Spectacularly versatile overdrive. The Electro Harmonix Operation Overlord Overdrive is suited to multiple instruments. Delivering rich stereo overdrive and distortion with an incredibly wide range of sonic characteristics the Operation Overlord features an intuitive set of controls that make it easy to dial in that perfect tone. Operation Overlords Normal mode uses three JFET gain…
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The Electro Harmonix Operation Overlord Allied Overdrive is in New condition and made by Electro Harmonix , it is a great Overdrive Allied Overlord Operation Harmonix Electro Guitar Effect Pedal- Spectacularly versatile overdrive. The Electro Harmonix Operation Overlord Overdrive is suited to multiple instruments. Delivering rich stereo overdrive and distortion with an incredibly wide range of sonic characteristics the Operation Overlord features an intuitive set of controls that make it easy to dial in that perfect tone. Operation Overlords Normal mode uses three JFET gain stages to produce a tube amp-style response and tone whilst the Boost mode adds that classic pedal-style overdrive circuit before the JFET stages for even dirtier sound capabilities. The pedals interface consists of a three position switch that lets you select the correct input level for your instrument along with active Treble Mid and Bass controls plus a Dry Blend control for exceptional tone sculpting. Being fully stereo capable the Operation Overlord is a perfect addition to any musicians arsenal regardless of instrument. . Available from Just Pedals for only £ 141.25 Normal vs Boost The Operation Overlord enables you to use the pedal in two modes: Normal or Boost. The Normal mode uses three JFET gain stages to achieve a tube amp-style overdrive for low to medium gain sounds. When in Normal mode you can use the Gain control to determine the precise amount of overdrive you desire. The Boost mode engages a classic pedal-style overdrive circuit before the JFET stages for increasing the overall distortion and dirt. The Boost mode can be engaged via the Boost footswitch and is active when the blue LED is lit. In Boost mode both the Gain and Boost knobs are active and the Boost knob controls how much additional gain is fed into the main JFET circuit. The Boost circuit can also be configured to operate on its own without the JFET gain stages by locating the slide switch inside the pedal and sliding it to the option labeled “BOOST INDEPENDENT.” This disables the Gain and Boost control knobs and allows the other controls to function normally when only the blue LED is lit and the red LED is not. Engaging the normal mode (noticeable by the red LED being lit) the pedal will function as normal. Controls Gain: Controls the amount of overdrive/distortion. Turning clockwise increases the amount of input gain. Boost: This controls the amount of extra gain fed into the main circuit when the Boost and Normal modes are engaged (both LEDs lit). Turning clockwise increases the amount of distortion. Dry: Mixes a clean unaltered signal with the distortion produced by the pedal. At minimum the output will be completely overdriven with no dry signal. At the maximum position the signal will be completely dry with non of the Operation Overlords overdriven/distorted signal. This is ideal for maintaining the harmonic integrity of your playing which is perfect for keyboard or bass guitars. Its also great for stacking the Operation Overlord with other drive pedals or if you are playing through an overdriven amp. Input Lvl: Controls the overall input level of your instrument into the Operation Overlord. Use to see an appropriate gain level for a variety of different instruments. Setting the switch to HI is recommended for low level instruments such as guitars with single-coil pickups or vintage electric pianos. Setting the switch to NORM is recommended for guitars equipped with humbuckers and most modern keyboard workstations. Use the LO setting for high output instruments such as some synthesizers and boosted guitars. Bass: Active control for the bass frequency range. Mid: Active control for the middle frequency range. Treble: Active control for the treble frequency range. Vol: Controls the overall volume output of the Operation Overlord. Turning clockwise increases the overall output level. Bypass Footswitch & Red LED: Toggles whether the Operation Overlord is engaged or in buffered bypass mode. When the pedal is engaged the red LED will be lit. Boost Footswitch & Blue LED: Toggles Boost mode on and off. When Boost mode is engaged the blue LED will be lit. L / R Input Jacks: 1/4 jacks for providing either mono or stereo input. Using the L input will transfer the signal in mono. L / R Output Jacks: 1/4 jacks for providing either mono or stereo output. Using the L output will transfer the signal in mono. 9V Power Jack: For connecting the EXH9.6DC 200mA AC adapter into the top of the pedal. The Operation Overlord requires a minimum of 90mA with a center negative plug. Features Silent foot-switchable Normal and Boost modes to provide distortion/overdrive tones ranging from mild to heavily saturated The Normal mode uses three JFET gain stages to deliver tube amp-style response and sonic characteristics The Boost mode adds a classic pedal-type overdrive circuit before the JFET gain stages to deliver even more dirt Three-position switch allows you to select the correct input level for your instrument Ideal for Guitar Bass Keyboards and almost every other electronic instrument Active EQ with Treble Mid and Bass controls Dry blend allows you to add your dry signal to your wet signal for even more tonal versatility Comes complete with a standard EHX 9.6DC200mA power supply Buffered bypass Specifications Input Impedance: 1 M Ohm Output Impedance: 220 Ohm Power Required: 9V 90mA minimum Input Connections: 2 x 1/4 Left & Right Output Connections: 2 x 1/4 Left & Right Dimensions: 2.75 (W) x 4.5 (L) x 2.1 (H) / 70mm (W) x 115mm (L) x 54mm (H) Power Adapter Included: EHX 9.6DC200mA Power Supply
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Compact, yet feature laden overdrive and distortion pedal Create sounds from ranging boost without the grit and sweet crunch all the way to intensely saturated overdrive and thick distortion 3-position input level switch lets you set the initial input gain level for a variety of instruments including guitar, bass and keyboards. Active 3-band EQ for superlative tone shaping In Normal Mode three amp-like JFET gain stages provide low to medium gain sounds
JRC4558 IC based pedal Symmetrical overdrive adds edge and gain without compromising tone Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix True bypass
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