Boss LMB-3 Bass Limiter Enhancer Effects Pedal – New Boss Guitar Effect Pedal
£92.30
Boss LMB-3 Bass Limiter Enhancer Effects – Smoothes out your playing by eliminating harsh volume peaks even when using dynamic slap and pop techniques. Ratio and Threshold knobs allow precise control of limiting parameters.
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The Boss LMB-3 Bass Limiter Enhancer Effects Pedal is in New condition and made by Boss , it is a great Pedal Effects Enhancer Limiter Bass LMB-3 Boss Guitar Effect Pedal- Boss LMB-3 Bass Limiter Enhancer Effects – Smoothes out your playing by eliminating harsh volume peaks even when using dynamic slap and pop techniques. Ratio and Threshold knobs allow precise control of limiting parameters. . Available from Just Pedals for only £ 92.3 The LMB-3 affords complete control over a bass guitars dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Features/Specifications: Full control of bass guitars dynamic range via threshold level and ratio knobs Enhancer provides increased bass clarity and presence AC adaptor or 9V battery operation Further Specs: Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Recommended Load Impedance: 10 k ohms or greater Residual Noise Level: -86 dBu (IHF-A Typ.) Connectors: INPUT Jack OUTPUT Jack AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V) AC Adaptor Current Draw: 17 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Size and Weight ( incl. battery ): (W) 73 mm 2-7/8 inches (D) 129 mm 5-1/8 inches (H) 59 mm 2-3/8 inches (Wt.) 0.4 kg 1 lbs.
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Effects
An effect is a modification applied to the instrument’s sound to alter its tonal characteristics, dynamics, or spatial properties. Effects can be achieved through electronic devices such as pedals, processors, or built-in effects units, and they offer a wide range of sonic possibilities.
Musicians use effects to enhance their sound, create unique textures, and expand the expressive capabilities of their instruments across various musical genres.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Full control of bass guitar's dynamic range via threshold level and ratio knobs Enhancer provides increased bass clarity and presence AC adaptor or 9V battery operation BOSS five-year warranty
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
Compact compression/sustainer pedal with high-quality circuitry Compresses loud signals and boosts softer signals for a smooth overall sound Onboard Level, Tone, Attack and Sustain controls for precise tonal shaping Low-noise design for super-quiet operation BOSS five-year warranty
Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance Brings together the best of its predecessors; the vintage warm mono tones of the 1982 OC-2 and the range-extending poly mode of the OC-3 – plus so much more The Poly mode enhances your chord playing; with the Range knob setting the note range where the effect is applied. The Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available in both Vintage and Poly modes, extends your creativity further. Use it on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads A dedicated mode switch optimizes the tracking engine for guitar or bass – for super-accurate response and natural feel with no latency AC adaptor not included, optional BOSS PSA adaptor recommended.
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