Boss MT-2W Waza Craft Metal Zone Distortion Pedal – New Boss Guitar Effect Pedal
£130.25
The Boss MT-2 Metal Zone Guitar Effects Pedal offers an all-analog upgrade to the generation-defining distortion pedal. The Standard mode provides an improved update to the original MT-2 sound with greater clarity while Custom mode modernises the timbre and gives greater polish with a widened frequency range improved dynamic response and tightened low end. The…
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The Boss MT-2W Waza Craft Metal Zone Distortion Pedal is in New condition and made by Boss , it is a great Pedal Distortion Zone Metal Craft Waza MT-2W Boss Guitar Effect Pedal- The Boss MT-2 Metal Zone Guitar Effects Pedal offers an all-analog upgrade to the generation-defining distortion pedal. The Standard mode provides an improved update to the original MT-2 sound with greater clarity while Custom mode modernises the timbre and gives greater polish with a widened frequency range improved dynamic response and tightened low end. The sweepable mid boost/cut still allows you to flick back and forth between old school mid-scooped metal tones and much fatter doomier mid-heavy sounds now just with an expanded range. This is complemented by the astonishing amount of gain this pedal can deliver. . Available from Just Pedals for only £ 130.25 Upgrading the mythical MT-2 How do you upgrade an icon? Go analog! The unique dual-stage gain circuit from the original has been fully re-built using independent all-analog components. This means greatly reduced noise and improved clarity all without losing its signature mid-range character. If you’re an ultra-high gain player that means this pedal will only add to your sound without any unwanted noise. The biggest addition is the new Custom mode which gives a much wider frequency range tightens the low end and gives a greater dynamic response. Its also been expanded from 2 to 3-band EQ for even greater tonal control. This along with the new premium buffer for even quieter operation when not in-use gives an added sheen to one of the most aggressive distortion pedals ever devised. Secrets of the Metal Zone The Boss MT-2 Metal Zone is one of the most complex dirt pedals in existence and has probably the most sophisticated (and least understood) tone control circuit on any mass-market pedal. In simple terms you’ve got the input buffer the pre-distortion tone shaping circuit the gain stage and clipping diodes the post-distortion tone shaping circuit the High and Low tone controls and the sweepable Mid tone control. The pre-distortion tone shaping gives a notable “mid hump”. If you put a wah pedal in front of a distortion pedal you’ll find you can alter the tone of the distortion by moving the wah. This what’s going on here: a peak in the frequency response is being created to boost mid-range and shape the sound of the distortion. Next is essentially a two-stage clipping circuit. At minimum gain there’s just enough signal to make the diodes conduct so it generates a light crunch. As the gain gets up to x8 or more the op-amp will start to clip too and the boosted output will be clipped hard by the diodes. So this gain control doesn’t just go to 11 it goes way up to 252! By that point all that is left is a ridiculously heavily clipped signal. After the diodes we’ve got our raw distortion with as much gain and crunch as anyone could possibly want. Then comes a filter that gives a soft lowpass action and removes some treble. The post-distortion tone shaping is a more sophisticated version of the pre-distortion tone shaping circuit and has two gyrators and therefore two peaks in the frequency response. The sweepable mid control is in essence a semi-parametric EQ and gives a cut or boost of 15dB. Whereas on many other distortion or overdrive pedals the chosen op-amp or clipping diodes have a major influence on the outputted sound in the MT-2 it’s really all about frequency response. Heavily shaped at every stage those frequency responses determine the sound of the pedal much more than component choice ever would. That initial mid-hump before the distortion high-gain double clipping and then the scooped-mid response after it gives the pedal its signature tone. Add to that the high degree of tonal control that comes from the powerful EQ and you’ve got a successful pedal- you just need to know how to use it. Specifications Nominal Input Level: 20 dBu Input Impedance: 1 M ohm Nominal Output Level: 20 dBu Recommended Load Impedances: 10 k ohms or greater Bypass: Premium buffered bypass for dependable tone Controls: High Mid Low Level Distortion and Mode Input jack: 1/4-inch phone type Output Jack: 1/4-inch phone type Power Supply: Alkaline 9 V 6LR61 batter (Approx. 18 hour life) or AC power adaptor (sold separately) Dimensions:73mm (W) x 129mm (D) x 59mm (H) Weight: 440g / 1lbs
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Metal
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Premium Waza Craft pedal with all-analog audio circuitry Innovative dual-stage gain circuit built with discrete analog components Standard mode updates the famous MT-2 Metal Zone sound with improved clarity and lower noise Custom mode delivers full-throttle gain tones with wider range, increased dynamics, and tighter low end Powerful three-band EQ provides intense sound customization with High, Low, and sweepable Midrange and up to 15 dB boost/cut on each band Premium buffer for clean and clear tone when bypassed Made in Japan BOSS five-year warranty
Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the slightly milder sides of its personality can be heard on tracks from mainstream to shoegaze. After years of requests from hardcore HM-2 fans, the iconic stomp is now reborn three decades later in a special Waza Craft edition. The HM-2W delivers the authentic analog sound of the original in all its glory, coupled with lots of modern refinements for enhanced performance. Standard mode delivers the original HM-2 tone with lower noise and maximized level. Custom mode provides a more aggressive sound variation with special Waza Craft tuning. Premium buffer for clean and clear tone when bypassed. BOSS five-year warranty.
Introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever. The DS-1 is the top-selling BOSS compact pedal ever. DS-1W is the latest version of the legendary DS-1, upgraded and hand built in Japan with Waza Craftsmanship for the ultimate BOSS tone experience. Newly revised two-stage gain circuit with discrete analog components. Standard mode delivers the legendary sound of the original DS-1. Versatile Tone knob provides wide-ranging frequency control fine-tuned for each modended range and versatility whilst retaining the look and character of the DS-1. Two modes offer increased versatility when the pedal is used as a gain booster. Premium buffer for clean and clear tone when bypassed.
Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick, saturated sound is perfectly suited for metal styles and is also great for playing heavy rhythms and soaring solos in other genres. Iconic high-gain distortion pedal Innovative dual-stage gain circuit produces thick and tight distortion sounds with smooth, singing sustain Three-band active EQ with semi-parametric midrange provides intense sound customization with up to 15 dB boost/cut on each band. Easy to achieve massive, satisfying sounds at any volume level. BOSS five-year warranty.
Passionately designed by the master engineers at BOSS in Japan, the Waza Craft BD-2W delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the BD-2W takes the classic Blues Driver grit to a new level with all-discrete analog circuitry. Waza Craft innovation for a premium analog tone experience. Premium sound based on the classic BD-2 Blues Driver. Newly revised, all-analog discrete amplifier circuit. Standard and Custom sound modes. Highly responsive to picking dynamics and volume changes. Made in Japan.
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