some truly legendary fuzz! . Available from Just Pedals for only £ 179 A legendary fuzz pedal The JHS Pedals Legends Of Fuzz Mary-K is a faithful recreation of the iconic Kay Fuzz Tone from the late 1960s. This classic fuzz pedal was designed as a low-cost version of the Shin-ei/Univox Superfuzz and has been used by many legendary musicians including The Edge of U2. The Mary-K pays homage to this iconic pedal allowing you to recreate its classic sound with modern features. With JHSs hyper attention-to-detail when it comes to replicating sought-after circuits its sure to become an essential part of your rig. Classic tone and responsiveness The Mary-K features two controls – Volume and Frequency – allowing you to easily shape your sound. The Volume control adjusts the level of output whilst the Frequency control adjusts the amount of fuzz. This classic fuzz pedal offers a wide range of tones from subtle to searing with a responsive and dynamic sound. The Mary-K also features an expression pedal output offering purists the same heel/toe control as the original. Product Name: JHS Pedals Legends Of Fuzz Mary-K Effect Type: Fuzz Audio: Mono Bypass: True Bypass Connectors: 1/4″ Input 1/4″ Output Expression Jack (use a TRS cable to plug in an external expression pedal and control the frequency response while playing) Power Requirements: 9V battery or 9V DC Negative Center Power Supply (PSU not included) Current Draw: 4mA Dimensions: 5.68″ x 3.62″ x 2″ Weight: 0.85 lbs.
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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1969 Kay Fuzz Tone Replica Dimensions: 5.68 X 3.62 X 2 Inches Weight: 0.85 lbs This pedal requires 9V DC negative center. 4MA consumption. Do not use more than 9V DC, or your warranty will be voided. The Mary-K does allow for battery operation via a single 9V battery. Just loosen the two rear screws from the enclosure and the backplate will swing open. On the inside you will see a battery clip to install the battery into.
Compact and versatile tone-machine When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup G1 flipped up adds a touch of drive for more riffy grit G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
Mini toggle switch selects between chorus and Vibrato effects Three available waveform types (sine, square, and triangle) Intuitive controls for volume, EQ, speed, and depth Control the rate with the onboard speed knob or tap tempo footswitch Requires standard 9V DC negative power
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA
Small Booster. Dynamic boost adds definition and clarity. After 50% it begins to break up the valve amp for an authentic overdrive, finally achieving a tremendous sustain with a warm fuzz. It can reach up to 27dB. Operates at 9V DC Negative power and consumes less than 100mA.
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