Behringer FCV100 V2 Volume and Modulation Pedal – New Behringer Guitar Effect Pedal
£30.00
The Behringer FCV100 V2 Volume and Modulation Pedal is a powerful two-in-one pedal that controls all the dynamics of your playing. Use your foot to alter the volume giving you hands-free control over your level. It also functions as an expression pedal when connected to devices with correct input. With adjustable minimum volume the level…
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The Behringer FCV100 V2 Volume and Modulation Pedal is in New condition and made by Behringer , it is a great Pedal Modulation and Volume V2 FCV100 Behringer Guitar Effect Pedal- The Behringer FCV100 V2 Volume and Modulation Pedal is a powerful two-in-one pedal that controls all the dynamics of your playing. Use your foot to alter the volume giving you hands-free control over your level. It also functions as an expression pedal when connected to devices with correct input. With adjustable minimum volume the level of expressiveness is totally up to you; regardless of how you use it though the VCA control ensures reliability and remarkably smooth performance. Expressiveness made easy tailor your dynamics with ease while keeping your hands free. . Available from Just Pedals for only £ 30 Features Volume control of 1 stereo or 2 individual musical instruments Dedicated modulation function for direct connection to keyboards modulation control input VCA control for utmost reliability and smooth audio performance Adjustable minimal volume Standard 9 V battery or 12 V DC adapter operation (not included) Battery “low” indicator Ultra-compact road-suitable housing Designed and engineered in GermanySpecifications Product code: FCV100 V2 Current consumption: 7 mA Input impedance: 300 Ohm Output impedance: 560 Ohm Resistance of the potentiometer: 50 kOhm Dimensions: 256 x 72 x 125 mm Weight: 1238 g
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Behringer is a prominent manufacturer of audio equipment, including mixers, amplifiers, signal processors, synthesizers, and digital effects units, known for their affordability and wide range of products. Founded in 1989 by Uli Behringer, the company has grown rapidly to become one of the largest manufacturers of audio equipment in the world.
Behringer’s product lineup covers a broad spectrum of audio equipment, catering to musicians, audio engineers, DJs, and live sound professionals. The company offers a variety of mixers, ranging from compact analog mixers for home studios to digital mixers with advanced features for live sound and recording applications.
In addition to mixers, Behringer produces a wide range of amplifiers, including guitar amps, bass amps, and powered PA speakers, as well as signal processors such as equalizers, compressors, and effects units. Behringer synthesizers, like the DeepMind series, have also gained popularity for their affordability and impressive sound quality.
Behringer is known for its commitment to providing high-quality audio equipment at affordable prices, making professional-grade gear accessible to a wide range of musicians and audio enthusiasts. However, the brand has also faced criticism and controversy over issues related to intellectual property rights and product cloning. Despite this, Behringer’s extensive product lineup continues to be popular among musicians and audio professionals seeking reliable and affordable audio solutions.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Modulation
Modulation is a category of guitar effects that alter the characteristics of the audio signal by varying parameters such as pitch, frequency, or timing. These effects add movement, depth, and texture to the sound, allowing guitarists to create dynamic and expressive tones. Common types of modulation effects include chorus, flanger, phaser, tremolo, and vibrato, each of which offers unique sonic characteristics and creative possibilities:
1. **Chorus**: Chorus effect adds thickness and richness to the sound by creating multiple, slightly detuned copies of the original signal. This results in a shimmering, swirling effect reminiscent of a choir or ensemble.
2. **Flanger**: Flanger effect creates a sweeping, jet-like sound by modulating a delayed version of the original signal and mixing it with the dry signal. It produces a distinctive whooshing or swooshing effect that can range from subtle to dramatic.
3. **Phaser**: Phaser effect splits the audio signal into multiple phase-shifted copies and combines them to create a series of peaks and troughs in the frequency spectrum. This produces a swirling, swirling effect that adds movement and dimension to the sound.
4. **Tremolo**: Tremolo effect modulates the volume of the audio signal at a rhythmic rate, creating a pulsating or throbbing sound. It adds a dynamic, rhythmic element to the guitar tone and is often used to create vintage-style surf or tremolo-bar effects.
5. **Vibrato**: Vibrato effect modulates the pitch of the audio signal at a varying rate, creating a subtle, pulsating variation in pitch. It adds a sense of depth and expressiveness to the sound, simulating the natural vibrato of stringed instruments.
Modulation effects can be used individually or in combination with other effects to create complex and layered tones. They are commonly used in various music genres, including rock, pop, funk, and experimental music, to enhance guitar solos, create atmospheric textures, and add movement to rhythm parts. Overall, modulation effects offer guitarists a wide range of creative possibilities for shaping their tone and expression.
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Volume control of 1 stereo or 2 individual musical instruments Dedicated modulation function for direct connection to keyboard’s modulation control input VCA control for utmost reliability and smooth audio performance Polarity switch to match various effect units, keyboards and MIDI controllers Adjustable minimum volume
Pushes distortion to the extreme by producing crushing, bottom-heavy distortion for modern metal and hard rock Dual distortion with gain boost circuitry to give you super thick and heavy distortion with brutal low-end punch and endless sustain Dedicated gain boost, distortion, tone, bottom and level controls for awesome sound shaping Blue status led for effect on/off and battery check Runs on nine v battery or the behringer psu-sb dc power supply (not included)
Create a monster sound by adding two additional tones using your guitar—one and two octaves below the original tone . Dedicated volume controls for all three tones for awesome sound shaping . Flexible three- mode range switch allows ultimate bass performance. Blue status led for effect on/off and battery check . First-class electronic on/off switch for highest signal integrity in bypass mode . The UO300 has no on/off switch. As soon as you insert the jack into the connector, the UO300 begins running. When not using the UO300 remove the jack from the connector. This extends the life of the battery . Note-Product is designed as a distortion pedal, it is designed to create a buzzing noise, product also quotes that it will track single notes only.
11 Mode Digital Modulation adding multiple Sonic Dimensions to your Tone, providing more Possibilities for your Tonal Palate Chorus, Vibrato, Flanger, Phaser, Tremolo, Univibe, Auto Wah, Bitcrush with 3 Knob controls Tap Tempo Function for Real-time RATE Control True Bypass Footswitch of Guitar Effects Pedal keeps a clean Signal Path Guitar Effects Pedal working with 9V Center Negative Regular Pedal Power Supply(not included)
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