Your tone at its best. Start your signal chain off the right way. The Strymon Compadre Dual Voice Compressor & Boost offers a quality analogue compression that once youve plugged in youll never want to unplug. Youll notice a difference in every aspect of your rig from the pickups tubes and capacitors to speaker cabinets.…
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The Strymon Compadre Dual Voice Compressor & Boost is in New condition and made by Strymon , it is a great Boost & Compressor Voice Dual Compadre Strymon Guitar Effect Pedal- Your tone at its best. Start your signal chain off the right way. The Strymon Compadre Dual Voice Compressor & Boost offers a quality analogue compression that once youve plugged in youll never want to unplug. Youll notice a difference in every aspect of your rig from the pickups tubes and capacitors to speaker cabinets. Its the upgrade youve been looking for. And the sound from your amp will leave your jaw on the floor. The Class A JFET input circuit studio quality compression and musically voiced boost circuits will make your amp sound better than it ever has. And this little powerhouse has even more to offer. With two distinct voices built-in you can choose between transparency or vintage vibes. When you trigger the Boost control you can enjoy either clean or dirty tones with an EQ curve of your choice. If you want to add a distinct improvement to your effects and amp the Compadre Dual Voice is ready to be well just that? your Compadre. . Available from Just Pedals for only £ 285 Two is better than one Studio and Squeeze. Two modes of compression modes you didn’t even realise you were missing. Flick the switch to ‘Studio’ and the volume spikes caused by any uneven pick velocity on your strings will be levelled out. However if you choose ‘Squeeze’ you’ll have near-endless sustain. Strymon have modelled this mode after vintage compressors meaning it gives more tonal expression which in turn makes it particularly supreme alongside single-coil pickups. So whatever your genre you can sculpt the compression to your needs. …but three is better than two Treble Mid and Flat. That’s what’s on offer with the Compadre’s boost. And you can switch between clean or dirty clipping stages meaning you get a whole load of tricks for your money here. So what can it do? Well tightening your bottom end is easy with the ‘Treble’ setting give your mid-range all the beef you could wish for with ‘Mid’ and finally if you want to boost your entire range to the max then choose ‘Flat’. You’ll be able to explore a tonal landscape from crystal clear intonation to saturated bite. Don’t choose have both Analogue or digital. There are positives to both. And the Compadre incorporates this in a bid to have the two working together in harmony. Although the effects are analogue with the compressor being VCA based and the boost powered by a Class A JFET input circuit this pedals MIDI compatibility is digital. It works by transforming MIDI signals to analogue letting you recall your favourite presets. So you don’t have to mess around trying to recreate the perfect tone you found last night. Be ready to take the next leap into quality. Specifications Casing: Anodized dark red aluminum Compressor signal/noise: 109 dB typical Inputs: High impedance ultra low-noise discrete Class A JFET preamp Outputs: Low impedance mono VCA Volume Power: 9 volts DC center-negative with a minimum of 150mA of current Dimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)
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Strymon is an American company renowned for producing high-end, digitally-powered guitar effects pedals that deliver studio-quality sound. Founded in 2009 as a part of Damage Control Engineering, Strymon quickly gained a reputation for its innovative approach to effects, particularly in areas like delay, reverb, and modulation. Their pedals are known for their pristine sound quality, versatility, and deep customization options, often utilizing powerful digital signal processing (DSP) to emulate and enhance analogue sounds. Strymon’s products, such as the Timeline delay, BigSky reverb, and Mobius modulation, are highly regarded by both professional and amateur musicians for their ability to create rich, complex soundscapes. The pedals also feature intuitive controls and rugged construction, making them a staple on pedalboards worldwide.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Compressor
A compressor pedal is an essential tool used in guitar playing to control the dynamic range of the instrument’s signal. Compressors work by reducing the volume of loud sounds and boosting the volume of softer sounds, effectively narrowing the dynamic range of the guitar signal. This results in a more consistent and sustained sound, with smoother transitions between notes and chords.
Here are the key features and functions of a compressor pedal:
1. **Threshold**: The threshold control determines the level at which the compressor begins to engage. Signals above this threshold are compressed, while signals below it remain unaffected.
2. **Ratio**: The ratio control determines the amount of compression applied to the signal once it exceeds the threshold. For example, a ratio of 4:1 means that for every 4 dB the input signal exceeds the threshold, the output signal will be limited to 1 dB increase. Higher ratios result in more aggressive compression.
3. **Attack**: The attack control sets how quickly the compressor responds to changes in signal level once it exceeds the threshold. A fast attack time will clamp down on peaks more quickly, while a slower attack time allows more transient peaks to pass through unaffected.
4. **Release**: The release control determines how quickly the compressor returns to its normal state after the signal falls below the threshold. A shorter release time will result in quicker recovery to normal signal levels, while a longer release time provides more sustain and a smoother overall sound.
5. **Level (or Output)**: This control adjusts the overall output level of the compressed signal, allowing you to match the compressed signal with the rest of your effects chain or amplifier.
Compressor pedals offer several benefits to guitarists:
– **Increased Sustain**: By levelling out the volume of notes and chords, compressors can extend the sustain of the guitar signal, making notes ring out longer and creating a smoother, more consistent sound.
– **Improved Note Clarity**: Compressors can help even out the volume levels of individual notes within chords, making them sound more balanced and defined. This is particularly useful for fingerstyle playing or intricate picking techniques where note clarity is crucial.
– **Enhanced Dynamics**: While compressors reduce the dynamic range of the signal, they can also enhance the perceived dynamics by bringing quieter passages up in volume, resulting in a more expressive and responsive playing experience.
Overall, compressor pedals are valuable tools for guitarists seeking to control their instrument’s dynamics, increase sustain, and achieve a more polished and professional sound. Whether used subtly to smooth out peaks or aggressively to add punch and presence, compressors can significantly enhance your guitar tone and playing experience.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Premium analog VCA (Voltage Controlled Amplifier) compressor circuits Two voicing options: smooth studio compression and hard pedal style compression Independently controlled clean or dirty boost circuit with 3 EQ options Dirty boost option provides overdrive when boost is engaged DRY Knob lets you blend the dry signal with the compressed signal to preserve attack transients
12 studio-quality reverb machines Programmable, 300 editable presets Freeze and Infinite Sustain functions With +/- 3 dB boost/cut, programmable by preset Optional Killdry mode mutes the signal without effect to use the pedal in parallel effects loops; Feeder included
Chorus/Flanger/Phaser Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
Distortion for Guitars Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
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