Universal Audio LA-2A Studio Compressor – New Universal Audio Overdrive Distortion Compressor Boost Guitar Effect Pedal
£185.75
The Universal Audio LA-2A Studio Compressor is here to deliver rich studio-quality tones. This pedal brings the unique sound character and feel of the original optical tube limiter right down to the meticulously replicated transformers tubes and T4 optical cell distortions. It will enhance your performance by lending your instruments a unique touch whether its…
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The Universal Audio LA-2A Studio Compressor is in New condition and made by Universal Audio , it is a great Overdrive Distortion Compressor Boost Guitar Effect Pedal- The Universal Audio LA-2A Studio Compressor is here to deliver rich studio-quality tones. This pedal brings the unique sound character and feel of the original optical tube limiter right down to the meticulously replicated transformers tubes and T4 optical cell distortions. It will enhance your performance by lending your instruments a unique touch whether its ringing clean tones or single-note guitar lines. The Teletronix LA-2A is not just a compressor but also a tone booster thickening your sound with bold tube warmth and pushing your tube amp into a juicy overdrive filled with harmonics and colour. Built to last the LA-2A Studio Compressor is a testament to timeless UA design and craftsmanship. With its switchable true/buffered bypass Stock/Fast switch for quicker attack time and a Mix control for easy parallel compression this pedal offers legendary limiting effects for years to come. Whether youre a seasoned professional or a budding enthusiast the Universal Audio LA-2A Studio Compressor will enrich your tone with sustain a classic-style warmth and an enviable consistency! . Available from Just Pedals for only £ 185.75 Experience the rich classic tone of the legendary limiter Immerse yourself in the rich classic tones of the LA-2A Studio Compressor designed to replicate the awe-inspiring sound and feel of our iconic optical tube limiter. This pedalboard-friendly version perfectly captures the essence of the original hardware delivering all of its captivating tones and timeless feel right at your feet. Its like having the legendary limiter renowned for its hand-wired craftsmanship in a compact portable format. Enhance your musical expression with gentle dynamics control and natural sustain The Universal Audio LA-2A is more than just a compressor – its an instrument enhancer. Whether its crystal-clear tones distinct guitar notes or accentuating the richness of bass synths and keys this magical pedal infuses your music with a touch of classic character. It faithfully reproduces the large three-dimensional sound of the original hardware complete with its transformers tubes and T4 optical cell distortions right on your pedalboard. Dive into the warmth of a vintage tube circuit with the sturdy compact stompbox Even without deploying its compression capabilities the Universal Audio LA-2A Studio Compressor is a tone-elevating powerhouse. It accentuates your sound with bold tube thickening effortlessly pushing your glowing tube amp into satisfying overdrive bursting with rich harmonics and vibrant colour. Engineered for durability the LA-2A Compressor combines legendary limiting effects switchable true/buffer bypass a Stock/Fast switch for speedy attack time and a Mix control for effortless parallel compression promising years of unmatched performance. Specifications Product Name: Universal Audio LA-2A Studio Compressor Product Code: GPS-LA2A Power Requirements: Isolated 9VDC center-negative 250mA minimum (sold separately) Inputs: 1 x 1/4” TS unbalanced Outputs: 1 x 1/4” TS unbalanced USB Type-C: For updates via computer Height: 5.81 cm 2.29 inches Width: 6.55 cm 2.58 inches Depth: 12.07 cm 4.75 inches Weight: 0.659 lbs (0.299 kg)
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Universal Audio (UA) is a prominent manufacturer of professional audio hardware and software, widely respected for its analog modeling technology and high-quality audio interfaces. Founded in 1958 by Bill Putnam Sr., Universal Audio has a rich history in the recording industry, having played a significant role in the development of early recording equipment and studio consoles.
Today, Universal Audio is best known for its range of audio interfaces, including the popular Apollo series, which combine high-resolution audio conversion with onboard processing power to run UA’s acclaimed UAD-2 plug-in platform. The UAD-2 platform offers meticulously modeled analog emulations of classic studio gear, including preamps, compressors, equalizers, and reverbs, allowing musicians and producers to add the warmth and character of vintage analog equipment to their digital recordings.
In addition to audio interfaces and plug-ins, Universal Audio also manufactures standalone hardware processors, such as the UAD-2 Satellite and UAD-2 PCIe cards, providing additional DSP power for running UA’s plug-ins in professional studio environments. With a commitment to quality, innovation, and capturing the essence of classic analog gear, Universal Audio remains a trusted name among audio professionals worldwide.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Compressor
A compressor pedal is an essential tool used in guitar playing to control the dynamic range of the instrument’s signal. Compressors work by reducing the volume of loud sounds and boosting the volume of softer sounds, effectively narrowing the dynamic range of the guitar signal. This results in a more consistent and sustained sound, with smoother transitions between notes and chords.
