EarthQuaker Devices Avalanche Run V2 Delay & Reverb – New EarthQuaker Devices Guitar Effect Pedal
£339.00
The EarthQuaker Devices Avalanche Run V2 Delay & Reverb is the second incarnation of the Avalanche Run pedal featuring an updated algorithm to improve its stereo image and deliver an enhanced performance. Equipped with a powerful proprietary DPS the Avalanche Run recreates all the classic characteristics of iconic delays and reverb machines while retaining a…
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The EarthQuaker Devices Avalanche Run V2 Delay & Reverb is in New condition and made by EarthQuaker Devices , it is a great Reverb & Delay V2 Run Avalanche Devices EarthQuaker Guitar Effect Pedal- The EarthQuaker Devices Avalanche Run V2 Delay & Reverb is the second incarnation of the Avalanche Run pedal featuring an updated algorithm to improve its stereo image and deliver an enhanced performance. Equipped with a powerful proprietary DPS the Avalanche Run recreates all the classic characteristics of iconic delays and reverb machines while retaining a simple and flexible workspace for an incredible playing experience. With its wide selection of controls and offering up to 2 seconds of delay this pedal is the perfect choice for delivering wide ambient soundscapes filled with depth dynamics and subtle hints of sonic beauty. Offering three modes to choose from tap tempo with subdivision and an expression input for external control over the pedals controls the EarthQuaker Devices Avalanche Run V2 is the perfect way to take your sound to new levels of ambient exploration. . Available from Just Pedals for only £ 339 V2 Updates The Avalanche Run V2 is designed with an updated algorithm to deliver an enhanced stereo image delivering incredible sounding reverbs and delays for an enhanced playing experience. This pedal also features several other minor improvements to deliver an enhanced performance ensuring players can deliver the best sound possible. Delivers Incredible Reverb & Delay Tones The Avalanche Run pushes the world of reverb and delay in a completely new direction ideal for guitarists who are constantly on the look out for devices that can push their sound to new heights. Its delay section delivers everything from tape emulation to bucket brigade styles while the huge cavernous and plate-style reverb features just a touch of modulation for an extra layer of depth. Unique magical sounding reverse delay and swell reverb settings are accessible through an easy access 3-way switch and its expression dial can map any function to an expression pedal. The multitude of tones you can produce with the Avalanche Run are beyond any stretch of the imagination. Controls Time: This controls the delay time and goes goes up to 2 seconds. Repeats: Controls the regeneration of the delay from zero repeats to near infinite. Tone: Controls the tone for the delay line only. Roll off highs to the left roll off lows to the right and get a flat response in the middle. Mix: The is the volume control for the delay line blending in the wet with dry until 1 o’clock. 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up decreases the amount of dry signal until fully wet. Expression Jack Assign Switch: Use this switch to map the expression jack to one of the assigned controls. Decay: Controls the decay length of the reverb short decay counterclockwise long cavernous decay clockwise. Ratio Selector Switch: Selects delay subdivisions when time is set by the Tap switch. EarthQuaker Devices’ High-Quality Construction The Avalanche Run V2 is hand-made in Ohio USA and features an all-analogue dry-through signal path. It features premium components and is housed in a rugged metal chassis designed to survive a long life on your pedalboard. Its top-mounted jack sockets provide easy integration into your setup letting you pack your pedals side-by-side to maximise your pedalboard space. Features Stereo reverb and delay V2 features an updated algorithm for an even better stereo image 3 delay modes to choose from; Normal Reverse and Swell Tap tempo with subdivision control Expression input provides hands-free control over pedal parameters True bypass & analogue dry through retains original signal Silent soft-touch switching offers quiet operation Top-mounted jacks for effortless pedalboard implementation Specifications Controls: Time Repeats Tone Mix EXP Decay Mix Ratio Max Delay Time: 2 Seconds Inputs: 2 x 1/4″ Jack Expression Outputs: 2 x 1/4″ Jack Power: 9V DC Power Supply Construction: Built by hand in Ohio USA
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EarthQuaker Devices is renowned for its innovative and high-quality guitar effects pedals. Some of their most popular products include the Avalanche Run, a versatile stereo reverb and delay pedal, and the Afterneath, known for its unique and atmospheric reverb sounds. The Hoof Fuzz is another favorite, offering rich, creamy fuzz tones, while the Plumes delivers a fresh take on the classic overdrive pedal. Each pedal is handcrafted with meticulous attention to detail in Akron, Ohio, and is celebrated for both its robust build and distinctive sound-shaping capabilities.
We are pleased to offer a wide selection of EarthQuaker Devices products for sale online in the UK, with efficient postage options available. Whether you’re looking for the lush modulations of the Sea Machine chorus or the dynamic range of the Dispatch Master delay and reverb, our inventory is well-stocked to meet your needs. Browse our extensive catalog to find the perfect addition to your pedalboard, and enjoy the convenience of having these exceptional pedals delivered straight to your door.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Controls Time: This controls the delay time and goes from 0ms to just under 2000ms. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.
Gear Hero Exclusive Purple Sparkle New custom-built enclosure, Flexi-Switch silent relay based switching for traditional latching or momentary operation, and updated reverb algorithm for improved stereo imaging A dreamy sonic discovery device with up to 2 seconds of delay time and a lush reverb. Features complete control over delay time, repeats, mix and voice (with the tone control), as well as control over the reverb length and mix It can run in one of 3 different modes to really play with your tone: Normal, Reverse and Swell Features an expression jack that can be assigned to one of six different controls using the 'EXP' selector switch Also runs in 'True Bypass' or 'Buffered Bypass' mode for trails and features 5 different tail lengths including 'Infinite' for lo-fi and continuously degrading pseudo-looping Made with care by human hands in Akron, Ohio
4 5/8'' x 2 1/2'' x 2.25'' with knobs Any standard 9 volt DC power supply with a negative centre 2.1mm barrel. No battery option. Depth: Sets reverb intensity Dwell: Adjusts the length and thickness of the decay. Attack: Sets the delay of the pick attack on the wet signal from 30ms-150ms.
Controls Mix: The Mix control is a wet/dry blend that adjusts the overall level of the affected signal. Time: Sets the delay time from 0ms to 1500ms (1.5 seconds). Reverb: Controls the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb. Repeats: controls the regeneration of the delay signal. When the Repeats control is set to maximum, you’ll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.
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