Your sound – redefined. The Electro Harmonix Attack Decay Tape Reverse Simulator will bring a wealth of unique one-of-a-kind features into your playing. Based on EHXs first Attack Decay from 1980 (a model that routinely sells for over a thousand dollars) this new version brings the originals iconic sound into a unit that offers more…
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The Electro Harmonix Attack Decay Tape Reverse Simulator is in New condition and made by Electro Harmonix , it is a great Volume Envelope Guitar Effect Pedal- Your sound – redefined. The Electro Harmonix Attack Decay Tape Reverse Simulator will bring a wealth of unique one-of-a-kind features into your playing. Based on EHXs first Attack Decay from 1980 (a model that routinely sells for over a thousand dollars) this new version brings the originals iconic sound into a unit that offers more controls and greater usability.Quite simply your music will never be the same again. Because one minute you can enjoy distinctive volume swells in your playing and reverse effects typical of a tape reverse. Then the next youll be making your guitar sound like a violin or playing abrupt staccato notes with the decay dial turned down. And a poly envelope filter will let you add effects to each individual note. A revelation. . Available from Just Pedals for only £ 123.07 The iconic sound of a classic pedal Its based on a legend. The EHX Attack Decay manages to retain all of what made the original so popular in the first place. Youll still enjoy the distinctive volume swells and reverse tones that are capable of giving your music a unique undeniably cool edge. Add sharp jolting staccato into your playing by turning the decay knob down low. Or play with the sound of a bowed instrument for an individual classical touch. Its not hard to see why original models sell for numbers in the thousands – this is a pedal that gives you a wealth of choice. A whole new world of possibilities The classic sound of the past in a pedal with a ton of features youll think are from the future. Not only does the Attack Decay boast all of the awesome features heard earlier its loaded with a stack of new functionalities that really set it apart from anything else out there. Firstly theres the poly envelope setting. This lets you apply volume alterations to each individual note you play. So alongside the classic single envelope taken from the original youve got a myriad of ways to change your sound. And thats just one effect – theres a truckload more features. Built-in compression and distortion effects send and return expression pedal input. Youve got a universe of options. And thats without telling you that the Attack Decay has three preset slots. This means you can find a tone thats perfect for you then save it and quickly recall it on stage. For three different settings. So incessantly tweaking and adjusting dials onstage to find the sound thats right will be a thing of the past. Experience an easy-to-use pedal with endless potential. Crafted by the kings of effects Made by the best. Electro Harmonix founded in New York City in 1968 have rightfully earned their place in the history of popular music. Their effects boxes have been heard in the work of some of the industrys greatest artists for 50 years. Their initial breakthrough came with the invention of the Big Muff Pi pedal in 1969 – which was quickly adopted by Jimi Hendrix and used to help him craft his own instantly recognisable sound. Electro Harmonix had already passed into rock legend – and theyd barely been around a year. They continued to release pedals that were viewed as the very best out there – time and time again. As such the list of esteemed artists who were Electro Harmonix fans grew. And fast. You can track their pedals through some of the best music released across the decades. Pink Floyd in the 70s. New Order and U2 in the 80s. Then Red Hot Chili Peppers Nirvana Oasis Radiohead and more in the 90s. All the way up to the present day with Jack White and Arctic Monkeys. Electro Harmonix are the effects masters. Its time for you to experience why. Features Volume envelope manipulation w/adjustable “Decay” and “Attack” times Mono Mode – One volume envelope at a time. The envelope resets when a new note is played Poly Mode – Gives each note played its own envelope Built-in adjustable EHX fuzz to enhance volume effects and help produce bowed instrument sounds Effects loop built in allowing for other pedals to be inserted into volume envelope CV or expression pedal control over every knob Up to three presets to save and recall Specifications Model Name: Electro Harmonix Attack Decay Tape Reverse Simulator Country of Origin: United States Power Supply: EHX 9.6V DC-200mA (Included) Current Draw: 150mA at 9V DC Dimensions: 4″ x 4.75″ x 2.25″
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Envelope
An envelope filter effect pedal is a type of audio effect that alters the sound of an instrument based on the dynamics of the player’s performance, specifically how loudly or softly they play. It works by using an envelope follower, which tracks the amplitude (volume level) of the signal and controls a filter that modulates the sound accordingly. The result is a distinctive sound where the filter’s cutoff frequency is swept up or down in reaction to the player’s attack, creating a “wah” or “quack” effect.
Envelope filters are commonly used in genres like funk, electronic, and rock to add a dynamic, expressive quality to the sound. The pedal can produce a range of tones, from subtle, smooth sweeps to more pronounced, percussive filter effects. The effect is most noticeable when playing with strong dynamics, such as heavy picking or fingerstyle playing, as the intensity of the filter changes in real-time. Some popular envelope filter pedals include the Electro-Harmonix Q-Tron and the MXR Envelope Filter, both of which allow players to shape the effect’s response with adjustable sensitivity, attack, and filter range for greater tonal control.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
The classic chorus! The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles True bypass 9-volt Battery included, Optional 9DC-100 power supply available
Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation. The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter. Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery. Adjustable Swell function creates bowed, fade in and reverse effects. True stereo operation, can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out.
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