Here are the key features and functions of a compressor pedal:
1. **Threshold**: The threshold control determines the level at which the compressor begins to engage. Signals above this threshold are compressed, while signals below it remain unaffected.
2. **Ratio**: The ratio control determines the amount of compression applied to the signal once it exceeds the threshold. For example, a ratio of 4:1 means that for every 4 dB the input signal exceeds the threshold, the output signal will be limited to 1 dB increase. Higher ratios result in more aggressive compression.
3. **Attack**: The attack control sets how quickly the compressor responds to changes in signal level once it exceeds the threshold. A fast attack time will clamp down on peaks more quickly, while a slower attack time allows more transient peaks to pass through unaffected.
4. **Release**: The release control determines how quickly the compressor returns to its normal state after the signal falls below the threshold. A shorter release time will result in quicker recovery to normal signal levels, while a longer release time provides more sustain and a smoother overall sound.
5. **Level (or Output)**: This control adjusts the overall output level of the compressed signal, allowing you to match the compressed signal with the rest of your effects chain or amplifier.
Compressor pedals offer several benefits to guitarists:
– **Increased Sustain**: By levelling out the volume of notes and chords, compressors can extend the sustain of the guitar signal, making notes ring out longer and creating a smoother, more consistent sound.
– **Improved Note Clarity**: Compressors can help even out the volume levels of individual notes within chords, making them sound more balanced and defined. This is particularly useful for fingerstyle playing or intricate picking techniques where note clarity is crucial.
– **Enhanced Dynamics**: While compressors reduce the dynamic range of the signal, they can also enhance the perceived dynamics by bringing quieter passages up in volume, resulting in a more expressive and responsive playing experience.
Overall, compressor pedals are valuable tools for guitarists seeking to control their instrument’s dynamics, increase sustain, and achieve a more polished and professional sound. Whether used subtly to smooth out peaks or aggressively to add punch and presence, compressors can significantly enhance your guitar tone and playing experience.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Authentic emulation of iconic Teletronix LA-2A optical tube compressor/limiter, captured in a compact stompbox Perfectly captured end-to-end emulation of vintage transformers, tube amplifiers, and T4 optical cell for fat, three-dimensional tube tones Mix control for easy parallel compression effects True/buffered bypass, Stock/Fast attack switch Timeless UA design and craftsmanship, built for years of reliable performance
【Classic Peak Limiter Compressor】Based on the legendary Peak Limiter, Lax compression pedal can be described as a faithful recreation of the classical FET compressor. Our classic-inspired pedal with a warm and smooth sound carries you back to the old days. 【Versatile Functions】Donner’s compressor pedal features an easy-to-use tone control：SUSTAIN, ATTACK, LEVEL and LIMIT knobs for different uses. These dedicated controls provide you a wide range of sound shaping for your desired effect. 【Two Practical Modes】Equipped with a mode selector switch, Lax guitar compressor pedal allows more dynamics ranging from smooth tone to robust and vivid sound. Signal can be transmitted in two different modes to satisfy various needs of your playing. 【Dynamic and Clear Sound】Donner’s exclusive electronic components and circuit provide more versatility for sound-shaping while still being able to deliver dynamic response. Just relish a classical sound with plenty of brightness and buckets of sustain at yo… read more
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
Get super-smooth compression and endless sustain Compress loud and boost low signals without degrading the original sound Dedicated Level, Tone, Attack and Sustain controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
【Advanced Compressor Pedal】Donner’s comprehensive pedal can smoothen out dynamics between the high and low frequencies without degrading the original sound, offering you a more even and robust sound. 【Versatile Functions】Our Ultimate Comp features an easy-to-use tone control: COMP (compression intensity), TONE (brightness) and LEVEL (output volume) for different uses. These dedicated controls provide you a superb sound shaping. 【Two Practical Modes】The guitar compressor pedal also offers a mode selector switch of NORMAL and TREBLE. Signal can be transmitted in two modes to satisfy various needs of your playing. 【Warm and Classical Sound】Donner’s exclusive electronic components and circuit design provide more versatility for sound-shaping while still being able to deliver dynamic response. Just relish a warm, smooth and classical sound at your gig. 【True Bypass】The true bypass design delivers a transparent tone. During transmission, the signal remains fully intact, passing through the e… read more
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